A sans-serif pixel font meant to be somewhat small and very legible. This is just my PlainAndSimple font with added Latin-1 characters and some adjustments to numbers and punctuation in Basic Latin. Most upper-case glyphs and numbers are 5 blocks wide plus 1 block for spacing, and from baseline to caps-height is 8 blocks. The descender is 2 blocks below the baseline, and accents on capital letters can go up an extra 3 blocks, so the total max height of a line is 13 blocks. Lower-case letters tend to be less wide than upper-case ones.This is a clone of PlainAndSimple
Revisiting Celosia, this time with faux-beziers instead of pixels.
Alternate @ design on ©.
Experimental endeavor into avant-garde, reversed-contrast inspired letterforms.
I will explain the font in more detail bellow in the comment section.
Modified clone that provides a style variation to the previously published Jurriaan Schrofer font revival I did, called "STF_SATER (Isometric)".
The earlier version I did was in fact amongst my very first font designs ever, and at this stage I still had about zero real typographic background knowledge.
Due to this I simply went out copying the exact lettering 1:1 as was seen in the source that I used. Not realizing that the angle of projection applied to the lettering in the original would render my font next to useless.
So I ended up with cool looking isometric letterforms that were heavily handicapped in a full font.
This time I overhauled the original and got rid of its isometric nature and simply just making it a regular, fully upright style.
Now with this addition it finally becomes a truly functional font at last.
I hope you like it !This is a clone of STF_SATER (Isometric)
THE MOMENT YOU STEP INTO SPOOK MANSION, YOU REALIZE YOU DONE GOOFED UP. THE DOOR SLAMS SHUT BEHIND YOU AS SCARY PIANO MUSIC BEGINS TO WASH OVER YOU AND TERRIFYING KICK DRUM SOUNDS BEGIN TO PUMMEL YOU. WITHIN MOMENTS, YOU ARE DROWNING IN A SEA OF EERIE AMBIENCE. "WOE BETIDE THE FOOL WHO CONSPIRES TO TAKE MY RICHES!", SHOUTS A GHOSTLY VOICE SOMEWHERE BEHIND YOU. YOU TURN, BUT NOTHING'S THERE. BOO! LOL....................................................
A semi-hollow pattern fill version of Graphene. Made for a friend.This is a clone of Graphene Black
Will make more characters.
Well, I put this together.
Might add cyrillic if someone requests it.
Need a Unicode block? Message me and I'll add it.
I don't know how to feel about the Kerning. Might re-do that later too.
Recreated Microsoft Sans Serif font from the original file.
For some odd reason, this font only shows up in Notepad and MS Paint and nowhere else. It doesn't show up in the "Fonts" folder, too.
The original turned out to be great for vector design, but didn't always play well with stroke outlines. So I made this.This is a clone of Graphene
I was given feedback that the capitals were too wide in the original Kimura. Rather than replacing them in the font, I've made a new version nice and quickly so you can decide for yourself. Or have both, even. I would like that.This is a clone of Kimura
A variant of Tangereen 3. Hard to read, but has a certain ornamental appeal.
Lately, I've been busy learning 3D modeling, vector art, and digital art things. So I only envision myself making more FontStructions when I need them for an existing project. I've already done all the designs based on my own past work - or at least, all the ones that are possible to create here.This is a clone of Tangereen 3
Ahh sadly due to repeatedly running into a corrupted font when I save newly made changes to it, it eventually catching up with me and tested the limit of my patience.
I have had to painstakingly restore the font 5 times already since I started it.
So I stopped including new characters as well as making new changes to its existing character set. (At least for now)
Too bad because I wouldve loved to see this truly getting finalized.
So at this stage there are still a number of characters that remain in rough condition, and had yet to be further optimized.
The main A-Z alphabet luckily already was close to how I invisioned it, but especially the numerals, symbols and accents still have some rough edges.
Now, forgetting all that, I still think it is not a bad font at all. Everything is there for most common Western-European languages, somewhat still making this a usable font that I shouldn't be keeping in private!
I hope that despite my bad luck this time, y'all still like it.
About this Font:
The idea was to make a classic Didone style display serif that is meant for making clean headline text similar to those often seen in older magazines or newspapers. I set out trying to design a semi-bold & slight expanded looking letterform with thin hairline serifs and strokes. I choose a large grid scale for the extra freedom in custom shaping this provides.
Technique I used in this design:
This font in particular I have experimented with working within a "(asymmetrical-) Grid Scale ratio" ( 1,5:1 ), so, changing only the value for the Horizontal grid scale. (This distorts the grid aspect ratio, and is a great way to discover and experiment with getting new forms and shapes).
The 1,5 : 1 ratio was specifically choosen to keep maths simple, in order to rebuild certain required bricks that build specific slope angles , such as a 45° (which is no longer possible to make from the FS default brick set when using asymmetric scale ratios, unless making composites).
