hehe

V1.1: The More Latin is in progress.

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Another doodle... Well, shall I continue this one?

I sort of designed myself into a corner with the uppercase, by not using the same grid size as the lowercase. But, this choice led to an interesting and unique look so I'll keep it.

By request, an abstract, condensed, and slightly futuristic thinliner stencil.

This is similar to a fusion of "Migrator" and "Aegris Outline".

The metrics for this one are not finalized yet. Various versions of this are being tried out, and the feedback will affect how this font changes. (Presently, the overall spacing is a bit wider than the internal spacing of glyphs like “”).

A space-esque design made for a friend! The angular counters give this a simplified geometry which makes it easy to read despite its looks. Works well for small- or large-scale applications - chat, terminals, logos, and more. Supports Dutch, English, and Greek!

The original was cloned off and preserved elsewhere. The version you see here has centered glyphs.

It's a font

Wizardly font in 8x8. Still pretty rough...

Original size: 6pt (use multiples of this value for pixel perfection)

An attempt at Fraktur in 5x5.

Since Roman numerals have no zero, I have put X on 0.

The lowercase is really rough... consequences of using 5x5...

Handwritten medieval pixel font in 5x5. This one has a subtle rightward momentum which is imparted by the slants of letters and the positions of curves/angle changes. The idea is a font that inspires one to continue forward and onward, or at least further to the right.

These Guild fonts are meant to convey different professions while using extremely small canvases. They're small enough to be used on practically any computer system or game console.

Original size: 4.5pt (use multiples of this value for pixel perfection)

ELEVATED - A large 3D outline shadow display typeface.

It's inspired by the lettering from a sketch of great Dutch graphical designer "Jurriaan Schrofer".

Enjoy!

This font was inspired by the works of Christophe Szpajdel (Lord of the Logos, 2010, Die Gestalten Verlag), as well as by the film trilogy and the following game titles (e.g. Middle-earth: Shadows of Mordor, Warner Bros. Interactive Entertainment, 2014) based on Tolkien's epic masterpiece, The Lord of the Rings. Given the game theme, and the 48 bricks vertical limit, I thought more or less around pixel art, or pixel fonts. This is my endeavour to make a spiky blackletter in Szpajdel's black metal style that evokes the terror of Mordor at pixel level. This font has been extensively tested for best kerning, yet some issues might have remained unresolved.

Gothixel Mono. A blackletter-style monospace font for small pixel sizes. One half of the Gothixel font family.

Gothixel Mono proudly supports Latin, Greek, Cyrillic, and Hebrew character sets. It also has a big inventory of characters with diacritics, including those necessary for Vietnamese and polytonic Greek.

Gothixel Mono's majuscules are one pixel wider than the minuscules, and the font's default tracking is on the wide side to accomodate this. You can tighten the tracking if desired, but in that case, all-caps text will run together. If you need appropriate space between all letters, I recommend Gothixel, the proportional-width font. However, Gothixel is further behind in development and doesn't have as many character sets yet.

This font family was originally named "Blackletter RPG".