A caps-only font, stylised and inspired by the font used in Japanese quiz show THE TIME SHOCK. It's quirky, retro-futuristic, and I might add katakana/hiragana if I can be bothered.

You can't use this font, it's not yet finished.

I published this because I just want to know what would happen if I published a fontstruct.

Here's a preview of my first font I made in fontstruct. I initially made this font in Geometry Dash level editor (yeah, you've read it right) and left unfinished and I decided to reconstruct the font here in fontstruct.

Fontstruct is really good font creating website (I wish there was offline app/software version of fontstruct). I've encountered an annoying jumbled brick bug, but fortunately I've manage to fix the bug, by replacing "my bricks" with the correct bricks from below (don't know how to explain).

Pixel Font

Pixel Display font

Working under the theme of 'Rebirth', I have focused my first font on the idea of post-war architecture, or otherwise commonly known as modernist/brutalist architecture. Buildings constructed following the Second World War were built using new technologies of construction. These types of designs were known for their use of modern materials such as concrete and steel as well as their interesting geometrical forms. I was heavily influenced by the architecture featured in Owen Hopkins' book 'Lost Futures' which looks at the disappearing architecture of post-war Britain and how changing external contexts played a role in the subsequent destruction of these buildings. 

This is my first Fontstruction.The process was not so esay I did many attempts and this is the final result. The font was inspired by Gothic architecture

A modern take on the in-game font from Knuckles' Chaotix for the Sega 32X.

(additional characters and diacritics to come soon!)

A lovely spiky, modern font. I went a bit DIN with the diacritics. I had to be a bit creative with the curve gradients, here.

A bold, rounded, mono spaced typeface;  useful at various scales, I think.  Designed primarily for use in English,  also useful in French and Spanish.  It's functionality in Greek is limitted, only really useful in a display context, or where only Demotic usage is required; not useful in Katharevousa, Koine, Classical, etc.  Open Font Liscence, hope it is enjoyable and of use.

Cacoethes: A font meticulously built to have only true curves and one diagonal angle. Unkerned and under development. Thoughts, suggestions, and clones welcome!

See also: Cacoethes Bold

This was a fun one to experiment with. A lot of fonts I've done here have been done with strict design rules. It's fun to break them once in a while.

Cacoethes: A font meticulously built to have only true curves and one diagonal angle. Unkerned and under development. Thoughts, suggestions, and clones welcome!

See also: Cacoethes Regular

See more:

https://fontstruct.com/fontstructions/show/1830864/ooio

https://www.fontstruct.com/fontstructions/show/1718422/cheburashka-1

https://fontstruct.com/fontstructions/show/1704334/bodypositive

https://fontstruct.com/fontstructions/show/1577348/matryoshka-1

Friends, I'm asking for help! Which "R" do you prefer? The one with the straight, or curved leg? I'm split, because personally I much prefer the straight leg, but curved seems more consistent with the rest.

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The term "sidereal" (/saɪˈdɪəriəl/) refers to a measurement of time based on the position of stars. 

Industrial, geometric, display, extended, modern, uniform weight. Based on a 2-brick tall grid. Inspired by Microgramma/Eurostile and the Terminator logotype. 

"Prototype" means that this is not the final verison. In this case, FontStruct has been used as a fantastic preliminary design tool. But due to its limitations, the font will have to be reworked. Not by much - only the ⅝ roundings will be made circular in a traditional font editor, I'll be introducing optical improvements, and real kerning will also be implemented. 

FontStruct's kerning tool is extremely rudimentary (understandable), and honestly, because of that, I left the kerning in a really messy state, it's kind of beyond repair at this point, as I don't really know what's what anymore. Oh, and also - due to limitations of the nudge tool, the ampersant (&) is offset to the right by half a brick, I tried to fix it with kerning as well, and it kinda works, but that will be fixed in the final version, outside FontStruct.

Такой агрессивный футуристический стиль стал считаться геймерским. И теперь представьте, что он ещё и светится!

Such an aggressive futuristic style has become considered gaming style. And now imagine that it also glows!

Perhaps this is the limit of my capabilities.

See more:

https://fontstruct.com/fontstructions/show/1501135/lazzaro-1

https://fontstruct.com/fontstructions/show/1598518/cryostasis-vempire

https://fontstruct.com/fontstructions/show/1747945/stepforward-1

https://fontstruct.com/fontstructions/show/1735833/logic-16

https://fontstruct.com/fontstructions/show/408191/telamon

https://fontstruct.com/fontstructions/show/477501/largo

See more:

https://www.fontstruct.com/fontstructions/show/1679938/foo-skaure-1

https://www.fontstruct.com/fontstructions/show/1501135/lazzaro-1

https://www.fontstruct.com/fontstructions/show/161744/mac_lab_pf_005

Schlanke Schöne is a tall condensed geometric sans serif typeface.

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The idea behind this font was to experiment with making interresting letterforms, with fewest possible resources. In other words, fewest possible default core bricks, no filters and mostly without expert mode. The only expert mode funtion I did use was "stack" bricks to make a small number of resized compositions and composite sloped angles. The total amount of different bricks used in the font is 20.

The font design is a simple, fairly straight forward looking sans, but due to this the end result also is pretty legible and clean. I was able to get most of the features done within the design parameters, such include optical correction, diacritics, stylistic alternates and swash capitals.

Very simple, but playful fun...

The stylistic alternates and swash capitals have been stored in the "Halfwidth and Fullwifth Forms" unicode block.

Hope you like it,

cheers

A work in progress.

See more:

https://fontstruct.com/fontstructions/show/1747945/stepforward-1

https://fontstruct.com/fontstructions/show/795996/chibby

https://fontstruct.com/fontstructions/show/1687576/caramba-1

https://fontstruct.com/fontstructions/show/1404093/blopp-1

https://www.fontstruct.com/fontstructions/show/666067/quinquepuncta

As seen on SiivaGunner's Jet Set Radio Evolution event! Credit isn't required, but is always appreciated!

Future Competition entry 1

A different take on the "glitched" concept (hopefully - I haven't seen anyother font that "glitched" diagonally).

See also: 

https://fontstruct.com/fontstructions/show/1748618/encrypt-ed

Идея шрифта в том, что он шикарно выглядит при любой разрядке.

See more:

https://fontstruct.com/fontstructions/show/1679938/foo-skaure-1

My submission for 2020's competition, "Future".

Enjoy*

See more:

https://www.fontstruct.com/fontstructions/show/166748/fs_abc_etc

https://fontstruct.com/fontstructions/show/1681132/webweb-1

https://www.azfonts.ru/families/asterisk.html

https://www.azfonts.ru/load_font/augmented-regular.html

https://fontstruct.com/fontstructions/show/1207590/empty_botses

https://fontstruct.com/fontstructions/show/1791562/greekiew

Let not the death of our elders be the demise of our ways of life. Let not the passage of time be measured in the passing of languages beyond all living memory.

Based on the Lakota orthography © 1982 Leroy C. Curley.

Extended character and symbol set by William Leverette