If you played Minecraft for a while, you may or may not recognize or seen this font. And yes the Ẅ, Ẁ, Ẃ and Ỳ have different looking accents, but that's how it is in the original. And lastly, I will add more glyphs/characters/letters in the future. And yes I know it's a Unicode font but Fontstruct wouldn't allow us to access every character set. And I made this font just for fun. That's all! (edit: I changed the name from "Minecraft Java" to "Minecraft GNU" 9/21/21)

The sample you made doesn't make sense, it's not the same style as the one i made and yes i know all of this is not 100% accurate.

The Unicode bitmap font from Minecraft, also known as GNU Unifont. The game has a font priority system called "providers" that looks for bitmap data for a specific character in the non-Latin European character set first, then in the accented Latin character set, then in the game's low-res default font, then finally here, in the high-res Unicode character set. You can override this priority system by going into Options... > Language..., then setting "Force Unicode Font" to ON.

The game stores this font in images containing 16 rows and 16 columns of characters. Each character is 16 pixels wide and 16 pixels tall, totalling 256 characters per image. Each image represents one Unicode codepage, and there are 256 pages, which covers characters U+0000 to U+FFFF. Control characters and most CJK characters are omitted here, because FontStruct doesn't officially support them.

The font is not monospace, however, so the effective widths of each character are stored in a separate file called glyph_sizes.bin. Information for each character is stored in one byte, and the upper and lower 4 bits of this byte represent the start column and end column with a number ranging from 0 to 15, where 0 is the leftmost column of the character's allotted 16x16 space, and 15 is the rightmost column, respectively.

Knowing all of this allowed me to automate most of the steps involved in creating this recreation. I did not use the FontStructor to make this, I instead used a program to directly interact with FontStruct's API. It is possible to add unsupported characters to a font with this method, but I chose to stay within the limits of what is officially supported.

Typical LED is a circular pixel font intended for use in video games and video game-related t-shirts. Best used on a black background in a non-neutral color such as red, orange, green, or blue.

See more:

https://fontstruct.com/fontstructions/show/232626/fuzz_5

https://fontstruct.com/fontstructions/show/648499/video_font_system

https://fontstruct.com/fontstructions/show/1926592/gyroscope-1-1-1

Fixed Version of Gyroscope Mojang. In original, form of letters A, J and G was not right. I fixed this, so now with this font you can reproduce almost perfect Mojang Studios logo!

P.S: Some letters looked terrible too, I redesigned them a litle.

Finally, a pixel font that supports English, Turkish, Portuguese, Italian, French, and Spanish glyphs, and even some Hungarian ones! Inspired by modern sans-serif typefaces (mainly Helvetica), with highly readable and consistent lettering.
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Let me know if there are any other glyphs you'd like to have with it, and I'll update it! Planning on implementing Cyrillic next.

Inpired by new Mojang Logo.

Digiround was designed to be a sans-serif semibold font to make for easy reading. The low x-axis was designed to differentiate the lower case letters from the capital letters, and the boxy shape is meant to appear organized while catching the viewer's attention. This font also imitates the 8-bit style of text typically found in video games like RPGs, but with a more modern round edge.

This is the font used in the background of the film "Prospect 2018." It is now my favorite movie, so I decided to get the font into a usable format. This is accurate to the writer's notes, which I found in an interview of them. This set includes both lowercase and uppercase, as well as several numbers (not all of them were legible). It should also be noted, that in some in-movie examples, there are minor discrepencies, as well as mispellings. You may find many examples in the promotional magazine that was put out, which can be read here: 

https://imgur.com/a/fGqisra 

Good luck in the Green, and happy prospecting!

This typeface is based on a retro theme mixed with the new digital age. It is unicase with tall thin characters.

This is a digital font, like you see in calculators and such, and I will update/add more characters as always. And lastly, I made the B, D, K, R, V, X, a, v, sightly different than A, H, O, U, o, u to avoid confusion. That's all.

A pixelated font defined by the contrast between its jagged edges and smooth ones. 

This typeface was designed as a response to the shift towards Online and Digital Communications that communities practice in modern society. Since the emergence Internet, people has more frequently resulted to email, messaging and other online connections as a means of communicating with each other as supposed to speaking directly in person.

This has limited the power of communication and removed many organic aspects of conversation. I feel this is particularly prevalent today as a result of the Covid pandemic and as people continue to feel more isolated, we loose the important subtleties in the way we discuss and exchange.

The character’s design was based off fonts like CMC7, MICR E13-B, CRT Screen Typography, the works of Gerard Unger, Wim Crouwel and other pieces of design created for the exchange of digital information between machines.

Theo D'Cruz 2020

This font was created for my Foundtype project at UWE where I chose the theme of Rebirth. It draws inspiration from the traditional Blackletter Olde English style calligraphy fonts of the seventeen hundreds however, I’ve put a retro digital spin on it by making it pixelated which shows my theme choice as it’s the Rebirth of this traditional font.

This typeface has been created around the theme of community. In particular I looked at referencing the idea of the online/digital communities that we have all become so reliant on due to COVID-19 and being alone in isolation. I researched into the effects of lockdown on various peoples screent time and interviewed them, then used this as my thesis starting point. To create the concept, I experimented with different symbols that represent digital connection for example; wifi, signal and battery. 

A font based on fivepanel. Still confusing!

Segment

Well, I am back. You can see that I made a new font. It is called Computed. (obviously) This font is based off of TH3_C0N-MAN's 7 SEGMENT DISPLAY font. It has more glyphs and well... idk? This was pretty hard to make. LIKE LITERALLY.

Inspired by radios' displays.

Inspired by radios' digital segment-displays.

7 segment display. Mostly useful for numbers, but I included a few letters just in case. Some letters (like m) I couldn't do, so not all letters are there. I may make a 12 segment display or something like that in the future for letters.