HeavyComp entry

Kerning in progress. Look german sample for caps. Сaps more Rock, lovercase more futuristic. UC letters O and Q connect with other letters, lc O Q is slightly larger and does not.

See more:

https://fontstruct.com/fontstructions/show/1694938/cryostasis-vempire-1

https://fontstruct.com/fontstructions/show/1702409/voron-2

https://fontstruct.com/fontstructions/show/1922854/moroz-4

https://fontstruct.com/fontstructions/show/480702/en_zelo

https://fontstruct.com/fontstructions/show/178543/bevelicious

HeavyComp entry

Ailurophilia FS is a heavy display font shaped like heavy cats.

Ailurophilia means an affinity to cats.

FS stands for FontStruct, of course.

The bold version of Krmbpr.

Runic was the hardest charset to make bold glyphs of. Try to avoid using runic with the bold font whenever possible.

STF_LIQUID DISCO (Solid) - Sollid filled style variation on:

Liquid Disco (Outline)

=====================================

The "Heavy Competition" was the perfect excuse to finaly blow some new life in this older project.

=====================================

This font family is a funky looking display sans. The original outline version was inspired by music advertisement and psychedelic arts.

This follows up on the first version with a rock solid filled glyph.

I hope you like it, cheers!

A bold, retro, geometric font for all your totally outrageous needs

VEROORDEELD - A geometric slab serif

This is a small type family with two style variations, see links bellow!
 • Display    Bold contrasted display version    ◄- U are here!
 • Text        Light weight monostroke version

i made some very questionable design choices in this font

a typeface inspired by the music of this artist, billboard lettering and brutalism

You can find an additional "S" in the "§" glyph. There are also new ligatures "ff" and "tt" which are in the places of "fi" and "fl". Enjoy, please.

A serif study. Yes, A/V/W directions are flipped. Diacritics etc added later so they might not match 100%

Could be inspired by db Mangold. Found this in my collection of unfinished fonts and considered to be something worth to publish. Maybe as a motivation to finish at least Basic Latin.

(Name is random typing on keyboard, as always. Seems like it has a meaning in Russian language. If requested, I can change the name…)

A mono code-scripting typeface, was intentionally to be a sequel to my unsuccessful FontStruct launch - Scholten Sans. Most of the characters were modified and reworked comparing to the original font in order to fit the compressed, mono look of some certain characters.

Grid base: 14x9 bricks, I thought that any shorter width would look terrible for already extremely condensed characters such as “W,w,M,m” and others like “A” since it’s a bold font.

Alternative style suggestions for characters are welcome.

the fattest it can get

 A bold, sport and vintage style combination typeface, inspired by Tourney (by Tyler Flinck & ETC). This is an abandoned project so any more suggestions for changes will no longer be done.

The letters like “Q”, “R” (…and more) that has the tails out of the grid base and characters like “t”, “< >”, “{ }” (…and more) that isn’t a full brick width will have its character width fixed and/or adjusted as a feature, which includes kerning.

a fat variant of one of my previous pixel fonts

I’m making new pixel font.                IN PROGGRESS

My first Readable and Ultra heavy font.

Mostly inteded to be used for bigger sizes.

Lowercase charecters are a variation of the Uppercase charecters.

Enjoy!

Open to comments and suggestions!

A bold and blocky typeface with both a thick and thin edge. Works well in a large letter size. Meant or posters, flyers, and print.

Unicase font. You can find alternates to "A" & "E" at the lowercase "a" & "e" (and their accents, of course), an additional design for the "Q" at the "q" and a "c" typing the "¢" sign. This font is directly inspired on Nickel created by the cool typographer David Jonathan Ross from DJR Foundry. Why? I don't know if this will happen to any of you, but me, when I stop to look at a font that I like, I find myself evaluating how the author has solved the usual "design problems". There are times when I agree with the chosen solutions (the most), but there are others when I think I would do it differently. This is the case. I wanted to modify a bit the general appearance of some glyphs of the font, especially characters like C, E, F, G, M, Q, R, S, X, Z and more, or the numbers and some secondary others. The differences were extensives and are more or less subtle in each of the complete set... And here you are the final result, I hope you like it. I've learned a lot during this experience, and FontStruct has been shown to be a very valid tool to work at this level. Thanks for read my little explanation and enjoy with this work, please.

When the diacritics get so large that they crush the letters and merge with the others.

Reviving an old unfinished font.