This was my first fontstruct ever! Challenging but fun, It gives the impression of handwritten letters. I wanted to shy away from boxy letters, and came up with this!
A surprisingly modern Western-themed type. Put pretty much every European language I could think of in here, therefore it's probably the most time-consuming one I've ever done.
Xilla Pro Regular, part of the Xilla family.
Other weights are on my profile.
Pixel slab serif typeface in 3 weights with italicised variants. Inspired loosely by Zilla, the Google open source font. This is type is twice the scale of Xilla.
Further work and links here: willalbinclark.com.
I wanted to create a font with big circles and arcs that ascended and descended, and what became of that experiment was this Art Deco font.
The at sign and registered trademark symbol were inspired by Roadway's unique at sign.
Will make more characters.
An experimental design using 1/8 weight lines alongside 1/16 ones. The 1/8 lines are the smallest that can be accurately nudged. Centering them is still a problem at times, and I need a few impossible composites to perfect the glyphs ABEFHKQRXYijkx34789, but overall I'm quite fond of how this doodle turned out.
Logo font for the MSPFA comic I'm creating titled "Tellurian".
This is the first font that I've ever kerned, and kerned correctly. I've painstakingly made sure that every letter combination relevent to my font in English are absolutely perfect. I hope you all enjoy using this font. Happy typing! :D
IMPORTANT: If you want to experience the kerning of my font in a program, please use one that supports it, like GIMP for example (I use it).
NOTE: This font is now OFFICALLY complete, kerning and all. Please DO NOT request any kerning as I am no longer updating this font, thank you.
Mantis was created by a first year graphic design student. The design is intended to be simple yet unsettling.
Dublin is a slanted slab serif with a corky personality. The mechanical lowercase set was supposed to go with highly ornamental Script caps, but I'm still frustrated trying to make those to work on this...
Meanwhile, comments on the different alternatives of this as it is would be highly appreciated.
It's been a while since I've been very active here FS. I had this very incomplete font sitting around in my library and I really adored the slick, yet modern feel of these characters.
These characters are relatively small, and I felt that I needed to truly push the boundaries with a limited set of blocks.
A continuation of ideas in Candylander Plain. Half-arcs couple with short ascenders and descenders to make this.
Simple, clean and ellegant, that's sans serif font Metropolis. Inspired by art deco style and retro-futurism.
70's Art Deco style Streamline typeface.
Most of the design credits for this font should go to Isaiah Garcia since I took the liberty of revisiting his fontstruction FS Idea https://fontstruct.com/fontstructions/show/816176/fs_idea
Please check out this member's awesome contributions here: https://fontstruct.com/fontstructors/559832/isaiah_garcia
There is one major design difference between the two works though, Isaiah's version was made using a faux bezier approach (very labour intensive) and requires a fairly large design grid, whereas my version was made using a mix of macaroni bricks and resized composites of these, and was done on just a 4x7 grid using 2:2 filter.
This different approach led to a number of small changes in the overal design result. Also did I change some glyphs slightly to my personal preference. But it remains very much Isaiah's design.
Another less important difference is that I used some of the lowercase string for alternative glyphs allow a number of stylistic variations!
A slightly futuristic and stencilesque design using halfwidth bricks.
The idea here was to make every glyph simple and minimal, not only in terms of overall geometry but individual line connections as well. Some glyphs are still more complex/less minimal than others, but I think it's a good amount of variety.
A light weight Bauhaus style font with a little handwriting twist. Most curves have a slight overshoot. A lot of characters are still missing due to design difficulties. I hope to add more soon.
This project has changed my view of type by being patient and to really think about how the typeface will be protrayed in a product. My typeface reminds me of an "old-school" videogame. I had alot of fun with this project because I got familier with the tools in this program very quickly. I hope you enjoy my font, Funky Pixels!