This italic was more difficult to build than I espected (especially the glyphs K, M, S, X, g, k, x, 2, 5, 6, 8, ß and a few others). There are still shapes that are very hard to achieve using the current FontStruct's tools... but nothing is completely impossible if you dedicate the time to it, the results are often surprising. So it also took me much more time to complete the entire character set, but I'm happy about the final aspect of the font: it looks curiously forceful, positive and fresh at the same time, and I like it, despite not being 100% happy with some glyphs. Kerning isn't finished. Suggestions are welcome, folks. This is my 2024 font for Xmas: Happy holidays to you and yours, dear Rob Meek and all the FontStructors wherever you are!

Hey everyone :)

Bold super italic 45°!

The kerning of some letters is way off for some reason, namely the Ss, the Ts, the hyphen, the plus sign, and the 7s.

My first Kerned creature,

Suggestions welcome! 

See more:

https://fontstruct.com/fontstructions/show/1323866/elion-c

https://www.behance.net/gallery/13692951/Stina

I saw the logo for tramplin.tv [pictured below] a loooong time ago and was fascinated by it. It used to live on my computer desktop so I can look at it frequently. Even thought to redo it in fontstruct but...just looking at it, it was clear it wasn't doable...at least back then. At some point, the image was moved off to some other to-be-filed folder, and eventually I forgot about it.

I found it again the other day while hunting for some other file.

It was still fascinating. And in the meantime, fontstruct had grown up considerably (Thanks, Rob!). It was time to attempt doing it.

Well, kicked my ass, didn't it.

It seems so simple: One diagonal that goes from one letter to another in smooth transition, bisected by a different angle diagonals. No. Easy in concept, killer in making the geometry work of 2×1 diagonals to 1×4 diagonals.

No matter what thickness of diagonals were selected and whatever the gaps were left, the angles would not line up at some point or another. Which was confusing as 2 goes into 4 exactly 2 times, so things should have lined up without complication. I remembered, many years ago kix used Transparent Windows utility to make the browser transparent so he could trace silhouetted figures for one of his brilliant fs. Even tried tracing. Nope. After many failed attempts, had to break out Illustrator to better visualize the grid and diagonal guides of my own.

[See picture below]

Figuring out the geometry was much simpler in Ai. Found out where I was going wrong. First attempt at doing a and m and making them line up worked like a charm. From then on, it was just a matter of doing the glyphs. Some of them were simple to execute; others like e and c and especially z were quite difficult...at least for my limited intelligence.

Anyway, here it is.

Disclaimer: The original logo is probably copyrighted to someone. I don't own the rights to it. It is displayed here for comparision purposes and for full disclosure. If the owners of the original logo have a objection for its display here, it will be removed immediately.

Here's what not to do:

--Start an easy fontstruction to pretend you don't have time to do research assignment due last month

--Draw lowercase letters

--Change all letters to have slightly more personality

--Draw uppercase

--Change all lowercase to match the uppercase

--Draw numbers

--Change all uppercase to match numbers

--Change one letter so that it makes better auto-ligature

--Change all letters to have less personality

At this point, who knows how much time has been sunk into doing this "easy" fs and what it started out as. And unoriginal to boot. Forget it. Next!

Hi-def version of Seg Sixteen.

Italic stencil experiment.