Colorless version: Tecodanthe Adet

JS-SANS BEVEL (OUTLINE) — Geometric Sans-Serif
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Another font addition to the ever evolving and growing collection of revivals and inspired works called LETTERS OP MAAT, a project celebrating and trying to recreate the typographic contributions originally designed by Dutch graphic designer Jurriaan Schrofer.

This time I did a revival based on a sans-serif lettering concept Schrofer did in the late 1960s during his time with Mouton & Co..

The alphabet system was later featured on several book cover prints such as: "Marx and contemporary scientific thought"  from 1970, "Images of the world in the year 2001" from 1976, "Repro en Druk"(Weekblad van het Koninklijk Verbond van Grafische Ondernemingen) from 1981, and several more.

I decided to create a typeface family with two styles, SOLID & OUTLINE.

In addition to that I included an uppercase letterset, symbols and punctuation marks as well..

I hope you like it,

Interrested in more of my Jurriaan Schrofer recaps? Please take a look a my complete collection of Fontstructions tagged with STF-LETTERS OP MAAT for the full catalog of fonts I contributed to this project so far.

Cheers

JS-SANS BEVEL (SOLID) — Geometric Sans-Serif
═══════════════════════════════════
Another font addition to the ever evolving and growing collection of revivals and inspired works called LETTERS OP MAAT, a project celebrating and trying to recreate the typographic contributions originally designed by Dutch graphic designer Jurriaan Schrofer.

This time I did a revival based on a sans-serif lettering concept Schrofer did in the late 1960s during his time with Mouton & Co..

The alphabet system was later featured on several book cover prints such as: "Marx and contemporary scientific thought"  from 1970, "Images of the world in the year 2001" from 1976, "Repro en Druk"(Weekblad van het Koninklijk Verbond van Grafische Ondernemingen) from 1981, and several more.

I decided to create a typeface family with two styles, SOLID & OUTLINE.

In addition to that I included an uppercase letterset, symbols and punctuation marks as well..

I hope you like it,

Interrested in more of my Jurriaan Schrofer inspired? Please take a look a my complete collection of Fontstructions tagged with STF-LETTERS OP MAAT for the full catalog of fonts I contributed to this project so far.

Cheers

Erebor: The Lonely Mountain in Tolkien's Middle-Earth.

See more:

https://fontstruct.com/fontstructions/show/1559459/slick-strontium

https://fontstruct.com/fontstructions/show/1525277/zirconia

https://fontstruct.com/fontstructions/show/1871385/table-cut

https://fontstruct.com/fontstructions/show/1719850/gruz-1

https://fontstruct.com/fontstructions/show/1307978/gimli-minuscules-cyrillic

https://fontstruct.com/fontstructions/show/942639/ecthelion_1

https://fontstruct.com/fontstructions/show/401866/digi3d

https://fontstruct.com/fontstructions/show/863425/fs_turn_off_the_sun

https://fontstruct.com/fontstructions/show/1045652/shadows_37

https://fontstruct.com/fontstructions/show/2403515/inline-headrush

Custom bold, beveled and fixed width font for the homemade handheld console MAD×DOG by INSANUS
https://twitter.com/LupusInsanus/status/1145113251027542017

A beveled display typeface.

Style variation for the BOXCUTTER typeface!

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BOXCUTTER is a squarish and heavy-weight display typeface that is straight in your face. Beveled to make the fella slightly less agressive. 

It's pixel optimized as well and it comes in uppercase and small uppercase characters only!

BOXCUTTER is a squarish and heavy-weight display typeface that is straight in your face. Beveled to make the fella slightly less agressive. 

It's pixel optimized as well and it comes in uppercase and small uppercase characters only!

Another recap in a series to attempt to re-create some of the works from late great dutch graphic designer "Jurriaan Schrofer" (15 april 1926 – 1 juli 1990).

This time I revisited the lettering for "A.S.C. COMMUNICATIONS" and completed the alphabet and some additional punctuations.

I hope you like it.

Bevel/chisel effect using connecting bricks.

Glyphs B,K,R,S,X,Z,k,s,x,z,2,3,5,7,8 miss cuts because of nudging space limitations.