But what this also does is opening up a totally new approach to making shapes, and..becoming quite a surprisingly easy shortcut to get unusual shapes or make variations on these, even with as little as just the rotation of the bricks/selection. (thanks to the distorted aspect ratio) :-).
This is a must try for those who are into large grid designs, fake curves or interrested in experimenting around a little.
will make it fancier when i find resources on how to make custom bricks that aren't stacking already existing ones.
PAPERS, PLEASE has a very nice Title logo! I decided to re-create it, expand it, and make it 2D. Latin Extended only when someone wants it.
I made some useless thinner lowercase characters, but they don't really match up, rather an experiment.
Here is my rendition of the Taiogeuna alphabet featured on Omniglot. I was able to create a glyph for every character in the "Basic Latin" pack which eliminates the need for any accented letters (as my other fonts commonly use), please refer to the chart below for the un-transliteratable characters. I hope you enjoy. :D
AE = a (only lowercase)
EO = e (only lowercase)
AI = i (only lowercase)
OI = o (only lowercase)
UE = u (only lowercase)
CH = Q
DH = B
PH = F
SH = X
TH = K
ZH = J
Start of Sentence = ,
Double Vowel = *
Start of Line = #
Here is a quick font I made based on my Tedoless Eriseci font. I was curious to see how Eriseci would look if it was written with completely separated characters like Altrimaya or Atemayar. I hope you enjoy. :D
Eriseci is featured on Omniglot where you can find the original alphabet and creator, the numbers are credit of Atemayar (also featured on Omniglot). I understand this font is not how the alphabet was intended, it is simply an artistic take on the script. If you truly enjoy Eriseci, please do see my first Eriseci font on this website which has the capability to type the alphabet as intended. Thank you.This is a clone of Tedoless Eriseci
Here is an extended version of my Atemayar Rigid Script. This script has taken me years to get to the point where it is. I do plan to complete it however I figured I would release it with the current list of characters that I have created. While I plan to complete it, it will be some time before this is achieved so please bear with me as life tends to get in the way sometimes.
I began this font August 31, 2017, and I'm releasing it 30 days short of its 2 year anniversary.
Based off the original alphabet of Atemayar Qelisayér featured on Omniglot created by Simon Halfdan Hvilshøj Andersen. Credit for all the original characters of this alphabet goes to him, as well as credit for inspiration. Some characters in this alphabet are wholly original to this font (most are not however), these are inspired wholly by the original Atemayar alphabet in one way or another.
I truly and sincerely hope you enjoy, this font is made for all to enjoy and to spread such a beautiful alphabet to be used for all languages and all writing systems. I love Atemayar more than any existing writing system, I take all my notes in it, and I yearn for Simon Halfdan Hvilshøj Andersen's alphabet to be spread around the world and used by many.
The alphabets can be categorized into groups based on the following criteria:
- Pseudo-Atemayar: shares no letters with Atemayar, but appears similar
- Semi-Pseudo-Atemayar: shares a few characters with Atemayar, but overall still looks like its base alphabet and can't be read by Atemayar users
- Modified Atemayar: Follows all/most of the same letters as Atemayar, however has added or modified letters as well
- Classic Atemayar: Original Atemayar alphabet without change
The alphabets' classifications are as follows:
Basic Latin: Classic (except X, which is a ligature of K and S)
Punctuation (all except . , : ; ? ! ... " '): Modified
More Latin: Modified
Extended Latin B: Modified
Extended Latin A: Modified
Greek & Coptic: Modified
Arabic: Modified (reversed letters)
Devanagari: Modified (line above letters)
Hebrew: Modified (reversed letters)
Bopomofo: Modified (dots above letters, ligatures)
Here is my rendition of the Tuimuq Qanaa alphabet featured on Omniglot (specifically, the Lanuuq Qanaa version). I have used Latin Accents in place of the double vowels and for NG (Á for AA, Í for II, Ú for UU, and Ñ for NG). UI is typed with O, and the vowel base is typed with E. Use capital letters for the high diacritics (for above NG, F/V, M, & N) and lowercase for all others. I hope you enjoy this font. :D
Here is my rendition of the Gryirhanli Alphabet featured on Omniglot. Since the font software is rather difficult when it comes to irregular or large arcing curves, it can be said with certainty that I used quite a bit of artistic liberty in creating this font. Having worked on this font for 2 years now, I'm very happy to finally release it for all to see. I used Ch in place of C, Sh in place of X, Aa in place of Á, Ee in place of Í, Oo in place of Ú, Ai in place of Ý, and finally Th in place of Þ giving every character an equal opportunity of typability. Although the alphabet chart did not specify punctuation, I based the period off the one used in the text example (and did not include any further punctuation).
Despite using artistic liberty I do however feel this font is still accurate enough in comparison to the original that both are easily mutually intelligible with each other (such as Comic Sans vs Times New Roman for Latin).
I truly hope you enjoy this font.