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InfiniMrGoogleStructMax is a Official Font.
A Good Font!
The InfiniMrGoogleStructMax font is required for the following Windows versions:
Windows 1.0✅
Windows 2.0✅
Windows 3.0✅
Windows 3.1✅
Windows NT 3.51✅
Windows 95✅
Windows NT 4.0✅
Windows NT 5.0✅
Windows Memphis✅
Windows 98✅
Windows 2000✅
Windows ME✅
Windows Neptune✅
Windows Whistler✅
Windows XP✅
Windows Server 2003✅
Windows Longhorn✅
Windows Vista✅
Windows 7✅
Windows Blackcomb✅
Windows 8✅
Windows 8.1✅
Windows Phone✅
Windows 10✅
Windows 11✅
Windows 12✅
That font supported other:
CarPlay✅
AirPods✅
AirPrint✅
WatchOS✅
The font is also available for Android users:
Samsung✅
LG✅
Lenovo✅
Vivo✅
Realme✅
Infinix✅
Xiaomi✅
Redmi✅
Honor✅
Google Pixel✅
Oppo✅
OnePlus✅
Motorola✅
HTC✅
The font is also available for iOS Users:
iPhone✅
iPad✅
The InfiniMrGoogleStructMax font is available for Handheld Game Console font display download:
Nintendo Switch✅
Supported Mac OS Versions:
Mac OS 1✅
Mac OS 2✅
Mac OS 3✅
Mac OS 4✅
Mac OS 5✅
Mac OS 6✅
Mac OS 7✅
Mac OS 8✅
Mac OS 9✅
Mac OS 10✅
Mac OS 11✅
Mac OS 12✅
Mac OS X✅
Versions:
1.0 - Initial
2.0 - Added Imperial Aramaic, Mandaic, Chit'de, Nooalf and Alfamejor.
3.0 - Added More Cadexian letters, Metelko and Latin Abkhaz, Pamphoneticon, Korean Dessert, Lisu, Redmi Logo, Xiaomi Logo, Bilibili Logo and Google Logo.
4.0 - Added Huewehnese, Ishinese, Gavinnese, Clydenese and Elbasan.
Links
The InfiniMrGoogleStructMax font is an official font that was founded in 1988.
It is powered by Mr. Google and Google.
ZEPHTON (Pro) — 70's future retro / sci-fi style typeface
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[ INTRODUCTION ]
A revival of the Sci-Fi lettering used by the “Atlantic Toy Company” for their “Galaxy Serie”. A science fiction themed toy line that was manifactured from 1978 to the early 1980s.
The lettering seen on their packeging uses a modified and filled version of a typeface called Paperclip Contour, which was designed by Dutch graphic designer Ad Werner, and was issued by Mecanorma in 1973. There is very little information provided on the web in regard to the original typeface by Werner. And even fewer images. Nothing that show a complete character set, only FontInUse submissions. But taken from the research I conducted I can safely conclude that the original Paperclip Contour typeface has just one style, which is outlined, and that it includes a lower case(a-z) letterset with numerals and just a had full of symbols and punctuation.
That being said, this actually is the second revision I did for the lettering. The innitial first version had a super basic character set, as well as a couple of mistakes included alongside some compromises in respect to certain glyphs. This was due to the limited knowledge I had in regard to the use of the FS-editor at that time. So the font wasn't 100% accurate. This newer version correct most of the inconsistencies that were present in the older version.
Due to the incomplete resource material on the original Paperclip Contour by Werner I can't check accuracy of this newer version. But I think that apart from the thicker weight in Zephton its 99% accurate.
Where the older version ran short by a lot, this new revision in fact can qualify as a full font, with everything from numerals, symbols, puntuation marks as well as accented letters for more Latin languages. And ever some glyph alternatives. Making this much more of a functional font.
[ THE FONTSTRUCTION ]
The font is a “Unicase” style typeface that has only “Minuscules” included. There are glyph alternate forms for several letters as well as a secondary set of numeral figures. These characters are located in the Unicode blocks for “Halfwidth And Fullwidth Forms” and “Private Use Area 1”
There is also a full (a-z, 0-9) alphanumeric set with “Contour Outlined” glyph alternative forms, which is located in the “Private Use Area 2”
The font saw a major update that tied everything together, and sort of finalizes the font for proper use.
Several characters have received minor adjustments in order to find a balanced harmonic distribution of typeset material. Also several improvements have been made to the overall shape and form of various characters. In addition to that numerous new characters been designed, expanding the character set even further.
Work also continued in the metric department, building the kerning table, that contains 2368 stored kerning pairs so far. Spacing was reduced by 50% to tighten the letter fit significantly. To round things up and convert it into a more functional typeface some of the characters were rearranged and/or relocated to different Unicode blocks.
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[ CONTOUR OUTLINED GLYPH ALTERNATIVE FORMS ]
The contour outline glyph alternative forms are not 100% accurate conversions of their solid counterparts. This due to minor design difficulties that simply made it impossible to fully execute it at its current size and with this thin stroke weight. The deformities are simply the result of a lack in fully smoothened stroke contours in some of the transitions from diagonal to curved parts. These flaws are minute, and mostly only noticable at large size rendering, but nonetheless present. In small to medium size text these imperfections are hardly visible, and pose no real problem. Anyway.. the contour outlined glyphs are still very close approximations nonetheless, just so that it happens to be with a small number of tiny imperfections.
As a direct result of this the two sets with glyphs do not fully match and therefor not seemlessly overlap.
