Cross-stitch version of my zhowfrakt font, made for a personal project. I hope some grandma likes it. :D

An old idea updated for this event: FS turns 18!... Revisiting an unfinished project is often a good thing. The experience gained over time usually fills in many of the gaps left by the initial attempts. Btw, the kern is in progress. Hope you like it. Happy Birthday FontStruct!

Unicase font with a handful of alternates on the lowercase zone.

Happy holidays! Sorry, I can't stop complicating some fonts, now with these large intermediate serifs (but they looks nice!). All seemed simpler when I started it, but... Just unicase with alternates (and a lot of kerning needed => WIP).

Inspired by this pretty font by fugitiveglue. I've added a bright point on each little ball. Better see at big size.

Esta fuente ha sido hecha para usarla en un día muy especial en la vida de mis adorados Héctor y Trini, que han decidido casarse. ¡Os queremos felices por siempre! ¡Vivan los novios!

Not finished font (kern in progress). An extra "Q" has been added in place of the "©" glyph, and a nice heart symbol appears also at the "™" one. I'll fine-tune some details ASAP, I promise.

I was looking to make a rocky font, playing with few bricks but it was complicating minute to minute... I've been very busy lately, and this was (taken it bit by bit) an easy way to unwind. Hope you like it.

Another mondrian-esque, colourful and minimalist font. Unicase with alternates.

Inspired by the superb Schaar by four, in a pixelated mood. It is also an optical experiment. The diacritics needs some extra work.

A thin, simple, tricolour font, smooth and pleasant. The "ff" and "tt" ligatures are included in the "fi" and "fl" glyphs and an extra "s" is in the "™" too. Some kerning is still needed.

Playing with pattern capitals. Some alternates in the lowercase. Best viewed in large format.

This is my little contribution to the fantastic recovering universe
called LETTERS OP MAAT by the great @Sed4tives about the typographic world of the dutch artist and typographer Jurriaan Schrofer. Btw, I sincerely apologize to @Sed4tives for the undue delay and the time it took to publish this exciting addition to his magnificent series (I'm sure he thought I'd forgotten, didn't he, comp4ñero?). Hope you like and enjoy these two fonts in one.

- - - - -

GUIDE TO FIND GLYPHS:

- Curved left unicase: A to Z + Ç, Ñ, Æ, Œ.

- Curved right unicase: a to z + ç, ñ, æ, œ.

- Curved left numbers: 0 to 9.

- Curved right numbers: for 0 type %, 1=<, 2= =, 3=>, 4=[, 5=], 6={, 7=|, 8=}, 9=^.

- Other curved left glyphs like ., , , ”, ’, ', ?, !, @, $, &, (, ) and -: in their own glyphs, plus :=/.

- Other curved right glyphs: ”=“, ’=‘, '=", @=*, &=#, -=+, .=:, ,=;, $=`,:=\, ?=¿, !=¡, (=_, )=~...

... The work still in progress (diacritics in the oven)...

Unicase with alternates. I was trying a monospaced font, but...

Happy 17th BD, FontStruct!

Tall Modern Western Style font. Three extra glyphs "M", "N" and "Ñ" are placed at the ligatures "fi" and "fl" and the "™" sign. (Btw, this font started with a dreamed letter "R".)

Caps only. Inspired by the cool font "Chwast Art Tone" -or simply "Artone"- (1968, by the legendary master of design Seymour Chwast), "Inkwell" (1992, Sam Wang) and "Dogsmoke" (2019, Humberto Gillan), and recalling the feelings of those unforgettable momments from the "Saturday Night Fever" times. Tony Manero lives! Thanks a lot to @Dmitiy Sychiov for designing these beautiful Cyrillic glyphs.

This italic was more difficult to build than I espected (especially the glyphs K, M, S, X, g, k, x, 2, 5, 6, 8, ß and a few others). There are still shapes that are very hard to achieve using the current FontStruct's tools... but nothing is completely impossible if you dedicate the time to it, the results are often surprising. So it also took me much more time to complete the entire character set, but I'm happy about the final aspect of the font: it looks curiously forceful, positive and fresh at the same time, and I like it, despite not being 100% happy with some glyphs. Kerning isn't finished. Suggestions are welcome, folks. This is my 2024 font for Xmas: Happy holidays to you and yours, dear Rob Meek and all the FontStructors wherever you are!

Inspired by INVASION BLOCK (by the great Upixel), but right slanted, with more glyphs added (206 in total) and some of the originals slightly retouched.

In/Out letters experiment.

High contrast font, with two dingbats of little seagulls placed at the "fi" and "fl" ligatures.

An old project put a day.

zummertime revisited with thicker dots, diacritics and a lot of new glyphs (from 108 to 201). Thanks to @amateur6 for his suggestion.

Initially inspired by SB Standard font (2013, Craig Staiton) with many modifications and recreated glyphs... And made to saving half the ink when you print your text with it, which is very important in today's times, you know :))

Black (filled) version of zerbeer. Hope you like it.

Remembering free and groovy good old times! Curvy style font. "ff" and "tt" ligatures availables. Nothing better for the hot summer days. Enjoy. (Kern in progress).

I can't superate chocomotion by four (❤️!), but I'm trying my own soft approach to the 3lines font design world. Hope you like this attempt to clarify from my to-do list. Btw: feedback about the design or aesthetics of some Cyrillic characters would be appreciated. Thanks in advance, people.

 Some free ideas for the undecided. C'mon boys!

Soft and rounded NUMBERS like long fairground balloons... and shadowed. The first was the 8 and then all the others arrived.

NumbersComp's brief saids: "As always, please do interpret the theme as loosely, literally or figuratively as you wish – it’s there only to inspire, not to confine." That's my point. Here in FS, we can also draw with NUMBERS (= brick coordinates). This is a tribute: my humble fontstructization of a linear portrait of the great Master Erik Spiekermann made by Bill Dawson (©2015). To get the full image, please type: ABCDE (return) FGHIJ (return) KLMNO (return) PQRST (return) UVWXY (return) Zabcd (return) efghi -these last five glyphs are for the name, if you want add it-. And don't forget to adjust the line spacing if you want a good result when printing it. Enjoy.

A narrowed zrebmun version, trying another different point of view for the original font. Let me know what do U prefers, please.

The NUMBERS were the origin: This font has been created from the design of glyphs 0, 2 and 4, which was then extrapolated to the rest of the characters. Unicase with alternates. Thanks @AidenFont for the vertical stripes idea.

My little personal and humble tribute to our Astonishing FontStruct on its 16th birthday, full of admiration and respect for the Great Creator & Big Chief Rob Meek and all fontstructors, big and small, who used it during these amazing years! LONG LIVE FONTSTRUCT!!!