This font was created for my Typography class. I wanted the letters to have a sense of unity, so they all ended up with a notch on the top left side. They are inspired by black letter / gothic letterforms. 

"Mystic Psychedelic" derives from the deep appreciation for the design evolution of the ‘60s and ‘70s, where innovation in printmaking and typography played a pivotal role in shaping cultural movements. The sleek minimalism and vibrant screen-printing techniques of the era allowed for intricate, bold designs that captured the attention of the masses. Inspired by artist, Victor Moscoso and Rick Griffin, and the rise of diverse music genres during the ‘70s, each with its own distinct visual identity, encouraged to exploring typefaces that reflect the era’s rebellious spirit. By merging the groovy, free-form aesthetics of Funk and Psychedelic Rock with the raw, distressed edge of Punk and Heavy Metal, the created font that evokes the boldness and energy of this transformative period in design and music. Although the limitations of fontstruct created harsh ridgid edges, the font still reflects symbols and imagery inspired by the era.

‘Ripped paper’ is a graffiti inspired font focusing specifically on texture and imperfection. The influence taken from punk and grunge styles, as well as artist Chris Ashworth's idea of 'Swiss Grit'. The use of many different fontstruct bricks allows the font to achieve the messy pixelated texture. The font style was created originally from experimentation with ripping paper, hence the name.

A chunky, y2k-esque typeface with attributes of both sharp and round typefaces.

Is dyslexia okay for you? Use this font if you have dyslexia!

[i'm updating the font for now, making more Writing Systems...]

A typeface loosely based around Robert Perine's logo for Fender, characterised by natural, fluid shapes. The aim was to construct each letterform with minimal 'brushstrokes' - further details are captured with smaller, flicks/strokes. Additionally, the texture is supposed to mimick inkblots when using a fountain pen, for example.

I made my font this way because it was visually pleasing to see the type thin and have the correct spacing in all the letters. 

THEME: PROTECT

A display font inspired by one of the UK's first and most influential free-party sound systems- Spiral Tribe. They helped create a culture of freedom and expression through art and music which was heavily (and still continues to be) suppressed by the Police. They used tribal patterns frequently in their artwork, which is the reasoning behind the spiral shapes within the letters. 

The weights are varied throughout the letters to make it more playful and psycholdelic, as the rave culture is against agression and force used frequently against them by the police. New age travellers embrace harmony- which is why the letters are sized so that they work together in words to create a wider pattern.

My typeface currently encapsulates the verb “protect” through two opposing connotations; one of them being to self protect; this phrase is conventionally associated with weapons, and I have illustrated this through sharp edged strokes to imitate knife-like objects. The other being is to hide; this is inferred the personification of the fact that elements of my letters are hiding themselves. 

Punk One is Heavy Modern sans serif with a strongest slant curve touch. An older brother of the original Plusminus font made by V. Sarela.

A fun rounded font made for any scenerio.

Font for the 'it' girls. Font for the pretty girls. Truly a typeface for the indie girls.

◃ About Touchpad Pro ▹

Touchpad Pro is a Regular Sans typeface, and the index of a typography collection. As pragmatic as it is friendly, Touchpad Pro was based title Source Sans Pro. Such as subheads, body copy and captions. However, the recent letter weights of the font work best in headlines.

◃ Category ▹ 
Regular Sans

◃ Our Requirements to use this Font ▹

• Also includes fonts over 80-300 glyphs.

• Also Attribution Needed.

• Do not use this font when you didn’t credited me.

• Also sponsored by Glyphs.

• Request any font.

Now available on The Cloneable Dev Community.

I wanted to make something kind of resembling late victorian advertising typography. So, heres that. I'll probably continue making edits as time goes on.

For my chosen theme Community (specifically biological community)
I decided to work with a worm/snake shape. Trying to figure out the final letter shapes during the creative process I got inspired by the snake game I'm sure everyone played on their old Nokia including me.
I observed the snake's movements in the game and created a typeface based on that. I would characterize my typeface as a simple combination of retro and modern at the same time.

Created by Nicole Rybáková as a first-year graphic design student at UWE Bristol Uni.

My first typeface was inspired by the theme “gang community”. A large element of my research was the analysis of the most commonly forged bank notes. This typeface is the development of the contrasting typography that feature on notes. One type of typography is clear and concise, and the opposite typography is increasingly complex and hard to read to the naked eye. This is to make it extremely hard for criminals to counterfeit.

Working under the theme of 'Rebirth', I have focused my first font on the idea of post-war architecture, or otherwise commonly known as modernist/brutalist architecture. Buildings constructed following the Second World War were built using new technologies of construction. These types of designs were known for their use of modern materials such as concrete and steel as well as their interesting geometrical forms. I was heavily influenced by the architecture featured in Owen Hopkins' book 'Lost Futures' which looks at the disappearing architecture of post-war Britain and how changing external contexts played a role in the subsequent destruction of these buildings. 

Kintsugi is the Japanese art of putting broken pottery back together by sealing the cracks with gold - built on the idea that embracing flaws and imperfections, you can create an even stronger, more beautiful piece of art, this is idea is also a metaphor for self growth 'rebirth'. The typeface is designed to replicate the cracks in kintsugi ceramics. I wanted to create a bold font to suggest strength and how  imperfections and flaws can make people stronger and even the strongest of people go through hardship. 

This san serif font is inspired by the concept of ‘Community’. I explored the idea of unhealthy, anti-communities and real life examples of them, which lead me to Hollywood. Hollywood, beneath all the glamour, proves to often be a toxic community, considering the examples of misogyny, racism and sexual abuse that has taken place within the community. I wanted to recreate the iconic Hollywood sign and modify it to have cracks appearing, representing the real-life cracks appearing in Hollywood’s community. These cracks will represent examples such as Harvey Weinstein and the #MeToo movement. 

enjoy this font by me!!! What a good font!

This design was inspired by futuristic/space letters.

The round letters have a smooth outter edge while the inside still has it's sharp corners. The bits missing in the letters give it a separation and playful look.

OpenSpace is based on the openness of autaspace. Each letter is open and welcoming to the eye. 

This is a font inspired by the word 'systematic'. My main influence when creating this font was archiecture and the form of buildings. I focused strongly on lines and the grid system as I felt this really fit the theme of 'systematic' and archiecture as both remind me of acting according to a fixed plan or system; methodical.

Inspired by fountain-based architecture, I've created my first fontstruction for the start of my UWE Graphic Design course. For this, I poured water onto different surfaces/objects with varying shapes to capture the cascading effect as reference images. Originally, I was first inspired by watercolour strokes to make a gradient effect, which developed into the idea of water fountains used in contemporary architecture.