This font was inspired by graffiti on the Silo No. 5 building in Montreal, QC. Try it out here: https://mikecardarelli.github.io/silo-five-font/
See also the Silo Five Text font: https://fontstruct.com/fontstructions/show/2801222/silo-five-text
This is a clone of Silo Five TextThis font was inspired by graffiti on the Silo No. 5 building in Montreal, QC. Try it out here: https://mikecardarelli.github.io/silo-five-font/
See also the Silo Five Display font: https://fontstruct.com/fontstructions/show/2872970/silo-five-display
This font has a fun, retro‑sci‑fi feel, like something you’d see on old spaceship panels or vintage space‑adventure posters. The chunky shapes, cut‑outs, and little techy details give it a cool space look without taking itself too seriously. It’s bold, quirky, and perfect for titles, posters, or anything that needs a blast of cosmic personality.
Dengarkanlah Suaraku
Id:entity
Berdiri di tengah terangnya kilau cahaya
Ohayou! , Konbanwa! kami serukan
Kepada dunia
Mengudara tuk hari ini
Bagian dari diri yang mana kah
Yang harus kutunjukkan
Ku tak dapat pernah memutuskan
Lalu suatu hari
Pesan-pesan berdatangan
Kata-kata perih membuatku
Kehilangan arah
Senyuman di balik layar
Sanggup kah untuk ku pertahankan?
Tak pernah ingin kecewakan
Siapapun di luar sana
Namun di saat banyaknya suara
Mana kah yang 'ku harus dengar?
Mencoba mendengarkan
Suara di dalam hati
Inilah diri yang ingin
Ku selalu tunjukkan
Berbagai suara yang berpadu
Dan menjadi satu id:entity
Hari-hari berlalu
Dan sekarang 'ku di sini
Berdiri di tepi panggung ini
Menyambut dunia
Tetapi! 'Ku tak sendiri
Bersama lainnya sekarang
Seakan seperti keluarga
Bersatu dalam perbedaan
Namun di saat banyaknya perbedaan
Dapat kah harmoni tercipta?
Bergandengan tangan
berjuang raih mimpi bersama
Semua bersorak
Dengan suara gempita
Menyebarkan kebahagiaan
Di mana pun itu, bergemalah
Panggung yang lebih besar
Kini menunggu
Waktunya telah tiba
Tanpa adanya ragu
Dengan semua warna suara
Menjadi harmoni sebenarnya
Hilanglah semua
Rasa bimbang di hati
Inilah diri yang
ingin selalu tunjukkan
Berbagai suara yang berpadu
Dalam perbedaan
Takkan pernah tergoyahkan
Dan menjadi satu id:entity
Ohayo! Konbanwa!
Otsukaresama deshita!
Ohayo! Konbanwa!
Kita kan jumpa lagi
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
id:entity voices
hololive Indonesia
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Please Don't Press Lowercase O or Uppercase O in the Lyrics
This is a digitalization and slight extension of the square block sign painting typeface used in the 1935 Manual on Uniform Traffic Control Devices and most road signs in the United States before Highway Gothic became the standard in 1948.
This is a digitalization and slight extension of the square block sign painting typeface used in the 1935 Manual on Uniform Traffic Control Devices and most road signs in the United States before Highway Gothic became the standard in 1948.
This is a digitalization and slight extension of the square block sign painting typeface used in the 1935 Manual on Uniform Traffic Control Devices and most road signs in the United States before Highway Gothic became the standard in 1948.
This is a digitalization and slight extension of the square block sign painting typeface used in the 1935 Manual on Uniform Traffic Control Devices and most road signs in the United States before Highway Gothic became the standard in 1948.
This is a digitalization and slight extension of the square block sign painting typeface used in the 1935 Manual on Uniform Traffic Control Devices and most road signs in the United States before Highway Gothic became the standard in 1948.
A digitalization and slight extension of the square block sign painting typeface used in the 1935 Manual on Uniform Traffic Control Devices and most road signs in the United States before Highway Gothic became the standard in 1948.
Kerning is a WIP that may or may not get finished.