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Almost released this as an NFNW, but after a couple more hours in the editor, I realized I did want to finish this. Works best at larger sizes for short text.
Any suggestions to make the “N” less bulky would be greatly appreciated.
Also, kerning is in the works. I’ll see if I can finish it eventually.
Suggestions / feedback about the kerning pairs AV, VA, AW, WA, MV, VM, MW, & WM would be helpful—I can't quite figure out the spacing I like.
KERNING PAIRS COMPLETED (so far):
• (A-B)(A-z)
• (A-z)(A-B)
• f(a-z)
• (a-z)f
• a(A-U)
• (A-U)a
• 7(1-9)
• (1-9)7
This is a font I made in several hours for a class. It's inspired by the Elder Futhark runic alphabet that was used throughout Europe from the 1st to 9th Century. Futhark was named after the first six runes, just like how Alphabet is named after the first two Greek letters. Being a separate alphabet, there are characters in each language not present in the other. All fonts that copy Elder Futhark runes make changes in some way.
Compared to more accurate fonts, this one is meant to be more legible to a modern English reader. The original characters are often quite different from the characters we are used to. There are no symbols, numbers, or lowercase characters in the original alphabet. This font is designed to be used where the aesthetic of the Elder Futhark runes is desired but legibility is important.
FRAGMENTUM
- DISPONÍVEL PARA USO PESSOAL
- DISPONÍVEL PARA USO COMERCIAL
Designers responsáveis: Bruno Ferreira, Jaqueline Alves, Shara Cristina.
Fonte desenvolvida para a disciplina de Tipografia Experimental,
lecionada pela professora Dra. Maria de Fátima Finizola
Universidade Federal de Pernambuco
Centro Acadêmico do Agreste
Caruaru - Pernambuco, Brasil
2025.
Fonte desenvolvida em https://fontstruct.com/
A typeface inspired by artistic handwritten letters throughout history while also drawing from modern influences such as album cover artwork.
This typeface uses a combination of block serifs and rounded finials and is best used for short titles and emphasis
A new retro font inspired by various old magazine-style typefaces. 100% free, and kerned to insanity for your pleasure.
This is a clone of Promises, PromisesThe font canonically used by the fictional megacorporation known as Tetra Corp. It was revealed to me in a dream.
Credit is not strictly required if you use this font, though it would be greatly appreciated!!
~ katherine Awesome
A digital interpretation of the seemingly long lost font “Bauhaus Geometric”. 100% free and kerned to insanity for your pleasure.
This is a clone of Penny’s FartingEvery living day since time was invented by Richard Clocks, the world has lived with a noticeable absence of a digital adaptation of the obscure Letraset typeface Penny-Farthing, but today, finally, those days are over. It may not be finished yet, but this is what I got so far! 100% free.
An unofficial revival of “Moon” (1960), at least to the best of my abilities.
http://e-daylight.jp/fonts/type/m/moon.html
100% free, and kerned to insanity for your pleasure. Pieces and some characters from “Eternal” by Aiden font. Might expand/alter in the future.
(Hope this one gets noticed, I worked hard on this, lol)
ALTERNATES: À=A // Á=A // Â=A // Ä=C // Å=C // Æ=C // Ç=E // È=F // É=G // Ê=J // Ë=K // Ì=L // Î=N // Ï=S // Đ=T // Ñ=V // Ó=Y
LOWERCASE: Ô=f // Õ=h // Ö=i // Ø=j // Ù=n // Ú=r // Ü=t // Ý=t // Ÿ=u // ß=y
This is a cloneA typographical sequel to “Lyle”. 100% Free.
This is a clone of Lyne (Lyle II-B)