The font TOREN takes its name from a sentient spaceship in the “Ancillary” series by Ann Leckie and is designed as a futuristic display font. Much of the inspiration for this font came from studying science-fiction film posters and book covers which is where the name originated. Important information to know about the font is it is only uppercase and works best as a stand-alone graphic element.  

A futuristic font to which I hope to add every character in every script. A world font. Expect to see Cyrillic, Greek, Arabic, Hebrew and Japanese Katakana intergrted into this font.

See more:

https://www.fontstruct.com/fontstructions/show/522360/alphane

https://www.fontstruct.com/fontstructions/show/138958/honest_1

https://fontstruct.com/fontstructions/show/1592397/amyn-1

https://fontstruct.com/fontstructions/show/671570/shu_ling_regular

https://fontstruct.com/fontstructions/show/16702/7by5angles

I made this monospace font after watching several science fiction movies. Currently, the font only includes Basic Latin characters.

I am publishing this under Public Domain so that anyone can use it for any purpose. Attribution is appreciated but not required.

Leave a comment if you make something cool with it!

James Robert Patrick IV

Sci-Fi futuristic minimalistic sans-serif font for any kinds of projects.

A continuation in the style of Genera and Genera Deux

Based on a 3-dimensional cube design, this fun font is perfect for when you want to capture the attention of your audience. Great for use in Sci-Fi, Fantasy, Steam Punk, and more! 

Modern sans serif, influenced by Eurostile and Future Earth.

Modern sans serif, influenced by Eurostile and Future Earth.

Trying my hand at another movie logo font, inspired by the terrific posters for 1981's "Escape From New York".  Kern at your own peril.

An adventurous font, perfect for titles.

(https://fontstruct.com/fontstructions/show/1572180/funky-pixels)

This project has changed my view of type by being patient and to really think about how the typeface will be protrayed in a product. My typeface reminds me of an "old-school" videogame. I had alot of fun with this project because I got familier with the tools in this program very quickly. I hope you enjoy my font, Funky Pixels!

A more "organic" or "biomechanical" version of Cybernaut. Looks best at sizes that are powers of 2.

A "glitchy" or "fried" Cybernaut. Looks best at sizes that are powers of 2 (try 2x or 4x Pixel size)!

Cybernaut turned inside-out! The result is mostly illegible except when used at multiples of the original size and with antialiasing turned off. At the original size (2x Pixel size), it's capable of some magnificent cybernetic aesthetics.

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Original size: 21pt (use multiples of this size for pixel perfection)

Another mirror font! I made it in a square style so it would mirror more neatly. This also had the consequence of giving the font a "runic" look.

Looks best at Pixel sizes, but works with any size!

The name "Mirror Mang" comes from two things: the Captain Beefheart And The Magic Band song "Mirror Man" as well as the way my friends from New Zealand say "man".

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Original size: 7pt (use multiples of this size for pixel perfection)

See also: Glassmakers Guild, Heraldic Emblems

Cybernaut with finer lines. It must be used at twice the size of the original.

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Original size: 42pt (use multiples of this size for pixel perfection)

A greatly altered Cybernaut!

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Original size: 21pt (use multiples of this size for pixel perfection)

Experimental cyberpunk robot mosaic thing.

It gives me a strong "system font" feeling and seems like something that might be included with the OS of some futuristic tech deck. If the Fairlight Excalibur from Shadowrun Returns had its own font, this could be it!

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Original size: 21pt (use multiples of this size for pixel perfection)

SPOOKY GHOST FONT. A work in progress. Getting the right spooky apparition look is pretty intensive, but I managed to finish the basic character set before Halloween. :D

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This started as a 5x5 design. After realizing S and Z would look far better if I made them 1 square taller, I converted the whole font to be roughly 5x6. At this low resolution, it's hard to get the degree of irregularity which I think makes these letters look ghostly... but, the idea is certainly present!

This design seems like it'd fit in with a lot of horror and science fiction stuff, too. Apart from the "smoky"/"ghostly" look, it has a "melted" one which suggests a hot place or maybe immersion in acid. It also looks a bit like slime, and finally at smaller sizes it has a glitch-esque appearance.

Nirvanite Fossil with round shapes changed to diamonds.

I think this one is the toughest to read in the family - even harder than Nirvanite Pixel. Oh well!

Alter version of Game of Strife. These two designs are for a project that is in progress. They're made to animate and swap between each other so that the text they print seems "untrustworthy". 

(If you guessed that this text was being printed by an evil AI, you've won! Here's your free Nothing.)

A slightly chimeric sci-fi design with no relation to Space Blam, Space Clam, Space Cram, Space Dam, Space Fam, Space Flam, Space Gram, Space Ham, Space Jam, Space Kazaam, Space Ma'am, Space Pram, Space Ram, Space Sam, Space Slam, Space Spam, Space Tram, or Space Yam.

In making this I attempted to achieve a harmony between angles and curves. You can see it especially well on "B", "3", "8", and "&".

Experimental 24-segment display or massive monochrome Mondrian matrix. Pixel compatible!

The thinking behind this one was that with incongruously sized segments arranged in the proper way, I would create a design which was effectively 5x5, but which accomodated more glyphs than 5x5 usually does. Negative space is incorporated into the structure of many glyphs, though not enough to classify this as an IVO design.

"Qualtron" is the name of an imaginary entity that a friend believed in - a being meant to represent the result of "a mathematical equation that can rule the universe". I didn't inquire further about it... :D

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Design Rules:

1. Segments can have interior length/width of 2 or 5.

2. The central 2x2 square must always remain open.

3. Square bricks and 90-degree angles only.

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Original size: 20.75pt (use multiples of this value for pixel perfection)

Another attempt at alien Latin. It's made to have an organic, almost writhing look, but also to be easily written with a brush or spray paint.

A single line is bent on itself to trace letterforms in 5x5.

This is part of my "IVO" series (Inline Versus Outline) wherein inline and outline elements are split, merged, and altered to make them ambiguous and to allow new styles to emerge. They may look like maze fonts, but they have a different design methodology altogether.

Made via subtractive methods.

An experiment in subtle asymmetry (it's most evident in the upper case).

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Version 1.7 (14Sep2018) - ExtL-A added, GFB completed, Greek started

Version 1.6 (18Aug2018) - Changed name from "RC Badwolf" to "Badwolf"

Version 1.5 (15Aug2018) - altered 2357,ð

Version 1.4 (14Aug2018) - altered space width and mw

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See also:Navajo Deco

Going for an industrial sci-fi look. The hard angles give these letters the appearance of being made by some kind of tape or roller.

This font was originally designed to be uppercase only. So, the lowercase might be considered as an alternate set.

Original size: 24pt (24pt, 48pt, etc. look most crisp when not using antialiasing)