A boat inspired display type made for big text.

Delving into the world of curves and composite bricks a bit more to make a box top and bottom font with whimsical curves in between.

Wanna see a magic trick? Clone this font and go into edit mode.

WIP

A condensed neoclassical "Didone" serif typeface.

I have completed only the basic font so far, and there is only the bare minimum of kerning applied for now. More character, accent and symbols follow soon.

I hope you like it so far!

A contemporary geometric grotesque with some advanced typographic features included.

Its packing not one, but three different styles into a single typeface. These are divided over the basic upper-/ lowercase  and "Halfwidth and Fullwidth Forms" Unicode block.

It is a bold weight typeface that suits best for headlines, posters and display purpose.

See the provided sample image bellow for more detailed info on its various features.

I hope you like it!

Contemporary geometric gothic typeface.

The idea was to make a typeface design that would suit small point size body style typography.

The fontstruction is a faux Bezier style approach, this allowed me the most freedom in shaping the different letterforms and curves. Capital height is 36 bricks height.

Font sample is best viewed at 2x pixel size or above for a sharp result.

I hope you like it!

Slight condensed geometric sans-serif style typeface.

The design was inspired by a number of different Dutch and German street signs. 

It's aimed at both display & body text with strong legibility.

I think it worked out pretty well and I am pretty keen with the end result. 

Enjoy!

Derived from Chisato by Zephram.

Copyright 2019 Zephram & Doug Peters (https://www.Doug-Peters.com or https://Dougs.Work) of Symbiotic Design (https://www.SymbioticDesign.com). 

Although Zephram's work is no longer apparent here, it exists in the underlying compressed letter forms and shapes of most of the characters that inspired me to give it a twist and make it monspaced with tapered ends.

Donations are super-appreciated.  Credit for my contribution to this work IS also greatly appreciated. 

Type: Monospaced Sans.
I guess I would classify this one as: Casual, Condensed.
Weight: Regular.
Web font: Yes.
Commercial use: Yes!
Derivatives: You betcha.
Redistribution: Anywhere.

P.S.:
Font-Journal (Freeware fonts for designers):
https://www.Font-Journal.com
Heavy Duty Web Hosting (Genuine cloud web hosting solution):
https://HDWebHosting.com
Domain Name registration:
https://www.DomainHostmaster.com (Wild West Domain Registry)
https://www.Domainance.com   (Directi's 'Public Domain Registry')
Fonts and graphics blog:
https://Worthful.com

PayPal donations (to encourage my continued freeware font design efforts):
https://paypal.me/sitedesigner

Oh yeah, I design logos, websites, graphics, ads, marketing campaigns, PCs, and just about anything, really. -DP

Irix was inspired by a font I lost track of, so I wound-up doing something else.

Copyright Doug Peters (https://www.Doug-Peters.com or https://Dougs.Work) 2019.  This quirky, wacky font is released as CC0 Freeware.  Donations are super appreciated (but not required to use this font).  Credit for my original work IS also greatly appreciated. 

Style: Rounded.
Classified: Condensed.
Type: Sans-Serif.
Weight: Bold.
Web font: Yes.
Commercial use: Yes!
Derivatives: Yes.
Redistribution: You betcha.

P.S.:
Font-Journal:
https://www.Font-Journal.com
My best web hosting solution:
https://HDWebHosting.com
Blog:
https://Worthful.com

PayPal donations (to encourage my continued freeware font design efforts):
https://paypal.me/sitedesigner

A condensed version of Dangerism Minor

v1.3: added a bunch of dashes

v1.2: made 7 thicker, made f more distinct from F, changed t for consistancy & added bullet

v1.1:  changed lowercase L to make it diffrent from vertical slash & fixed kerning on k

Also check out the other fonts in the Dangerism collection

The name Pos Ya is my original thought to when I finished the font meaning it's done, there, finally, it is in spanish. It is a long and skinny font that can be used in different ways. Experimented different versions and this was a top version that is stil legiable to use.

An even more condensed Tronixis. This is definitely giving me an "old book/newspaper" feeling.

Clone of Ambin Mono (early development stage), 'Free for Personal Use' Demonstration version of Amblin Mono. Copyright Doug Peters 2018 & 2019. No Commercial Use. No Derivatives Allowed.

Condensed version of Portable Vengeance. Most letters are 4x5.

A condensed version of my New Billion font!

"Big Friendly Giant"

Bevangular is a brand new pixel font which explores combining tall, rectangular lowercase with fat, 'bevelled' uppercase characters to create a quirky, imperfect but still unique style. It supports all of the Google Font Basic set.

Currently Supports:

- English
- Some Latin
- Russian Cyrillic
- Google Fonts
- Georgian
- Hebrew
- Armenian
- Greek
- Thai
- Currency Symbols
- Arabic (WIP)
- Japanese/Katakana
- Bopomofo

Bow Tie

A dapper little typeface.

  Who says you need to be bulky to throw your weight around? Built with a boyish frame, this slender typeface can be handy when you need to "think skinny". A few dashing details dress up the average serif and is only for those who politely dare to be different. 

Another variant on Derpberd, this time with the alphabets condensed to a 3x5 grid while maintaining the constant height. This is made to allow a great density of text in a small space while still being readable and somewhat stylish. Useful for webcomic authors, pixel artists, etc.

Inspired by the works of regular_one. Unlike most fonts I've released recently, many of the glyphs had to be modified or even redone from scratch.

- M, W, m, w, @, #, %, <, >, ~, and the circumflex above accented letters were all too wide and had to be condensed;

- I, f, i, j, l, r, and t were all too narrow and were expanded a bit, mostly through the careful application of serifs;

- K, M, W, X, Y, v, w, y, 7, /, and \ all had ugly mixes of angles that needed to be redesigned;

- N, *, (, and ) were completely redesigned, and many more touched up, to fit better with the rest of the font.

Most of the edits made were not possible before nudging. It's still not perfect, but it's much better than it was before, and I'm proud of how much it has "grown up". Of course, suggestions and critiques are encouraged. Thanks and enjoy!

Here's what happens after I temporarily lose the ability to Fontstruct... ;) This started as an experiment to get around overshoots, but took of in a slightly different direction, with a touch of Uptake. Suggestions are appreciated. Thanks!

(2017: Isn't it wonderful when you don't touch a fontstruction for 3 years and still don't see anything to improve? I don't remember why I lost the ability to use FontStruct—probably because of either a power outage or being in a moving vehicle—but I would guess I sketched this out in my graph notebook before getting back on the site.)