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This font was inspired by graffiti on the Silo No. 5 building in Montreal, QC. Try it out here: https://mikecardarelli.github.io/silo-five-font/
See also the Silo Five Text font: https://fontstruct.com/fontstructions/show/2801222/silo-five-text
This is a clone of Silo Five TextI made this for the last project of my 3rd year as a Graphic Design student at Manchester School of Art (MSoA), which we were briefed to make a display font based on a building of our choice. I chose the brutalist building called The Cultural Centre of the Philippines (CCP), and based the name of the typeface, Sining, which refers to creative expressions such as painting, music, dance, literature, and other artistic activities. It encompasses both the aesthetic rules of art and the creative process itself. Which the building itself is about promoting Filipino arts and culture.
I've emphasised this top-heavy weight distribution with thin stems (with some exclusions) across the letters since the building was designed to have this "floating volume" style by Leandro V. Locsin (Filipino architect).
It's my first time creating a typeface ever, so please leave any of your thoughts below and let me know any advice for any future type projects I make :)
This font was inspired by graffiti on the Silo No. 5 building in Montreal, QC. Try it out here: https://mikecardarelli.github.io/silo-five-font/
See also the Silo Five Display font: https://fontstruct.com/fontstructions/show/2872970/silo-five-display
This font is inspired by Hydro by dustBUST.
I made this because:
1. Shavian is for British English
2. Shavian has like 4 letters for the same sound
3. Shavian has ian (why???????)
4. Shavian is unintuitive to read
There may or may not have been more than 26 letters so I just used the numbers (and the symbols you get when you press shift) as well as - and _, and then I put exclaimation mark as the forwards slash.
[A] Hey, Wait
[B] Banana
[C] Cat, Kick
[D] Doug
[E] Feet, Ease
[F] Fly
[G] Glue
[H] Hello
[I] Iffy, Liquid
[J] Jeans, Genes, Drain
[K] Child, Itchy, Train
[L] Lungs
[M, which looks like N] Mind
[N, which looks like M (i have a good reason trust)] Nosey
[O] Oats, Phloem, Go
[P] Prize
[Q] Ray, Cart
[R] Curtain, Over
[S] Some
[T] Tell, Thyme
[U] Ooze, Flu
[V] Very
[W] What, Wind
[X] Measure
[Y] You
[Z] Zebra
[1/!] Call, Saul
[2/@] Up, Slug
[3/#] Wood, Would
[4/$] Egg, Well
[5/%] Thing, Wink
[6/^] Ash, Paddle
[7/&] Ail, Air, Am, An
[8/*] Shoe, Cache, Issue
[9/(] Thigh
[0/)] Those
[-/_] Rat (glottal stop)
[Q], [W], and [Y] are for making diphthongs because I am a firm beleiver that a diphthong is not one singular sound
Here are all the [Q] ones because as far as I'm aware I'm the only one who thinks r should be two letters, and that would mean I need this section
[Q][A] Ray
[A][Q] no examples (Air is for [7/&])
[Q][E] Free
[E][Q] Ear
[Q][I] Rip
[I][Q] no examples
[Q][O] Row
[O][Q] Oar, Or
[Q][U] Room
[U][Q] Lure
[Q][1/!] Raw
[1/!][Q] Are
[Q][2/@] Rut
[2/@][Q] Party, Art
[Q][3/#] Crook
[3/#][Q] no examples
[Q][4/$] Red
[4/$][Q] Ferry (if you're British)
[Q][6/^] Rash
[6/^][Q] Carrot (if you're British)
[Q][7/&] Rail, Rare, Ran, Ram
[7/&][Q] Carrot (if you speak oil and hamburger language), Air, Glare
Almost released this as an NFNW, but after a couple more hours in the editor, I realized I did want to finish this. Works best at larger sizes for short text.
Any suggestions to make the “N” less bulky would be greatly appreciated.
Also, kerning is in the works. I’ll see if I can finish it eventually.
Suggestions / feedback about the kerning pairs AV, VA, AW, WA, MV, VM, MW, & WM would be helpful—I can't quite figure out the spacing I like.
