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Unicase with alternates (a, e, m, n, u...). You can find also an extra "&" at the ™ glyph and a "c" at the ¢. Inspired on the wonderful Goliath (1970) by Vincent Pacella, but with its own personallity.
Paris, Berlin, Moscow in the 1920s... Art Deco, Bauhaus, Konstruktivizm... Effervescent people! This font is for Sandrine, the woman with white hat in the picture, and for all the people who together built the world. See also ztefan and zergei.
When I saw the New Year's greeting from the great geneus1 I started to think about how a font would look with the height of the capital letters equal to the lowercase x. This is the result. I hope you like it as much as I do.
This is a cloneThis is zimmera without scratches, more usable for general purposes. Thanks to @frongile for encouraging me to add it here. Hope you like it.
This is a clone of zimmera eYe/FSThis font is a not too curious case. It comes after trying to prove to myself (with a high percentage of satisfaction, but not quite yet) that FS can allow me to create pro-looking fonts. I am thinking, for example, of zerena, zchreibengroß, zimmera, zenando, zenantoo, zanze, zinckel and others like that. Every time I finish a font that has taken me a long time to complete, I feel the need to look back and do something more relaxed and simple. Thus, without any pretense but feeling fun and friendly, zikiya was born. Hope you like it.
Another "little" font: only 1,5 bricks x-height (2 bricks for the upercase) with 2:2 filters. Inspired -just only the rounded aspect- by the great Frankfurter font, whose original (heavy) weight was designed by Bob Newman in the Letraset studio and issued in 1970. In 1978, Medium (the only style to include a lowercase, by Alan Meeks) and Highlight (by Nick Beishaw) were added. Inline (by Studio) followed in 1981. Our well know FSr escaphandro build Choripán, an excellent actualization of the classic font. BTW, my accents and other few glyphs must be improved. WIP.