A modern minimalist font.

Subtract is a minimalist typeface, reducing detail to the simplest legible form of each character, using a fluid mix of curved and linear forms for an aesthetic that is refined, uncluttered, precise and stylish.

Elegance in typeface design is usually associated with decorative, scriptive or serif fonts. Subtract takes away from the basic letterform rather than adding.

I was doing kerning and all that and I've got so lazy about it, but i love the style of this thing so i decided

f*ck it, enjoy :D

A minimalist fraktur, broken down to the bare minimum of penstrokes. Based on the later more rounded typefaces with fewer distinct pen movements. Made for practicing calligraphy rather than æsthetics, especially w.r.t. lowercase letters. This schematic breakdown makes for easier learning of stroke-order and movements.

Humanist Gothic style Grotesque.

This was so much friggin work, and still I have only the basics of Larin characters. The amount of work I put into getting the stoke modulations and smooth edges right was unreal. I couldn't be more happy with it so far. I will add more characters to it soon.

What do you guys think so far? Suggestions or tips are more than appreciated.

Enjoy!

A light weight Bauhaus style font with a little handwriting twist. Most curves have a slight overshoot. A lot of characters are still missing due to design difficulties. I hope to add more soon.

A modernist monoline typeface

A font wherein each glyph is depicted through the placement of exactly 5 pixels on a 5x5 grid. This was inspired by basketball where only 5 players per team are on the court at once.

I feel these glyphs could be useful for board games since it takes very few pieces to render these shapes.

A constructivist typeface that does the job at nearly all sizes.

Experimental multiline design.

Pandora's Blocks is a new kind of box. A better  box. A box that contains things unheard of in the world of humans, a box that dissolves problems and anxieties and casts them unto the wind, a box that turns the words you say and the thoughts you think into ambrosia. Do the right thing and don't not not de-un-open the box. There are bad things living in there.

You must repost this message on Facebook within 30 seconds. If you don't warn at least 12 people about the dangers of pixel fonts by tomorrow, your great-great-great-great-great-great-great-grandma will rise from the dead and raid your kitchen. She was a master Sandwichologist employed by Sir Francis Bacon himself. Repeat, DO NOT OPEN THE BOX.

hello I was looking all over for a decent and complete 5 by 7 font from the early days of computing, I could not find any so I made my own and also it is as unambiguous as I could possibly make it and covers the full set of engilsh printable characters in the range from 0 to 127, 7 bit ascii... I hope you will enjoy it as much as I hope I will.

How to use:
Enter your text using lowercase then make another text field where the same text will be in uppercase, then make it semi-transparent and put over the first text.

Protected Free-For-Use License font free to use in any occasion either non-commercial or even commercial uses.

STRICTLY NO MODIFICATION WITHOUT PERMISSION!!!

This might be called a "negative counter" design. Alternative 'Y' is on 'y'. Countercomp entry 2.

45NUM_WI71
         
         
MY MAPPING
         
1=14 fonts
         
<<       
1234567890
        >>
         
U0030-0075
 (48-117)
~~~~~~~~~~
0123456789
:;<=>?@ABC
DEFGHIJKLM
NOPQRSTUVW
XYZ[\]^_`a
bcdefghijk
lmnopqrstu
----------
°±²³´µ¶·¸¹
º»¼½¾¿ÀÁÂÃ
ÄÅÆÇÈÉÊËÌÍ
ÎÏÐÑÒÓÔÕÖ×
ØÙÚÛÜÝÞßàá
âãäåæçèéêë
ìíîïðñòóôõ
~~~~~~~~~~
U00B0-00F5
 (176-245)


                       7 WEIGHTS  +  1 ITALIC                       
                                                                    
                                                                    
                    << 1234567890 . 1234567890 >>                   
                     .............!.............                    
                 W7I0: 0123456789 ! °±²³´µ¶·¸¹ :W7I1                
                 W6I0: :;<=>?@ABC ! º»¼½¾¿ÀÁÂà :W6I1                
                 W5I0: DEFGHIJKLM ! ÄÅÆÇÈÉÊËÌÍ :W5I1                
                 W4I0: NOPQRSTUVW ! ÎÏÐÑÒÓÔÕÖ× :W4I1                
                 W3I0: XYZ[\]^_`a ! ØÙÚÛÜÝÞßàá :W3I1                
                 W2I0: bcdefghijk ! âãäåæçèéêë :W2I1                
                 W1I0: lmnopqrstu ! ìíîïðñòóôõ :W1I1                
                                                                    
