Recreation of the pixel font from Square/Acclaim's "The 3-D Battles of WorldRunner" (aka "3-D WorldRunner", "Tobidase Daisakusen", 1987) on the NES.

Only the characters present in the game's tile set have been included.

ALTERNATIVES CAN BE FOUND IN THE LOWER CASE TO CHANGE THE NOISE DISTRIBUTION.

I WASN’T REALLY THINKING ABOUT THE CYRILLIC ALPHABET WHEN I DESIGNED IT, SO THE LETTERS: “А” AND “Л” AND “Н” AND “П” ARE THE SAME.

Wip

See more:

https://www.fontstruct.com/fontstructions/show/1690797/subtract-2

https://www.fontstruct.com/fontstructions/show/1501515/dx-minima

https://www.fontstruct.com/fontstructions/show/539435/mnml_round_1

https://www.fontstruct.com/fontstructions/show/1420509/flexunda

https://fontstruct.com/fontstructions/show/458391/xe_cirpint

https://fontstruct.com/fontstructions/show/458383/xe_future_minimalist_bold

https://fontstruct.com/fontstructions/show/490446/xe_inktrap

https://www.fontstruct.com/fontstructions/show/425351/gibberish_12

https://www.fontstruct.com/fontstructions/show/495721/fs_plus_h

https://www.fontstruct.com/fontstructions/show/680450/discolyde

https://www.fontstruct.com/fontstructions/show/1165292/teka_exact

https://www.fontstruct.com/fontstructions/show/1554713/adobo

https://www.fontstruct.com/fontstructions/show/1577865/stf-sigma

See more:

https://www.fontstruct.com/fontstructions/show/1676176/hyperborea-3

See more:

https://www.fontstruct.com/fontstructions/show/1634096/prickly-pear-2-1

https://www.fontstruct.com/fontstructions/show/134355/arko

https://www.fontstruct.com/fontstructions/show/68838/offcuts

My take on those classic serif style stencil designs.

Initially I started this design as a all caps display style, the desicion for a lowercase came once the uppercase already had been completed, and I truly had a hard time making a good looking lowercase for this one.

Also it felt like kerning this style was much harder to see and get right than most other fonts I made.

There still remains a number of things I had rather seen different, like those numerals, but this is the best I could do for now, I hope you like it!

Cheers

Recreation of the primary pixel font from Sin-Nihon Laser Soft/Telenet Japan/NEC's "Last Alert" (aka "Red Alert", 1989) on the PC Engine/TurboGrafx-16.

Only the characters present in the game's tile set have been included.

Experimenting with a new letter concept. This is not the final concept of course, but I developed this along the way, so I kept it.

For best results, use upper and lower case on seperate layers, then merge them together.

Inspired by a barbershop quartet video

Robust and simple tech style stencil font

First design for 2019. Some lines, line widths, spacing and of course the "serif style"  changed for this, as compared to Lady Dorma's look.

Sort of revival of the lettering that Jurriaan Schrofer designed back in 1957 for Dutch timber trader called "houthandel Rote".

The original sketch by Schrofer featured the text "standaard profielen"  in all lowercase letters (I will post a image bellow)

Now, as far as I know this was all the characters Jurriaan designed for this project. The designs parameters in Jurriaans sketch doesn't allow a lot of freedom and remains unclear on how a character with crossing strokes like k or x wouldve been done.  So its kind of a tricky one to extend easily, therefor I just captured its basic letterforms for now.

Cheers

Work in progress

Asymmetrical alien techno stencil.

This uses some experimental techniques, of course, but I'm not sure how to concisely explain those. Let's just say that each type of line bend and line connection has a rule associated with it. These get naturally modified by the structural asymmetry the font has so that simple rules appear in many forms and variations.

By request, an abstract, condensed, and slightly futuristic thinliner stencil.

This is similar to a fusion of "Migrator" and "Aegris Outline".

The metrics for this one are not finalized yet. Various versions of this are being tried out, and the feedback will affect how this font changes. (Presently, the overall spacing is a bit wider than the internal spacing of glyphs like “”).

"OpenSpace" is a stencil  typeface that can be use for display or other purpose. 

What suposed to be a revival of the "1957 Stedelijk Van Abbemuseum, Eindhoven Brabant" poster, original work by Wim Crouwel

Actually failed terribly since I never peeked at the original while I made this (thought i had it well preserved in my memory, but seems I did not).

Nonetheless It isn't a bad font I guess, so...

Enjoy!

Began with the A. Needs numbers, might not ever get Capitals

Clone of Tirrel (by Doug Peters).  Copyright 2019 Doug Peters.

This version has the 'soft' alternates.  These are the lowercase characters in 'Tirrel'.  The idea is that if someone is used to using the shift key and only wants the softer style of the font, they can use this version and they will only get all the caps versions of Tirrel whether they use shift or caps lock (or not).

Categories: Monospaced Sans/Stencil.
Types: White Space, Striped, Display Caps, Logotype, & Novelty.
Weight: Bold.
Web font: Yeah, sure.
Commercial use: Yes.
Derivatives: No.
Redistribution: No.

https://www.Doug-Peters.com
https://Dougs.Work
https://SymbioticDesign.com
https://Worthful.com
https://Font-Journal.com

My best Domain Name registration service:
https://www.DomainHostmaster.com

My best web hosting solution:
https://HDWebHosting.com

PayPal donations (to encourage my continued design efforts):
https://paypal.me/sitedesigner

Clone of Tirrel (by Doug Peters).  Copyright 2019 Doug Peters.

This version has the 'hard' alternates.  These are the caps in 'Tirrel'.  The idea is that if someone is used to using the shift key and only wants the harder style of the font, they can use this version and they will get all the caps versions of Tirrel whether they use shift or caps lock (or not).

Categories: Monospaced Sans/Stencil.
Types: White Space, Striped, Display Caps, Logotype, & Novelty.
Weight: Heavy Bold.
Web font: Yeah, sure.
Commercial use: Yes.
Derivatives: No.
Redistribution: No.

https://www.Doug-Peters.com
https://Dougs.Work
https://SymbioticDesign.com
https://Worthful.com
https://Font-Journal.com

My best Domain Name registration service:
https://www.DomainHostmaster.com

My best web hosting solution:
https://HDWebHosting.com

PayPal donations (to encourage my continued design efforts):
https://paypal.me/sitedesigner

Tirrel font is Copyright 2019 Doug Peters.

This is the original version of Tirrel.  Although a display caps font, the uppercase has a hard, bold, brash version of capitals while the lowercase holds the 'softer' alternates with more defined characters.  If you only want one or the other and have the habit of using shift (or caps lock), there should be two other versions of this font accompanying it, one "Tirrel Hard" and the other Tirrel Soft" to relieve frustration of those who type well.

Categories: Monospaced Sans/Stencil.
Types: White Space, Striped, Display Caps, Logotype, & Novelty.
Weight: Heavy Bold.
Web font: Yeah, sure.
Commercial use: Yes.
Derivatives: No.
Redistribution: No.

https://www.Doug-Peters.com
https://Dougs.Work
https://SymbioticDesign.com
https://Worthful.com
https://Font-Journal.com

My best Domain Name registration service:
https://www.DomainHostmaster.com

My best web hosting solution:
https://HDWebHosting.com

PayPal donations (to encourage my continued design efforts):
https://paypal.me/sitedesigner