Inspired by Dry Heat Medials and English cursive, named Atlantico because it's similar to Pacifico.

Capitals - Low connectors
Lowercase - High connectors
!"#$%&'()*+,-./0123456789: - Initials
;<=>?@[\]^_`{|}~¤¥¦§¨©ª«¬ - Low Finals
®¯°±²³´µ¶·¸¹º»¼½¾¿ÀÁÂÃÄÅÆÇ - High Finals
ÔÕÖ×ØÙÚÛÜÝÞßàáâãäåæçèéêëìí - Capitals
Low low space: [No-Break Space]
Low High space: ¡
High Low space: ¢
High High space: £
Low final z at the soft hyphen glyph (­)
ÈÉÊËÌÍÎÏÐÑ - Numbers
ÒÓ - Period and Comma

Ô4LANTIC} ìÖ Ùæ
à!D? "Æ á!THA| ×/uGLA¦

This is a stylized version of Block Morse. Each letter has roughly the same outline, but several liberties are taken with the proportions and formatting. For example, filled 3x3 squares are indicated with a diagonal slash and "E"s are marked with an extra stroke.

This font is not meant to be used with ordinary letter case. Start each word with a capital letter. As you type, use a lowercase letter if the previous letter touches the bottom of the cursor, and an uppercase letter otherwise.

Example text: ACcOrDiNG To ALL KNOwn LAWS Of AVIatIoN , ThERe Is NO WAY A BEE SHoUld BE ABLE To FLY . ItS WIngs ARe ToO SMall To GET ItS FAT LItTle BOdY Off ThE GRoUnd .

When each column of 4 pixels is read from top to bottom, they form letters in Morse code.

This font is not meant to be used with ordinary letter case. Start each word with a capital letter. As you type, use a lowercase letter if the previous letter touches the bottom of the cursor, and an uppercase letter otherwise.

Example text: ACcOrDiNG To ALL KNOwn LAWS Of AVIatIoN , ThERe Is NO WAY A BEE SHoUld BE ABLE To FLY . ItS WIngs ARe ToO SMall To GET ItS FAT LItTle BOdY Off ThE GRoUnd .

WIP

See more:

https://fontstruct.com/fontstructions/show/1500535/contortion-c

https://fontstruct.com/fontstructions/show/1577341/zoftly70-eye-fs-3

https://fontstruct.com/fontstructions/show/2256589/sidetracked-6

See more:

https://fontstruct.com/fontstructions/show/2385180/vcr-multiline

https://fontstruct.com/fontstructions/show/1924523/hydrocycle

https://fontstruct.com/fontstructions/show/1509517/volga-1

https://fontstruct.com/fontstructions/show/1926014/squidward-4

https://fontstruct.com/fontstructions/show/2240805/shodan-5

https://fontstruct.com/fontstructions/show/1933790/two-souls

https://rentafont.com/fonts/dr-refunk

https://fontstruct.com/fontstructions/show/1904474/sanding

This Conscript is Intended for the Dubbing Fanon Wiki.

https://fandubdb.fandom.com/wiki/The_Fandub_Database

cloned from Christian Munk (Spitzchtruct)

this is a cursive "workshop" to be improved upon

it seems to me that there is not really much of a choice on fontstruct for cursive letters, most are connecting at the bottom which does not look natural in my opinion.

i thought i'd give it a try despite my being a beginner at this

Christian Munk had the right idea to make the connectors from the bottom on the right side of each letter and up to the middle of the left side of each letter above the baseline. it looks more natural that way.

however, some of the original creator's letters did not make sense to me, maybe it is a different language or a constructed language?

i liked some of the basic composited bits and pieces made by the originator

I moved most of Christian Munk's original created letters over to the empty punctuation spaces. the originals that i thought were okay i moved to the empty capital spaces. (there are no capitals in the original script). i'm not sure why some of the letters are strange looking, such as the letter D which looked like a capital V so i put it there instead.

then i recreated most of the lowercase letters using their bits and pieces

i think the only letters i kept the same were b, l, i, j & z

i may finish it later, the capitals need to be finished

but i thought i'd share what i got done ... it might be useful for ideas for an improved cursive script

This font was inspired by Esperhand.

Everything is connected!

The Devanagari Language inspired this font.

this connective font is a simplistic desighn that acts as a current flowing through the words. use { and } to not leave any of the current open and keep it secured

Years ago, a small font from 2008 caught my eye. Now I've dared to use its structure to modify and complete it, and thus create a new visual experiment. I'm sorry, diacritics are the weak point. Hope you like it. ¡Y Feliz Navidad a todos, amigos!