                                                                    
  << 1  2  3  4  5  6  7  8  9  0 ,  1  2  3  4  5  6  7  8  9  0 >>
==+===============================+===============================+==
W7! 30 31 32 33 34 35 36 37 38 39 | B0 B1 B2 B3 B4 B5 B6 B7 B8 B9 !W7
I0!  0  1  2  3  4  5  6  7  8  9 |  °  ±  ²  ³  ´  µ  ¶  ·  ¸  ¹ !I1
--+-------------------------------+-------------------------------+--
W6! 3A 3B 3C 3D 3E 3F 40 41 42 43 | BA BB BC BD BE BF C0 C1 C2 C3 !W6
I0!  :  ;  <  =  >  ?  @  A  B  C |  º  »  ¼  ½  ¾  ¿  À  Á    à !I1
--+-------------------------------+-------------------------------+--
W5! 44 45 46 47 48 49 4A 4B 4C 4D | C4 C5 C6 C7 C8 C9 CA CB CC CD !W5
I0!  D  E  F  G  H  I  J  K  L  M |  Ä  Å  Æ  Ç  È  É  Ê  Ë  Ì  Í !I1
--+-------------------------------+-------------------------------+--
W4! 4E 4F 50 51 52 53 54 55 56 57 | CE CF D0 D1 D2 D3 D4 D5 D6 D7 !W4
I0!  N  O  P  Q  R  S  T  U  V  W |  Π Ï  Р Ñ  Ò  Ó  Ô  Õ  Ö  × !I1
--+-------------------------------+-------------------------------+--
W3! 58 59 5A 5B 5C 5D 5E 5F 60 61 | D8 D9 DA DB DC DD DE DF E0 E1 !W3
I0!  X  Y  Z  [  \  ]  ^  _  `  a |  Ø  Ù  Ú  Û  Ü  Ý  Þ  ß  à  á !I1
--+-------------------------------+-------------------------------+--
W2! 62 63 64 65 66 67 68 69 6A 6B | E2 E3 E4 E5 E6 E7 E8 E9 EA EB !W2
I0!  b  c  d  e  f  g  h  i  j  k |  â  ã  ä  å  æ  ç  è  é  ê  ë !I1
--+-------------------------------+-------------------------------+--
W1! 6C 6D 6E 6F 70 71 72 73 74 75 | EC ED EE EF F0 F1 F2 F3 F4 F5 !W1
I0!  l  m  n  o  p  q  r  s  t  u |  ì  í  î  ï  ð  ñ  ò  ó  ô  õ !I1
==+===============================+===============================+==
  << 1  2  3  4  5  6  7  8  9  0 '  1  2  3  4  5  6  7  8  9  0 >>



Metadata quote:                                              
"4x5 numerics with 7 weights and 1 italic a.k.a. WI71"       
Not inspired by any other design,                            
             e.g. Abneurone's minimalist pixel experiments   
             (my very dotted 4x5 version may look like the 7x7
             "Deep Low 2" font he made on 2014 and 2017      
             - which includes a lot of duplicates            
             but is not limited to the numerics).            


NOT for commercial use:                  
fontstruct.com/fontstructions/show/1505214




2018   
0212 PNG
0320 TXT
dpla   
 

This monospace font was first created in paint using only the smallest possible grid (3x3), with wich every common glyph can (recognisable) be drawn. In this font not every glyph can be deciphered on its own. But on a second glance you shoud easily be able to read a word, phrase or a sentence.

My Reversecomp entry.

A "well rounded" minimalist font made with 5x5 squares.

fn('hi\n');

I made this variant of Jersh because it looked cool, and now you have two choices for this font: crappy or adifferent kind of crappy.

This is a font that I've based on the logo I use for my pen name "Jretion". I thought it looked cool enough so I've decided to make an entire font out of it. Due to how it is, and due to my lack of aesthetics, it's not the most legible font. Apologies in advance.

The theme for this typeface is the word 'Filthy'. The letterform's structures are based on dust and the way it separates when a finger is dragged through it. Dust collects on objects that have been untouched for periods of time, often through neglect. The use of negative space and lack of border draws attention to the dot-work dust that forms around the accents of the letters. As a finger cleans dust, larger piles form where there is a change in direction. This helps identify the individual characters whilst keeping a minimalistic approach. This font can be used for headings and posters, or shop designs and logos. I have always felt this font would go well on a burger shack to help give a rustic or edgy look.

Unbroke is a san-serif headline display font inspired by minimalist and stencil typography.

Another construction rule font. You have a stack of sheets of paper of a single size, and a hole puncher. Create a (ok, mostly) legible font using the least number of hole-punches.

Constructicon is composed only of the four square-with-corner-chopped-off bricks. The edges of each brick always match up with the edges of adjacent bricks.