Inspired by commodore64 and others.

Part of a project.

Here is an extended version of my Atemayar Rigid Script. This script has taken me years to get to the point where it is. I do plan to complete it however I figured I would release it with the current list of characters that I have created. While I plan to complete it, it will be some time before this is achieved so please bear with me as life tends to get in the way sometimes.

I began this font August 31, 2017, and I'm releasing it 30 days short of its 2 year anniversary.

Based off the original alphabet of Atemayar Qelisayér featured on Omniglot created by Simon Halfdan Hvilshøj Andersen. Credit for all the original characters of this alphabet goes to him, as well as credit for inspiration. Some characters in this alphabet are wholly original to this font (most are not however), these are inspired wholly by the original Atemayar alphabet in one way or another.

I truly and sincerely hope you enjoy, this font is made for all to enjoy and to spread such a beautiful alphabet to be used for all languages and all writing systems. I love Atemayar more than any existing writing system, I take all my notes in it, and I yearn for Simon Halfdan Hvilshøj Andersen's alphabet to be spread around the world and used by many.

The alphabets can be categorized into groups based on the following criteria:
- Pseudo-Atemayar: shares no letters with Atemayar, but appears similar
- Semi-Pseudo-Atemayar: shares a few characters with Atemayar, but overall still looks like its base alphabet and can't be read by Atemayar users
- Modified Atemayar: Follows all/most of the same letters as Atemayar, however has added or modified letters as well
- Classic Atemayar: Original Atemayar alphabet without change

The alphabets' classifications are as follows:

Basic Latin: Classic (except X, which is a ligature of K and S)
Punctuation (all except . , : ; ? ! ... " '): Modified
More Latin: Modified
Extended Latin B: Modified
Extended Latin A: Modified
Greek & Coptic: Modified
Cyrillic: Modified
Arabic: Modified (reversed letters)
Devanagari: Modified (line above letters)
Georgian: Semi-Pseudo
Armenian: Semi-Pseudo
Katakana: Modified
Hebrew: Modified (reversed letters)
Hangul: Pseudo
Bopomofo: Modified (dots above letters, ligatures)

The idea is to read other alphabets as if they were Roman.

Pixel + Serif

Best at pixel size (12px)

Because of the pixel design I was able to create lots of characters. Even control pictures (no matter if someone needs them). If you need more, just ask.

Cyrillic and IPA under construction.

Small pixel font mimicking that those 90s toy screens, or calculators

currently 2931 glyphs

Wow I made another one already?

Welcome to the Future...

Dramatics aside, QUANTUM is a visual display typeface designed to convey one cyberpunk future out of many.

It is intended to be built as a monospaced font (however, spacing errors occurred, and it is a faux-monospace as a result), made on a 9x10 pixel grid out of a personal fascination with the vision of the cyberpunk future  according to the 90s and a desire to capture the "spirit" of the original Sony PlayStation. One of the leading sources of inspiration is the work by The Designers Republic (tDR).

This typeface not only features Latin characters, but also Cyrillic, Greek, and even a few Coptic characters for good measure (in hopes of easing in the old world into the future)

This was a simple idea started from S and T. Most of the glyphs have two verticle strokes that are 4-bricke-wide and a 1-brick-wide area in the middle of the character. except I, L, S and T (actually a lot more). They are a bit different. Especially S, T and L. The whole characters are only 8 bricks wide. As I mentioned above, It's because the whole font started from these characters.

Straka the name came from last name of a person. The S and T reminds me of this person's last name. I like this last name although I don't even know him.

About the Latin extension, I have made only the glyphs that require no new design, just diacritics and already made letters. So I can pretend like hard-working on fonts but copy paste in reality. :P

Also, I made Arabic glyphs. Only isolated forms. Which I suppose won't be a comfortable experience to Arabic users. It's like every letter has crazy swashes but every letters are lightyears away from each other.(or is it?)

Credit me bcuz it took days and I gave it all to you for free. Unthankful hairless ape. :p

has it gone 2 far? hope it didn't hurt you.

A 5x5 Greek pixel font designed by request for a friend. This is going to be used in some amusing comics! Too bad I won't be able to read them. :D

(This also supports Dutch and English.)

It's a font

My take on the classic Sports Jersey font

Now available on FontJournal

Oh yeah! it's finally completed.

A medium-res pixel font I designed in 2017 for printing the text of "The Story of Book" (TSoB), a tale which began life as an imaginary joke story and then was actually committed to paper.

