Dusting off the old Fontstruct shelf. Hardly seems 10 years in the making...

Clone of Dot24Pin Sans Outline.

Still dreaming of 24-pin printers...

This original 24×15 typeface is designed around the limitations presented by the near letter quality (NLQ) output of dot matrix printers (DMPs) during the '80s & '90s.  Partially inspired by J. David Sapir's DOS font design program, LQMATRIX, it could have easily been created using that program back in the day.

(The "smart phone"-looking character in the À position is simply a placeholder, used as a quick reference to set vertical height lines while FontStructing.)

Still dreaming of 24-pin printers...

This original 24×15 typeface is designed around the limitations presented by the near letter quality (NLQ) output of dot matrix printers (DMPs) during the '80s & '90s.  Partially inspired by J. David Sapir's DOS font design program, LQMATRIX, it could have easily been created using that program back in the day.

(The "smart phone"-looking character in the À position is simply a placeholder, used as a quick reference to set vertical height lines while FontStructing.)

A font based on fivepanel. Still confusing!

DOTTITI MEDIUM : Having - like many designers - looked out for decent 3x3 typefaces, I decided to try my own as each existing version had some flaws or didn't completely follow the rules. The slight difference here is that circles are used, giving more readability to some characters. I completely restricted the design to the 3x3 grid meaning some characters are pretty abstract, BUT they follow the rule! #dottiti #zissdesign

DOTTITI STAR : Having - like many designers - looked out for decent 3x3 typefaces, I decided to try my own as each existing version had some flaws or didn't completely follow the rules. The slight difference here is that circles are used, giving more readability to some characters. I completely restricted the design to the 3x3 grid meaning some characters are pretty abstract, BUT they follow the rule! #dottiti #zissdesign

DOTTITI EXTRA LIGHT : Having - like many designers - looked out for decent 3x3 typefaces, I decided to try my own as each existing version had some flaws or didn't completely follow the rules. The slight difference here is that circles are used, giving more readability to some characters. I completely restricted the design to the 3x3 grid meaning some characters are pretty abstract, BUT they follow the rule! #dottiti #zissdesign

DOTTITI ULTRA LIGHT: Having - like many designers - looked out for decent 3x3 typefaces, I decided to try my own as each existing version had some flaws or didn't completely follow the rules. The slight difference here is that circles are used, giving more readability to some characters. I completely restricted the design to the 3x3 grid meaning some characters are pretty abstract, BUT they follow the rule! #dottiti #zissdesign

like on dot matrix printer,

z polskimi znakami.

0123

See more:

https://fontstruct.com/fontstructions/show/597219/neonize_1

https://fontstruct.com/fontstructions/show/402774/digi_digi

Renaissance-style Italic font, with straight capitals & old style numerals. The lower case letters are designed within a dot matrix, albeit slanted; with the uppercase letters I have deviated from this, in order to create well-proportioned Roman capitals.

1234567

Decided to try something a little different

Eclectic pixel/mosaic decorative font. Безумный, сочный пиксельный(высота сетки 9) шрифт для игр и диодных-led панелей, в которых формальный шрифт просто непредставим. Грфика знаков буквально зовёт отправиться в путь, в путешествие или на отдых.

See more:

https://fontstruct.com/fontstructions/show/168080/fs_grayletter

https://fontstruct.com/fontstructions/show/538954/tm-almost-2

Cyberpunk + Futuristic = Cyberistic

This is a thick dot-matrix version of a very popular classic computer, and it's normally used on word processors, electric billboards, etc.  Probably a great font!  Update: I just updated to the better, thick dots for all letters and symbols.