This can be ignored for most part in the majority of the font's application, but it does create two important limitations:
1) Contour outlined glyphs are unsuitable for vector path outline rendering when the stroke alignment is set to "Outside" (Configured like that with threshold for the corner point angle set to sharp these imperfections in the glyph contours can generate spikey disruptions to appear in the stroke rendering).
— So this configuration should be avoided.
2) The two styles are unsuitable (or incompatible) with stacked “multi-layer" overlay text compositions.
— Simply due to the fact the two variations aren't a 100% true match.
They do on the other hand, combine perfectly side-by-side in text composition.
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[ MORE LIKE THIS ]
There is also this other FontStruction that was inspired by Ad Werner's font Paperclip Contour, called Neue Werner Paperclip, this one was crafted by fellow memberfunk_king
Thats it for now...
Cheers
This is a cloneUSE THE FULL-STOP FOR THE TERMINAL UNDERLINE.
“MOTU” IS A MĀORI WORD MEANING “ISLAND” OR “SEPERATE”.
THIS WAS MADE WITH FONTSTRUXIUS.
(Work in Progress)
This is a larger variation of my smaller 8-bit Nostalgia series, and assumes 16pt rendering. It's inspired in large part by the computers from my past: the Commodore 64, Atari, and IBM PC. In many ways, this font is closer to the font used for VGA text -- this font is on an 8x16 grid, while the VGA used a 9x16 grid. However, the VGA font has more letters with serifs, while this font avoids that whenever possible (aside from the typical I/i, L/l, J/j). Only a few other glyphs get serifs when they wouldn't otherwise need it to appear reasonably well-kerned.
This font uses an 8x16 pixel grid. The top three rows are reserved for ascenders and diacritics. The bottom four rows are reserved for descenders. This leaves nine rows for the capital forms, and seven rows for the lowercase forms.
Notable glyphs:
- The "A" and "V" is angled a bit more than usual in a font of this type.
- The "B" has a narrower top half in order to offset the fact that the top and bottom are equal height.
- "J" more closely resembles its lowercase form.
- "g" is a double-story form.
- "3", "4", "5", "6", "9" numerals are fairly unique forms
probably my w̶o̶r̶s̶t̶ best font yet
give sugesstions in the coment section plz ://////;/;/;
CURRENT GOALS (* means top priority):
finish latin 1 supplement to latin extended B****************
MOAR greeeeek;:;:**
add cycllc
finish tahi (thai is until PUA)
georghinan******
A font that represents what the future looked like through the eyes of the past. Presenting sharp features that seem to be extraterrestrial symbols, this font is perfect for not just Sci-fi and video game lovers, but for those who want a bold and striking font to make their work bring awe and nostalgia to their audience.
my goal was to creat the smallest font possible. so i decided to to take a 3x5 pixel grid for creating the font. but most special characters are a bit bigger. see also 3x5px fleisch for the none printing areas of this font http://fontstruct.com/fontstructions/show/3x5px_fleisch
if you want to use this font for commercial matters. get in contact with me. the commercial use of this font is bind to a donation to any children health care in your country. I want to see the transfer voucher of the donation.
Font from the ingame marquee display of Barcade Brawl, a 2015 game by yours truly. This was made to look similar to the system fonts from old arcade boards, PC microsystems, etc. You've probably seen the fonts I'm talking about; they're everywhere and many people refer to them singularly as "the arcade font" or "the NES font".
This is 7x7 with no wasted matrix, but it looks better without monospacing since not every glyph is the same width. It also makes a decent terminal & chat font, at least for those who don't care about the case of the messages they read and write.
Feel free to use this in your games, etc.!
*
Original size: 5.25pt (use multiples of this size for pixel perfection)
60's - 70's intergallactic television shows were the inspiration for this font, while it originated as a simple Arial Bold font. Stretched and squeezed through space and time itself, this typeface is sure to have geeks and nerds alike on the edge of their seats and begging for more.
Шрифт, използван в играта на Nintendo Super Mario 64, когато говорите с герои или четете знаци.
Малки кирилски букви от българската стилистична разновидност.
Съдържа пълна азбука, знаци с ударения, препинални знаци, IPA разширения, гръцки букви и букви на кирилица. Включена българска стилистична вариация.
WIP
See more:
https://canadatype.com/product/lincoln-electric/
https://fontstruct.com/fontstructions/show/2190106/swallow-tail
https://fontstruct.com/fontstructions/show/1995546/commodore-mercury
https://fontstruct.com/fontstructions/show/1557041/zchriftart-eye-fs
https://fontstruct.com/fontstructions/show/1843388/concrete-8
https://fontstruct.com/fontstructions/show/222936/scanografia
https://fontstruct.com/fontstructions/show/1953332/zunnyside-eye-fs
https://fontstruct.com/fontstructions/show/1201504/butades
This is a clone of KabrioletLENA (Inline) - Geometric retro display type family
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This is a part of the typeface family called 'LENA'.
A font family that comes in 3 different style varriations: Inline Solid, & Text
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Here you can find the rest of this family:
LENA (Text)
LENA (Solid)
Cheers
ULTRA-KERNED!
THE ONLY DIFFERENCE BETWEEN CAPITAL AND LOWER-CASE IS THAT “K” AND “R” HAVE LONGER STROKES WHEN CAPITALISED.
CHANGELOG
• 2018:01:21 — FIRST RELEASE WITH 105 CHARACTERS.
• 2018:01:22 — UPDATED “[,” “]” AND “|” CHARACTERS.
• 2018:01:25 — UPDATED “&” CHARACTER.