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This is a serif font inspired by Black Letter, the Wild West, and Stencil typography. The characteristic slash through each character makes this font unique and effective at large sizes. Angular yet refined, Ye Old Stencil will add a distinctive and antique touch to any project.
The font I’ve created is in response to the brief ‘analogue or lofi’.
I chose to look into the theme of analogue, influenced by stone carving and black letter. Black letter is a style of font you only really see done in capitals hence my decision to create a lower case one.
A not-so-tiny pixel blackletter font. A bunch of alternates in the Private Use Area.
If you’d like to use this font in a project of yours (incl. need more glyphs, for example; or if you have any other inquiries), let me know via my Google Form.
This is a cloneA tiny pixel blackletter font.
A very light-hearted attempt at extending the TES: Arena blackletter’s charset. Also out of the original games’ technical constraints in terms of spacing and width.
See also TES Arena Blackletter for a much more faithful and strict adaptation of the original font.
This is a clone of TES Arena BlackletterI tried to stay faithful, including character spacing, and only glyphs present are the ones I could find in the game files, with very few exceptions (Ñŵ) reserved for alternates.
Ñ is an alternate of uppercase N present in the font files with modified swashes and thus slightly narrower than the one used in the main menu. ŵ is an alternate lowercase W present in the font files that’s one pixel higher up that the one used in main menu.
← and → are two arrow characters found in the font files. I am unsure which specific glyphs they technically represent, so any hints on that are welcome.
See also TES Arena Blackletter Extended for my own attempt at extending the charset and improving certain characters and their spacing or width.
good lord this is gonna take forever...
i need to fix the 2, man
This font is based off of a font called "1942 Quadrata", or known by it's demo name, "1942 Quadrata Lim" by GLC. I'll try to give as much vibe as the original font I can for this!! ^_^
Extra glyphs, like the ".s." glyph, and alternate glyphs, can be found in Private Use.
8-Bit Blackletter evokes the feel of a traditional newspaper masthead, which often feature bold, blackletter typefaces to signify heritage and trust. By combining this classic and more analoge style with the pixelated digital aesthetic, this creates a nostaligc yet contemporary feel, blending the historical weight of print journalistm with the blocky, simplified look of digital type. This makes it perfect for design referancing both past and present.
As the name suggests this is not any kind of recreating, just playing with some ideas in old fashioned style, this time 1/4 thicker thank first try...
This is a clone of [P]seudoRundgotischSelf proclaimed keeper of truth and wisdom, this oracle doesn't beat about the bush.
All knowing or convinced of it's own importance and brilliance, it is bound to make bold statements without hesitation, leaving all non-believers in it's shadow.
Orakol is made to be seen, felt and heard from a great distance. Shouting out all sorts of preposterous prophecies.
This is a cloneBased on FFF Forward Regular
Small changes were made some characters but the biggest change is the improved compatability with 3D software such as Blender.
- fixes issues with the font topology ommiting certain faces
Recreation of the large pixel font from Ocean's "Hunchback: The Adventure" (1986) on the Amstrad CPC, Commodore 64, and ZX Spectrum.
This font is used as a versal/raised capital.
Only the characters present in the game's tile set have been included.
Recreation of the pixel font from Ocean's "Hunchback: The Adventure" (1986) on the Amstrad CPC, Commodore 64, and ZX Spectrum.
Only the characters present in the game's tile set have been included.