Hi! this typeface is made for my Typography final assignment. This typeface is inspired by one of Surabaya's most authentic food, which is sate kelapa/sate klopo/coconut satay(?)
The "curvy thing" at the end of every letter is inspired by the tail from one of Surabaya's most famous legend and mascot which is suro/sura/a shark precisely.
Feel free to give a comment/feedback. I'll really apreciate it :D
Thanks a bunch!
The Fontstructors:
S = Sed4tives
E = elmoyenique
4 = four (see what i did there?)
T = thalamic
L = My 2022 Avatar!
M = Meek
m = minimum
K = kassymkulov
N = winty5
C = TH3_C0N-MAN
a = aphoria
A = afrojet
P = Prepper
D = Sychoff
t = tylo
f = funk king
G = GoatMeal
d = minidonut
B = BenTheMiner
c = mc_m
I = igorrossi
J = FontBlast
e = elliotshock
k = dukom
l = lucapri
U = ^.^
* = My 2023 avatar
b = Bryndan W. Meyerholt (got the glyph from ʟcp.)
_ = AidenFont
r = Radio80
w = BWM New Icon
p = LCP's New Icon
1 = digitalio [OLDEST]
s = saberrider
6 = digitalio [OLDER]
i = dpla
R = lucapri before he saw this fontstruction.
u = digitalio [OLD]
Q = cayo
X = ExtremeFontMaker
h = erikkoev
g = digitalio [December 2023]
2 = Sketchbook B
H = GraphicFever
q = Ptles
O = ulrico
$ = fontcollector
5 = sconstantinides
Y = cayo
8 = Axel Leyer
n = Nathan Douglas
# = 2024
9 = RedFox99
y = OsyenVyeter
Z = Kaia
@ = user-juli
W = opipik
j = chup
V = Platisvore
o = Isaac González
v = cablecomputer
x = Brynda, who was a little close.
z = typerider
7 = Sirakorn
3 = dada
? = 18man
! = digitalio FEB 2024 [horizantal]
. = old frongile (aka the roblox sinister face)
let me know if you want your profile picture/logo/icon in here!
(also digitalio's 64 logo is literally bigger than the rest)
FRUNTSTOCT — FontStruct logotype reinterpretation
═══════════════════════════════════
For all ya failed attempts at re-creating the FontStruct logo typeface.
Many have tried their take on it, most without convincing succes, and often looking downright horrible.
Two of the most commonly made mistakes are.. 1) The introduction of a uppercase alphabet 2) Having a tendency for including far too many stuff in terms of extended language and typographic support, aiming for large multi-lingual character-sets with as many glyphs possible.
The lettering for the FS-logotype has this very distinctive modular geometric stencil concept. The underlying glyph structure consists of 5 horizontal rectangular segments, that together with a custom set of simple geometric blocks form a modular system that can be easily re-modeled or re-arranged to form the different letters and required parts that help to distinguish each individual letter from one another.
The modular system itself is highly simplified and easily accessible to implement additional changes. But typically speaking a simplified modular system comes at a price. And the further a system was simplified, the greater the amount of limitations will be. Which literally translates to a reduction in overall design depth and freedom to implement a more diverse complexity.
—TECHNICAL SPECS:
[Dimensions] Segments
X-Height — 3
Cap-Height — 4
Ascender — 1
Descender — 1
[Filters] Value
Horizontal Brick Size — 2
Vertical Brick Size — 1.8
Horizontal Grid Scale — 0.9
Vertical Grid Scale — 1
In case of this FS-logotype concept, there are a number of key components that put in place this very strict window of parameter-locked propperties, that exclude all but a few remaining options which could still be exploited, and therefor fully dictate whatever is, or is not possible.
Having only 5 segments, limited geometric components and highly restrictive rearrangeable capabilities towards implementing variation all adding up to the difficulty-level for extrapolating some of its more complex and- / or denser forms, symbols accents and puntuation marks.
To cramp excessive amounts of complexity into a very narrow band of realestate would have a certain negative wear on its aesthetic qualities. And is likely to result in a combination of messy glyph composites and queer-looking letter-inventions, contrapped in a mish-mash of irregular and gawky looking, at times even disfiguring geometry that sit at the heart of this problem.
This is exactly where those bad choices can either make or break your font. The modular system for FS's lettering clearly isn't the most suitable of fonts for uppercase forms and complex geometry.
This doesn't mean that it is impossible, as was demonstrated by a small number of re-interpretations that actually do include fairly decent uppercase inventions. One of such that have successfully pulled off the inclusion of a uppercase set for his rework of the logo typeface was Zhalgas Kassymkulov—previously known as architaraz.
His attempt is a beautiful display of craftmanship and clever simplicity.
Here is a list of attempts that I think are successful re-interpretations of the original FontStruct logo:
Structurosa Italic — by four
AT Archistruct Outline — by kassymkulov
Structurosa— by pauldhunt
FS Logotype — by WeDoFonts
pixelstructia — by gamesgames
fs Colophon — by user-juli
fs sanstruct — by ETHproductions
Realised — by thezenmaster1000
Structurosa Bold — by pauldhunt
FontStrukt 2 Soft — by Jamie Place (FontBlast)
Structurosa Bold Too — by pauldhunt
— WHUTZINSIDE THIS FRUNTSTOCTION?
Now, a extensive explanation for the decision to not include uppercase forms to the font, as well as for the constraint on total character amount had been broadly covered above. I think that small caps numeral figures make a much more sleek looking glyph, and tying the overall character set much more together as a whole.
