My typeface was created around the theme ‘Protect’. I linked the word protect to conservation so decided to go down a nature theme. I like pixelated fonts and I thought the leaves looked good pixelated.

cactus

This typeface was created with a ‘Protect’ theme and I’ve chosen nature, what we see everyday. I made a mind map about nature and focused on trees, because lots of trees were cut down illegally. My main intention was to remind people about this interference. I sketched a various style to resembles the human interference to trees. Every alphabet has their own human interfere with a little bit sense of Serif, because what I see from trees are elegant and strong.

This typeface attempts to capture the movement of a rose's stem, done through the its natural curls and the inclusion of thorns. These thorns are what protects the typeface itself, just as a rose protects its flower.

This is my first typeface as a first-year graphic design student at UWE. It has been created based on the theme ''Rebirth''. Inspired by the Renaissance which means ''rebirth'' in French the typeface is a transition from the old to the new. It is also connected to moon phases as a symbol of rebirth and change. The typeface is a combination of sharp elements and smooth shapes, has some futuristic and traditional motifs. Each letter is unique and can be used by itself or in a text with the others. Any comments are welcomed.

For the font, I made it by the theme “community”.  It then reminds me of bees in the natural world as they often work as a group, which needs good communication to connect each other being part of the community. I made the fonts using hexagon shapes based on the look of the honeycomb that the bees storing the honey from.

The theme for my typeface is rebirth, specifically within nature. Upon research I found myself really interested in natures patterns formed through rebirth, be it shown through roots or a plant shooting out into light. I wanted to recreate an abstract version of this through my typeface, to give the illusion of growth.

A font reminiscent of the bees we all know and love (or fear), complete with stingers and stripes

I designed this type font for a project in college, and found myself really connecting deeply with the themes I represented in this font. Ideally, this wouldn't be used for a novel, but rather a graphic novel or comic. Please send me an email if you choose to use this font, and I hope you share your work with me!

-Soap

Comments Welcome

See more:

https://www.fontstruct.com/fontstructions/show/743862/let_s_remix_echo

https://fontstruct.com/fontstructions/show/866282/bedu

https://www.fontstruct.com/fontstructions/show/1633497/so-that-was-a-fucking-lie

https://fontstruct.com/fontstructions/show/1234355/5headliner

https://fontstruct.com/fontstructions/show/435954/monotwist

https://fontstruct.com/fontstructions/show/1312355/modernedsormr

https://ru.ffonts.net/Brothers-of-Metal.font.viewreview

https://fontstruct.com/fontstructions/show/860986/nectarine

https://fontstruct.com/fontstructions/show/772601/luikeza_4

http://www.velvetyne.fr/fonts/gulax/

https://fontstruct.com/fontstructions/show/367567/falcone_narrow

This font is based of the theme 'gregarious'. For this I looked into coral reefs and sea anemone, then developed ideas through print making with acrylic paint and sponges. The type face is inspired by the flowing nature of the sea anemone and how some sea creatures/ plants grow upwards towards the sun. Eventually the type began to look more like flames/ smoke than a plant, which I decided to focus on instead. This shows how a project can completely change from the initial idea and just how it is important to always develop further taking into account others opinions and thoughts.

I created this typeface around the theme of gregarious, focusing on gregarious plants. I started with drawing the letterforms in ink using a rolled up leaf. The results were twig-like marks which reminded me of the illustrations from 'A Monster Calls' so I developed the letters thinking how they could work alongside this or another story. The name 'This Wild Earth' is taken from the book and I think reflects the scratchy and bold feel of the typeface.

This had the look of the original reverse-comp entry. Then the save ignored me, as you can see. Another of my basic fonts died in silence.

I've  returned too late to make a special font for the Reversecomp. I already had changed some aspects of the "Lord Calendulos" version of Calendula set in the clone taken and finished this Lady version today. As my competition entry I flipped the Lady Calendula glyphs horizontally. This means my reversecomp entry font "Calendula Lady" can be used like a plane shadow when placed under Lady Calendula. 

I produced this typeface as a part of a UWE project.This font was created around the theme of Malnourished and involved drinking many cups of tea! I took inspiration from it being the Autumn season and started looking closely at leaves and their structure. I then moved on to show the progression of the season throughout; how as time passes the leaves fall off the trees and the trees are left bare. The type would be better suited to a title or headline font rather than a body text and I've found works best on a large scale.

Using filters.