Slender Stencil is a hyper-condended sans-serif font created using connector blocks.

SG Future is a futuristic display font meant for corporate logos.

3x3 Stencil is a tiny display font simmilar to Micro Geo, It is meant for corporate logos and other stuff. More glyphs coming soon!

Dopaminest is a Stencil font which is a alphabetical order in a few, Don’t trust the CCANSA. Because I’ve making more fonts as possibly usual. From our Science fiction and Sci-Fi. What a little bit tricky huh?

This is a recreation of an in-game font used in Metal Gear.

Credit goes to Konami.

840 kerning pairs.

Very cool font I desided to improve by adding Kerning (even between lc and uc) and Cyrillic. Please, tell me, if i missed some kerning pairs.

See more:

https://fontstruct.com/fontstructions/show/465340/ran_tan

https://fontstruct.com/fontstructions/show/1920628/frunze-stencil

Recreation of the pixel font from Konami's "G.I. Joe" (1992).

At its core, the game is a revised and expanded version of "Devastators" (1988), and the font is almost identical - with subtly different spacing, and a few extra punctuation marks.

Only the characters present in the game's tile set have been included.

Recreation of the primary pixel font from Sega's "Thunder Blade" (1987). Only the characters present in the game's tile set have been included.

See more:

https://fontstruct.com/fontstructions/show/1830864/ooio

https://www.fontstruct.com/fontstructions/show/1718422/cheburashka-1

https://fontstruct.com/fontstructions/show/1704334/bodypositive

https://fontstruct.com/fontstructions/show/1577348/matryoshka-1

See more:

https://fontstruct.com/fontstructions/show/1830864/ooio

See more:

https://barnbrook.net/typefaces/coma/

https://fontstruct.com/fontstructions/show/1158986/flatliner_1_5

Based on the TekWar logo. The letters (minus Q/X/Y) are recreated from the TV series titles, the rest are my additions.

Why you can read this? Этот шрифт исследует как орнаментальную состовляющую шрифта, так и рукописную, составляющую из отдельных штрихов целую букву. Эти структуры могут лечь в основу других, более сложных или простых шрифтов.

https://fontstruct.com/fontstructions/show/1339192/zykowarfare-eye-fs

https://www.fontstruct.com/fontstructions/show/65983/minima_4

https://www.fontstruct.com/fontstructions/show/1562147/stf-hyster

https://fontstruct.com/fontstructions/show/930129/patchwork_4

https://fontstruct.com/fontstructions/show/1282518/floriitutaak48

An 80s Tech looking font!

What better way to celebrate our bright future than pushing a whole creative medium forward? Introducing Brick Patching – a combinatoric approach to constructing hyper-tunable curved and angular modular forms.

Stay tuned to this space; *eventually I will describe this highly useful hack and fully document the technique.

Upgrade your gray matter cuz one day it may matter.

a barely legible font.

My submission for the Futuristic Compitition (2020).

Enjoy*

This is a military-style stencil font inspired by the original Stencil-Gothic face (by John West c. 1885), Ironmonger (by John Downer, 1991-93), and Pediker (by Kazimir Samoscanec, 2013). The latter one is a revival of a stencil face of unknown origin. Sorry for the dystopian future. I hope it will never happen.

~Type an uppercase letter and type the corresponding (or some other) lowercase letter to fill in the shape.

You can use the uppercase letters to form one word and type the lowercase fill letters to form the same or another word, or fill with a blanking glyph to complete the letter with no center letter. So, two types of letters are possible with this one font.

The letters had to be designed such that the uppercase could read as a letter without a center fill on it's own, or filled with blank glyph, or with a center letter. In doing so, the font turned auto-stencil and auto-monospaced. Also, since the unfilled uppercase read as the correct letter with the hole in it, this fs can be said to have three fonts in it.

The gaps are 1/8 brick; the thickness of the inner letter strokes is 2/8 brick. Therefore, this limitation meant that the glyphs with a stroke in the horizontal center can either be lined up with the left side blocks or the right side one. Therefore, 3/8 brick thickness I and T are provided on { and }.

Letter couples are as follows: Aa  Bb  Cc  Dd  Ee  Ff  Gg  Hh  Ii or I{  Jj  Kk  Ll  Mm  Nn  Oo  Pp  Qq  Rr  Ss  Tt or T}  Uu  Vv  Ww  Xx  Yy  Zz

Number couples are: !1  @2  #3  $4  %5  ^6  &7  *8  (9  )0

Blanks: ~, space

Center blank: `

Pipe: = (which will offset the monospacing)

Others; ? is at ?/  ! is at |\

Punctuations are where they are supposed to be: .  ,  ;  :  '  "  ’  ”  ‘  “  -

Sample: Type the following in User Input to see the font as it is supposed to be:  A`AaB`BbC`CcD`DdE`EeF`FfG`GgH`HhI`IiI{J`JjK`KkL`LlM`MmN`NnO`OoP`PpQ`QqR`RrS`SsT`TtT}U`UuV`VvW`WwX`XxY`YyZ`Zz!`!1@`@2#`#3$`$4%`%5^`^6&`&7*`*8(`(9)`)0?`?/|`|\)-)+~_<>=

6 bricks tall.

The sample is a font pun: TWO in ONE.

PS: Not sure how future it is.

Made for FontStruct's Future Competition. This display typeface was designed with a little influence from stencil, this font has rounded corners intermixed with angular corners, and gaps in unusual places. It also uses the “two-storey” lowercase g, which was a challenge to fit cohesively within the restrictions I gave myself.

ASCII + Cyrillic.

A FutureComp entry. Emphasis on the balance between future/past with a theme of: "There is no future without a past". Counter-clockwise (inner arrow) direction is for the past while the clockwise (outside arrow) direction is for the future.

Easier to read and use than the origional

https://www.fontstruct.com/fontstructions/show/1219899/fs_mmaigu