Based on the logo of the movie Prototype (1992).

See more:

https://fontstruct.com/fontstructions/show/1670692/yakz-1

NICE LEGS

This is a monolinear hairlined sans-serif typeface inspired by Art-Deco-ish classic modern and old ultra narrow typeface designs that evoked a feeling of sophistication and luxury..
This is a monolinear hairlined sans-serif typeface inspired by Art-Deco-ish classic modern and old ultra narrow typeface designs that evoked a feeling of sophistication and luxury..
A condensed slim & elegant style that has this classy look. The tall upper-case evokes elegance and it's asymmertical high- / low- waist distribution.

NICE LEGS was built using simple geometric shapes to make clean and legible letterforms. The super tall uppercase letters and the low x-height,
making this an eccentric, yet elegant san-serif type

— “Condensed, slim & stylish tall glyphs with that classy look that evoke elegance”.

It's asymmetric high- / low- waist positioning gives the lettering a distinct retro look & bohemian feeling that is great for logos & branding, packaging, titles, magazines, posters, signs, and scrapbooking.

As far as it is a clean looking font, it is not designed for large amounts of Body Copy text. It does work at small size, but it is perfect for branding , logos, and posters.

This font comes in both Capital & Lower letter cases. It's also equipped with many other charaters, such as; Ligatures, Numbers, Punctuation Marks, Accented Latin and a supply of special characters

It’s a minimalist sans-serif, delicate and romantic! The smooth and light execution of it’s clean and sharp lines making this font look sleek and elegant, feminine which is perfect for modern fashionable branding designs.

A condensed font with visual elegance, and smooth curves that make your work look true and attractive. Making this a perfect sans suitable to a wide variety of designs due to its neat and simple style.

More details soon

PS: I'm still working on kerning the font...

Cheers

A parody of Mayanic 1.

My first really big font!

Inspired by Sudoku.

Long long ago, I created this bitmap font for use on my Handspring Visor so I could cram a huge amount of text on the screen without disrupting vertical metrics. It's still pretty good at that! This could also adapt well to pixel-art games. As always, I'll happily add more characters on request!

UNION WEST (Text) ― Classic Wood Type inspired slab serif
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This is the 'Text'(light weight) version for the "Union West" typeface family
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[About the "Union West" typeface]
The idea was to craft a typeface that resembles a vintage wood block lettering style. The design is a sturdy looking geometric form with small Wedged slab serifs, straight beak terminals. It comes with two weight versions, 'Display' and 'Text'. The Display version is a bold style that has medium weight contrast and aims for headline use, the Text version is a thin style with only mild weight contrast that is heavily condensed and aims for body copy use.
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➥ More characters will be added within the following days.

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The other font in this family is found here:
UNION WEST (Display)

I hope you like it, let me know what you think,

Cheers

LEOPOLD PRO (Serif-Regular) — Modern geometric condensed slab-serif
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This font is the second style instance for the newly launched "Leopold Pro" typeface family, and is kicking off this new family of fonts.

The first one came as a minimalist, geometric sans serif style, this second font adds a serif style variation to the family. Both the "sans-regular" and "serif-regular" styles have identical visual properties for size and weight to allow seamless combination of the two, and as the name already suggests, represent the "Regular" style for the family.

Motivation for this was to craft a slab-serif style for the original geometric letterforms that has strong antique mechanistic qualities to add somewhat of a typewriter characteristic.

The relaxed optical proportion, short unbracketed serifs and open spacing results in clean and pleasant to look at text. Largely thanks to these properties it is still relatively legible in terms of a slab-serif style.

The other style can be found here:
LEOPOLD PRO (Sans-Regular)

Two additional extra "Light" and "Bold" weight classess are also currently in development, both remain works in progress for now, but are expected to be included in the future.

I hope y'all like it so far,

Cheers

STF_NEUE ISAIAH - 70's Art Deco / Streamline style typeface
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Most of the design credits for this font should go toIsaiah Garciasince I took the liberty of revisiting her fontstructionFS Idea

Please check out this member's awesome contributions here:Ivy Meadows (Isaiah Garcia)
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[THE PROCESS]
The one major difference between the two works is the grid size and construction method, Isaiah's version was made using a faux-Bézier approach (very labour intensive) and requires a fairly large design grid, whereas my version is a small grid design, utilizing the circle arc bricks and composites to achieve smoother contour quality, and was done on just a 4x7 grid using 2:2 filter.

This different approach and limitations in small grid designs have led to a number of small changes for certain glyphs. Also have I change some details slightly to my personal preference. But it remains very much Isaiah's design.
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[THE FONT]
I tried to remain as faithful to the original font as possible, and in addition tried to further expand the character set. Most important differences made in my revision are the additional lowercase chatacter set (spurred strokes), the uppercase alternative forms / lowercase alternative forms (spurless) and extra symbols.

Enjoy!