KERNING PAIRS COMPLETED (so far):
• (A-B)(A-z)
• (A-z)(A-B)
• f(a-z)
• (a-z)f
• a(A-U)
• (A-U)a
• 7(1-9)
• (1-9)7
P U B L I S H E D O N N O V E M B E R 1 8 , 2 0 2 5
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PW-Blacker Grotesk — a heavy geometric sans-serif font with robust language support. Capital-only.
This font also contains full 3-square-root characters: √, ∛, ∜.
Fractions can also be typed in this font
Syntax fraction typing: [superscript][fraction slash][subscript]
Example: "¹²⁄₃₄₅", while "¹²" is a superscript, " ⁄ " is a fraction slash, and "₃₄₅" is a subscript.
Over 100 language support: Belarusian, Bosnian, Bulgarian, Chechen, Macedonian, Russian, Serbian, Greek, Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Icelandic, Inari Sami, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, Northern Sami, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Upper Sorbian, Uzbek (Latin), Vietnamese, Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu
Please share your thoughts on this font in the comments.
JaiAnime font but no curves?!
(some characters are altered)
UPDATE:
The bottom of the letter T uppercase and lowercase has been fixed
Note:
that "misplaced" brick in the space bar is intended.
this can be considered a very heavy font ig.
FCZL font is a modular geometric typeface inspired by the aesthetics of football fan culture and graffiti.
This is a remake of the FCZL font I created back in 2012. It was my very first font, and I dedicated it to the football club Zorya — more specifically, to the fan community of FC Zorya Lugansk (UA). I was an active part of that scene: we painted graffiti and traveled all over Ukraine to support the team. Those were good times.
Now, in 2025, it has been more than ten years since the war began in my country, and my city, Lugansk, is occupied by Russia. The football club no longer plays there, and my ultras friends and I had to leave. Some of them have died as combatants. I want to dedicate this font to those guys.
I’ve redesigned many of the letters, making them more readable and consistent. The font is no longer monospaced, which allowed for a more appealing Cyrillic set. Still, the font is far from perfect, and I welcome any feedback and critique from the FontStruct community.
It’s amazing that this site still exist, big respect!
This is a cloneThis bold, heavy font combines strength and modernity with a distinctly futuristic edge. Each letter features asymmetrical bolding—where one side of the letter is heavier, such as the right side of 'A' and the left side of 'B'—creating a dynamic sense of movement. The design is further enhanced by sharp cuts and slices across the letters, giving them a fragmented and technological feel. Perfect for futuristic or fantastical scenarios, this font evokes a sense of advanced technology, cyberpunk aesthetics, and a world beyond reality. It's ideal for science fiction projects, video game designs, or any creative endeavor that pushes the boundaries of imagination.
a font based on the nine network logo
See tm ADHD 01
This is a clone of tm ADHD 2aSee tm ADHD 01
This is a clone of tm ADHD 2bSee tm ADHD 01
This is a clone of tm ADHD 2aSee tm ADHD 01
This is a clone of tm ADHD 01This turned into a whole series when all I was trying to do was simple 3×3 oversized pixel font. One tiny modification to try and fit some glyph into the established structure led other glyphs to conform to the modification. As a general practice, every time I make a modification to a completed glyph, I make a copy of it first. When enough glyphs were conformed to a/the modification, I moved them off to a clone.*
While working on the clone, some new tiny modification would generate glyphs that were similar but enough different that it warranted it's own clone. And so on...so much that the naming scheme had to be changed a few times as well.
And the series is not even all that good. But once an idea hits...and the FontStruction is easy to do... it might as well be "completed". There are 9 versions of tmADHDs at varying states of completion at the time of first sharing.
*This is an over-simplification of the process. What actually happened was that the first iteration ended up with what looked like three similar-yet-distinct styles so I made two clones of the first and deleted glyphs of the first style from the second and moved glyphs to uppercase of the ones that seemed to belong to the second style and added new glyphs to flesh out the style. Did the same for the third. Lots of back and forth between the three iterations to ensure none were left behind or inadvertently deleted. Still there were enough individual glyphs left that I didn't know what to do with. Then I created a fourth clone and moved the left-overs to it. Which later turned to fifth and sixth clone. At some point the thought occurred that tmADHD2 doesn't need to be as wide so it became tmADHD2a and the narrower iteration became tmADHD2b. And so on.