Another, and I say, rather more unique feature found in my version of the lettering is only a subtle one in fact. One that mostly works invisibly, that without the awareness of the reader, is easily missed. And can only truly visually materialize and appreciated seen up close. This is the implementation of several slight deviations and custom sculpting of certain curvatures and round features. Introducing an ever so slightly more diverse dynamic, but also taps deeper into some of that shape contrast propperties.
In addition to that I've also included several glyph alternative forms and small number of ligatures to play around with.
among these glyph alternates there is also this continuous string of 13 rather experimental looking glyph variations for the lowercase letter 's'.
These aren't actually meant to be usable characters, but instead is a collage of different configurations that make various curved geometry, and are simply stored in a glyph-style fashion that provides an actual physical estimation on their appearence and for me to test their functional values in a text format.
So far so good,
I am happy with how the font turned out to be, it is fairly consistent looking and still remains quite usable as a font.
That's all for now folks...
Cheers.
InfiniMrGoogleStructMax is a Official Font.
A Good Font!
The InfiniMrGoogleStructMax font is required for the following Windows versions:
Windows 1.0✅
Windows 2.0✅
Windows 3.0✅
Windows 3.1✅
Windows NT 3.51✅
Windows 95✅
Windows NT 4.0✅
Windows NT 5.0✅
Windows Memphis✅
Windows 98✅
Windows 2000✅
Windows ME✅
Windows Neptune✅
Windows Whistler✅
Windows XP✅
Windows Server 2003✅
Windows Longhorn✅
Windows Vista✅
Windows 7✅
Windows Blackcomb✅
Windows 8✅
Windows 8.1✅
Windows Phone✅
Windows 10✅
Windows 11✅
Windows 12✅
That font supported other:
CarPlay✅
AirPods✅
AirPrint✅
WatchOS✅
The font is also available for Android users:
Samsung✅
LG✅
Lenovo✅
Vivo✅
Realme✅
Infinix✅
Xiaomi✅
Redmi✅
Honor✅
Google Pixel✅
Oppo✅
OnePlus✅
Motorola✅
HTC✅
The font is also available for iOS Users:
iPhone✅
iPad✅
The InfiniMrGoogleStructMax font is available for Handheld Game Console font display download:
Nintendo Switch✅
Supported Mac OS Versions:
Mac OS 1✅
Mac OS 2✅
Mac OS 3✅
Mac OS 4✅
Mac OS 5✅
Mac OS 6✅
Mac OS 7✅
Mac OS 8✅
Mac OS 9✅
Mac OS 10✅
Mac OS 11✅
Mac OS 12✅
Mac OS X✅
Versions:
1.0 - Initial
2.0 - Added Imperial Aramaic, Mandaic, Chit'de, Nooalf and Alfamejor.
3.0 - Added More Cadexian letters, Metelko and Latin Abkhaz, Pamphoneticon, Korean Dessert, Lisu, Redmi Logo, Xiaomi Logo, Bilibili Logo and Google Logo.
4.0 - Added Huewehnese, Ishinese, Gavinnese, Clydenese and Elbasan.
Links
The InfiniMrGoogleStructMax font is an official font that was founded in 1988.
It is powered by Mr. Google and Google.
My little personal and humble tribute to our Astonishing FontStruct on its 16th birthday, full of admiration and respect for the Great Creator & Big Chief Rob Meek and all fontstructors, big and small, who used it during these amazing years! LONG LIVE FONTSTRUCT!!!
An italic version of the fontstruct logo and Structurosa by pauldhunt, using composte bricks and nudging.
IMPORTANT NOTE: THIS FONT IS NO LONGER BEING WORKED ON. I HAVE A BIGGER FONT TO WORK ON FOR THE TIME BEING.
YOU ARE FREE TO CLONE AND FINISH THIS FONT IF YOU WANT.
Finally done. Phew! It took two days to make this. This is a full collection of 5×7 Dot Matrix characters as seen on many devices, like Texas Instruments calculators. A lot of these are custom. Sources include TI-83, TI-86, TI-89, Casio Monochrome Graphing Calculators, Casio fx-115ES PLUS, and the rest, I created them myself. I included fractions for those themes on Microsoft Office don't have matching "1/3" and other fractions with the "1/4", "1/2", and "3/4". The fullwidth characters are substitutes for the other characters in the regular style, such as the math "x" and "y" from Casio.
Please note that character sets like Arabic and some Math Operators are beyond 5×7 pixels. If you want to know why? Because Arabic is very big and if I put it all in 5×7 pixels, the text will look weird, won't really fit inside, and there would be no point to it. I left it as is. Roman Numerals cannot fit if you were doing the "VIII" character, for example.
Enjoy!
8/28/2019: Font created.
1/7/2020: Added characters in the following form: Fullwidth and Halfwidth are used for making TI-73 Explorer characters, plus actual monospace setting characters. Note that Runic, Tagalog, and Hanunoo are replaced with character variants. The last variation of a character is from Minecraft's font. The fractions are also changed to level the line spacing. The wide "M" is never ever for use on Monospacing.
1/8/2020: More variations are added, extended to replace Buhid. I also added other math symbols and more. To type x̄, press unicode shortcut and type 01b2. To type ȳ, press unicode shortcut and type 01b3. I also added over a hundred, or two hundred, more characters to stock up on the font. Oh and I changed the filters to separate the pixels for a more pixel and retro look. Also fixed the spacing on the "Щ" character.
9/8/2020: Added a bunch of more characters to the font set.
8/25/2023: fixed the license so that the download works now.