LEOPOLD PRO (Sans-Regular) — Modern geometric condensed sans
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This is a minimalist, geometric sans serif font with medium contrast and a strong compressed look. The modern condensed forms make up an elegant and classy looking font.

The overall design is a mixture of contemporary design with antique inspired elements.

The other style can be found here:
LEOPOLD PRO (Serif-Regular)

Cheers

This simple, yet interesting serif typeface was made for a school project. Best used for small bits of text such as titles and subtitles. 

DIDUDE (Regular) ― Contemporary Neo-classical "Didone" style serif
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The idea revolved around the basic concept for 'Didone'-style typefaces.
A genre characterized by modern unornamented standard letterforms, which was very popular for general-purpose printing during the 19th century. DIDUDE is by no means an attempt to embarge on a quest trying to deliver a conceptual overhaul of this genre. Its main goal was to achieve greater simplicity, without sacrificing that traditional neo-classical personality. Instead of leaning towards the typically more 'Humanist'-influenced style with distinct stroke modulations and proportional forms, geometry and symmetry were introduced to design this more simplified take on the traditional historical style. It has been crafted with a structural logic of its own.

"Less human, more geometry.."A fusion of geometry and neo-classical elements that blends the past with the present.
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Main distinctive features for DIDUDE (Regular) are:
Unbracketed serifs, vertical orientation of weight axes with a strong contrast between thick and thin strokes, slightly squarish-shaped round characters and its emphasized business-like nature. So the majority of important characteristics that distinguish the neo-classical style have been incorporated.
Certain features that were implemented into DIDUDE's design are somewhat setting it apart from most other, more traditional typefaces in this genre, and most notable is the more relaxed contrast ratio that was choosen for this particular project.
Further personalizing touches were made to stroke endings and curve geometry, providing slight 'calligraphy'-inspired decorative variation with occasional spurs, breaks, curved finials and plain monolinear terminals.
Topping it all off with an ever so gentle height deviation that sparks a subtle rhythm to any line of text. Last but not least, most of the optical clunkiness was addressed and either corrected or compensated.

There is a large character set that includes a little bit of everything:
Basic latin character set, latin-1 supplement set, stylistic ligatures and glyph alternatives, punctuation marks, lining and non-lining text figures, roman numerals, (Partial) Greek and Cyrillic, also numerous non-lingual technical, mathematical and decorative stuff was included.

Only partially kerning for now and this remains a WIP.

Nonetheless, I hope y'all like it so far..
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Here is a link to the other font style in this typeface family:
STF DIDUDE (Condensed)

Cheers

Use ` to add a connector to any glyph that doesn't have one.

An unofficial demake of Impact at 10 point.

https://www.myfonts.com/fonts/mti/impact/

This font currently contains the FontStruct Basic Latin character set (ASCII + curly quotes). If it gets 100 downloads, I’ll add OpenType Std (Windows ANSI + Mac OS Roman) characters.

My take on a thin sans.

It should cover all Western European languages (plus Hawaiian and Hepburn romanisation).

First pass at light kerning done, will be refined with use.

Clone of Blockfont.

If you want more bricks, new glyphs or glyph changes for this font, you can request them in the comments.

added Greek chars

A condensed font built around rounded shapes. Full support for the OpenType Std character set.

LENA (Solid) - Geometric retro display type family
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This is a part of the typeface family called 'LENA'.

A font family that comes in 3 different style varriations: Inline Solid, & Text
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Here you can find the rest of this family:
LENA (Text)
LENA (Inline)

Cheers

This is ultra-condensed vintage font.

Inspired by the bloom of flower petals and the fluttering wings 
of monarch butterflies.
 

STF_VINDALOO (Regular Condensed) - Style variation in the 'VINDALOO' font family

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Cheers

STF_VINDALOO (Extra Bold Condensed) - An extra bold and condensed Art-Deco display sans
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This initially had already been a published work from my early days of Fontstructing and the original had a lot that was less than desirable. For a start, the obvious rookie mistakes, that were due to the lack of typographic education as well as insufficiant knowledge about the overall Fontstruct-Editor Expert-mode features.
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Now several years later, fully acustomed to the physiology of Fontstructing (composite bricks, filters, behaviour) but above all, to be able to visualize ahead and to conceive imaginary conceptual thinking for new ideas or solutions within the FS-Editor limitations. And in return to bounce back from these restrains and make them work in my favour.
So now I feel like I have to give some of my older Fontstructions a serious reassessment, and perhaps do some revisions here and there.
There are numerous hidden gems and potentials within these works, for which back in the day I remained unable to accomplish to their full glory and complete satisfactorily successful end result and design objectives.
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To get back at this particular font:
There was some unsolidified hidden beauty in certain forms that had yet to 'truly' be revealing itself. I completely overhauled a clone but basically ended up with more of a new font instead.

And I really like it

B-)