Optical experiments continue. "ff" and "tt" ligatures are in the "fi" and "fl" glyphs. Hope you like it.

Use ` to add a connector to any glyph that doesn't have one.

This typeface was created on the main theme of 'Protection' that i later explored in the idea of fences and how they can protect us from the outside world. I wanted my letters to connect with one another creating the illusion of a fence and potraying unity.

I love these kinds of fonts that have geometric puzzle-solving quality in the design. I was quite happy with how the lowercase found a way to be connected. Then I thought let me not mess with anything else. But a Z is so much like a 2, so I created the 2 out of the Z. Then when 2 was done, I was aprehensive of tackling the 1 because the vertical stem would be off by one brick, and how would that be resolved. Reluctantly I tried it...and it worked. 3 can be created from the B, but the B hasn't been created yet. OK, I guess I have to do the uppercase. A was easy. B was surpringly easy. Which gave me motivation to go on. And surprisingly soon, the whole thing came together. The hardest letters to shape were X and S. Not all letters are very successful, but they are distinctive enough to be recognized as themselves. Not sure about the =, but it will do, I suppose. In any case, no kerning required.

MIKITA - A "Chrome Script" style font based on the "Makita" logo type.

It is a simple 'semi' connected script, with only the basic character set.  I don't feel like this requires having tons of typographic features. It is just aimed at writing simple things in this script style.

I hope you like it nonetheless

Cheers

See more:

https://fontstruct.com/fontstructions/show/524596/candy_56

https://fontstruct.com/fontstructions/show/829881/fs_neon

https://fontstruct.com/fontstructions/show/1501556/dx-minima-rounded

https://fontstruct.com/fontstructions/show/1695748/all-together-now

https://fontstruct.com/fontstructions/show/445209/arancito_1

https://fontstruct.com/fontstructions/show/796901/fs_slate

ELEVATED (PRINT) - A 3D outline display typeface design with shadow effect.

It's inspired by the lettering from a sketch by great Dutch graphical designer "Jurriaan Schrofer".

===========================================================

This is the long overdue shadow style variant which was requested by Goatmeal and elmoyenique. It has diagonal shading lines included (as was also presented in the original sketch by Jurriaan Schrofer)

This rework has one major difference compared to all previous versions, once more it was constructed with a different size to grid ratio, one that corrects the size distribution, enabling the recreation of the original sketch with high accuracy.

The stroke weight in this "PRINT" version more accuratly mimics the original sketch and therefor is not optimized for digital display use.

===========================================================

The shadow effect is the default style for this font, this also includes all numerals, punctuation marks and other symbols that make up the full font, these occupy the uppercase. The outline style A-Z glyphs occupy the lowercase.

Enjoy!

& = Alt 7 For 17

~ = Alt 1 For 17

| = Alt i For "Li"

{ = Alt C For "C_"

} = Alt i For "Ci"

` = Alt C For "rc"

[ = Alt e For "le"

] = Alt e For "te"

you get the point.

Another handwriting script style font. Some suggestions for a better results: 1) You can put an additional bar (placed in the "<" and ">" glyphs) before typing a lowercase word. 2) And it's also convenient to add an extra space before writing a word with a capital letter to improve the separation between they. But you're the boss with it. Enjoy.

I've already gotten into another mess. Again a "2-in-1" font. It may work as is, but if you want to convert it to a script one you have to use some connectors between the letters, placed in the glyphs <, >, \, [, ], {, }. You must try each of them between two characters because there are many possible combinations. I add some samples down here. Don't worry and be patient, please, the result is worth it. Oh well, the actual "</>" glyphs are finally in the "©/™". To see all working, copy and paste the following sentence in the User Input window, please: Th>e q>u>i>c}k b[r{o[w[n f>o[x j{u]m]p\s o[v{e[r t]h>e l>a{zy d>o{g.

The secret PAL Robot font in the Mitchells and the machines (AKA Connected) De-Coded By CinemaWins, Fontstructed by me. Now with lowercase and custom-made symbols and numbers.

With this font I am late to the competition, but I still love Art Deco a lot.

Laevi is an Ancient Themed Font

Uppercase Letters: normal letters
Lowercase Letters: has some modifications (ß is an exception)
C, E, F, H, K, N, S, and X: has connections upwards
L, N, R, and Z: has connections downwards
G and Q: has a swoosh
O: has a different design

Numbers : normal numbers
< : different design of 0
> : connection upwards 2
$ : connection upwards 4
^ : connection upwards 6
` : connection downwards 9