TSoB is woven from my and my friends' whims, flights of fancy, in-jokes, and intentional idiocy, as well as contributions from several AIs. The resulting story changes tone, style, mood, and context at seeming random, and is subversive toward its media and reader beyond insufferability. All this was done just to make Trap Farmer Brer Brah slightly more interesting to the very few people who will ever bother to get and read The Story of Book in-game. So this font is based on an Easter egg.

Version 2.6

*

Inspired by a comment by jonrgrover.

I built diamonds sized according to the Fibonacci series, then made a segmented display out of them. The design was then carved away to make the glyphs you see here. I used the members 1, 2, 3, 5, and 8. These sizes proved most feasible to work with in this sort of arrangement.

I gave the terminals a flared appearance which I think makes the glyphs look slightly Celtic. The design also makes me think of beach sand and things found on the beach - shells, pretty rocks, and so on.

An experiment in subtle asymmetry (it's most evident in the upper case).

*

Version 1.7 (14Sep2018) - ExtL-A added, GFB completed, Greek started

Version 1.6 (18Aug2018) - Changed name from "RC Badwolf" to "Badwolf"

Version 1.5 (15Aug2018) - altered 2357,ð

Version 1.4 (14Aug2018) - altered space width and mw

*

See also:Navajo Deco

See more:

https://fontstruct.com/fontstructions/show/1593059/codework-1

https://www.myfonts.com/fonts/justanotherfoundry/mashine/

https://fontstruct.com/fontstructions/show/773915/drum_and_bass_ldr

https://fontstruct.com/fontstructions/show/87805/pyramid_1

https://fontstruct.com/fontstructions/show/203704/tagliana

https://fontstruct.com/fontstructions/show/178834/octastruct

https://fontstruct.com/fontstructions/show/1576255/f77-blockie

https://fontstruct.com/fontstructions/show/619723/the_45_alt_01

https://fontstruct.com/fontstructions/show/217312/track_filled

https://fontstruct.com/fontstructions/show/249112/ncd_phusion_bold

https://fontstruct.com/fontstructions/show/207773/comitto

My first font.

Decided to make an account here and give this font maker a shot...

Now supports Greek and Cyrilic

A monospaced, serif, pixellated serif font inspired by Courier. Updates planned.

This pixel-art-style font supports almost all latin characters, many greek characters and the capital cyrillic characters. It is also meant to be used with my reformed spelling system.

WIP

See more: https://www.fontstruct.com/fontstructions/show/1679386/derty-1-1

https://fontstruct.com/fontstructions/show/988227/de_stijl_11

https://fontstruct.com/fontstructions/show/1531237/stf-de-stijl

https://www.fontstruct.com/fontstructions/show/1656605/minimal-fraktur

https://fontstruct.com/fontstructions/show/1389996/lines-38

http://letterhead.store/generoso

https://rentafont.ru/fonts/dublon/regular

https://fontstruct.com/fontstructions/show/487001/squarific_stencilicious

https://fontstruct.com/fontstructions/show/836597/vermin_vibes_dystopia

https://fontstruct.com/fontstructions/show/298451/impossible_2

Currently Supports:

- English
- Some Latin
- Russian Cyrillic
- Google Fonts
- Georgian
- Hebrew
- Armenian
- Greek
- Thai
- Currency Symbols
- Arabic (WIP)
- Japanese/Katakana
- Bopomofo

An attempt to make an entire alphabet by modifying a single heptagon shape. (The "O" is the basis for almost all other glyphs.)

An alternate version of this was made in which I used different bricks to make the width of every line homogeneous. However, it was found that this robbed the font of much of its character. Additionally, the visual effect presented by the increased line width actually made the font less even-looking than it is now. This proved true with and without antialiasing.

An angular font with built-in ligatures for <f> and <j>. More punctuation and international support (hopefully) coming soon.

Battle Clerk

This is my first attempt on drawing a blackletter-styled font. There are many alternates for I couldn't choose between some variations of letters--and some of the lowercases which begin the word look better without that top-left swash. Hope you like this font as much as I liked making it :D

~ Alternates ~

< - Alt. G 1

> - Alt. J

_ - Alt. A

@ - Alt. S

# - Alt. E

$ - Alt. F

% - Alt. G 2

* - Alt. d

) - Schoolbook a

] - initial schoolbook a

[ - initial a

" - initial s

/ - initial e

\ - initial o