Made this just for fun with pixel nudging, nothing fancy here

a simple cursive pixel font, except the pixels are actually sparkles, and some punctuation are also sparkles !!!

work in progress 

random display font i thought of !

use < and > to connect letters. for example, try typing

HAMBURGEFONSTIV

and

H>AM>B>U>R<G<E>F<O>N<S<T>I<V

legibility isnt the focus here, i wanted to make something that focuses on aesthetics ^^

An all-caps blocky font.

Still in WIP, please do not comment long absurd critiques with links on my mistakes made in this font. not in the mood today, compliments are fine. zzzz.... ALSO MORE GLYPHS SOON-

CW=Crosswords

little experiment expanding on what Kyyle begun.

Pixel fonts have advantage that some little inperfect connections hide in overlaping or seeming gap in pixels...

god why is making a pixel cursive sometimes hard

Final 16 Before My Final Font! | Have 6 Tags!

Needs tweaking here and there but I guess it's good to go.

A font designed after those jigsaw foam mats you see in nurseries, sometimes with removable letters or numbers.

Fun fact: these colors were picked from the Fontsructor UI!

I liked the original by Elmoyenique and was curious, whether I can somehow extrapolate the upper case (since its been in oven for years, not baked yet). It's there, but I am not happy with it yet.

Suggestions are welcome.

Outcome for UWE 'What The Font' project, focusing on analogue technologies/processes. I aimed to combine the irregularities and fluidity of traditional cursive handwriting with the texture of cross-stitch and embroidery.

Соединительные линии внизу выглядят как провода для подсветки вывески.

The connecting lines at the bottom look like wires for lighting a sign.

Wip

See more:

Failed Experiment | FontStruct

https://fontstruct.com/fontstructions/show/1676832/regulr-c-1

https://fontstruct.com/fontstructions/show/2466885/winder-2

https://fontstruct.com/fontstructions/show/1687576/caramba-1

Tried making the whole font based on variations of the S shape.

ORIENTFAHRTEN (Pro) — Semi-connected script-style font design
═══════════════════════════════════
Losely based on the lettering that was seen on a 1929 poster design by German painter Ottomar Carl Joseph Anton (1895-1976) for the “Hamburg-Amerika Line”  * (click for image of the original poster)

Whereas the original (non-Pro)-version aimed at extracting that “stylistic essence” of the lettering, and made an attempt at extrapolating and restoring a full alphabet from the letters provided by the original poster.. And so, that basically became sort-of a font revival with a little extra's.

ORIENTFAHRTEN (Pro) then took this to a whole nother level.

This reformation wasn't guided by Ottomar's original poster-lettering, but rather a remodeling and amelioration of my initial work.
Many glyphs were fully re-invented, others only just partially improved.

In addition to this, many new things were introduced as well.

For example, the font was further ornated with various typographic elements and bits, reminiscent of calligraphic hand lettering.

Turning this into a much more attractive looking little novelty.

Also some “technical” restructuring of the Unicode character mapping, to creating more user-friendly text formatting properties.

Since it is a semi-connected script, certain characters were deliboratly disconnect and some weren't.

For example, the uppercase letters almost all disconnect, whereas the majority of lowercase letters will connect by default. A set of glyphs alternate forms was included that allow to break the 'connected' flow of a text.

These also function sort-of as “Contextual Substitutions”,  but without OpenType's automated glyph-stream lookup classes. Yet these do allow the manual control over word-endings and word-space situations. So when a default-glyph is followed by a white-space, a glyph-alternate form could than be selected to replace the default-character encoding and improve overall aesthetics and natural flow of text. These substitutions are located in the “Halfwidth and Fullwidth Forms” and “Private Use Area's” Unicode blocks. In addition to the default alphabet letters the font also includes numerous symbols and punctuation marks, as well as ligatures.

As for the “numberscomp” that is currently in progress:

This font was specially fitted with 5different schemes for text figure arrangement.
 • Didot-(old style) non-lining (font default)
 • Traditional-(old style) non-lining
 • Clean-(modern) lining
 • Tradidotional-(old style) non-lining
 • Ornate-(modern) lining

— This does temporarily create a new problem for me though... As this would be my fourth submission to the competition, where a maximum of only three font submissions is allowed. Now, which of these previous entries am I going to eliminate?!

I hope you like it,

Cheers

Connected Bauhaus Font

A NEW UPDATE: ITC exists, so I swap with MTN, added uppercases and more alts, added punctuations.

Pipe/Tube font. Let me know if you see shading issues.

See more:

https://fontstruct.com/fontstructions/show/1621174/pinnu

https://fontstruct.com/fontstructions/show/808707/analogly

https://fontstruct.com/fontstructions/show/1927675/worm-flat-2

A pixelated sanskrit font, probably the first of its kind. It mimics the hindu alphabet.

Inspired by Dry Heat Medials and English cursive, named Atlantico because it's similar to Pacifico.

Capitals - Low connectors
Lowercase - High connectors
!"#$%&'()*+,-./0123456789: - Initials
;<=>?@[\]^_`{|}~¤¥¦§¨©ª«¬ - Low Finals
®¯°±²³´µ¶·¸¹º»¼½¾¿ÀÁÂÃÄÅÆÇ - High Finals
ÔÕÖ×ØÙÚÛÜÝÞßàáâãäåæçèéêëìí - Capitals
Low low space: [No-Break Space]
Low High space: ¡
High Low space: ¢
High High space: £
Low final z at the soft hyphen glyph (­)
ÈÉÊËÌÍÎÏÐÑ - Numbers
ÒÓ - Period and Comma

Ô4LANTIC} ìÖ Ùæ
à!D? "Æ á!THA| ×/uGLA¦

This is a stylized version of Block Morse. Each letter has roughly the same outline, but several liberties are taken with the proportions and formatting. For example, filled 3x3 squares are indicated with a diagonal slash and "E"s are marked with an extra stroke.

This font is not meant to be used with ordinary letter case. Start each word with a capital letter. As you type, use a lowercase letter if the previous letter touches the bottom of the cursor, and an uppercase letter otherwise.

Example text: ACcOrDiNG To ALL KNOwn LAWS Of AVIatIoN , ThERe Is NO WAY A BEE SHoUld BE ABLE To FLY . ItS WIngs ARe ToO SMall To GET ItS FAT LItTle BOdY Off ThE GRoUnd .

When each column of 4 pixels is read from top to bottom, they form letters in Morse code.

This font is not meant to be used with ordinary letter case. Start each word with a capital letter. As you type, use a lowercase letter if the previous letter touches the bottom of the cursor, and an uppercase letter otherwise.

Example text: ACcOrDiNG To ALL KNOwn LAWS Of AVIatIoN , ThERe Is NO WAY A BEE SHoUld BE ABLE To FLY . ItS WIngs ARe ToO SMall To GET ItS FAT LItTle BOdY Off ThE GRoUnd .

WIP

See more:

https://fontstruct.com/fontstructions/show/1500535/contortion-c

https://fontstruct.com/fontstructions/show/1577341/zoftly70-eye-fs-3

https://fontstruct.com/fontstructions/show/2256589/sidetracked-6