It's the fancy cursive font from "resource2.dat" from Cube World. Turns out, its actually the 'Venice' font by Susan Kare & Bill Atkinson from the original classic Macintosh, so I've added all the remaining characters from the original font which the cube world version didn't have.
Cube World is Copyright 2010-2019 Picroma e.K.
Work in progress
A cursive handwriting inspired style work.
Its a medium size faux-Bezier (fake curve) style approach with somewhat rough shaped outlines. I am having a serious hard time comming up with a uppercase set. Publishing it in this early stage I kind of hope to get some suggestions that might refreh my perspective on it.
Therefor I am curious about what you guys think so far...
Cheers
A cursive pixel font.
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Series title: Minerva
Type: Cursive Script
Properties: Bold & Italic, 5.7pt
Currently Available in:English and Dutch, Welsh, Irish, Scots Gaelic, Italian, French, Albanian, Spanish, Portuguese, German, Hungarian, Swedish, Danish and Norwegian, Faroese, Icelandic, Greek, Belarussian (Latin and Cyrillic), Bosnian (Latin and Cyrillic), and Russian.
Soon to be available in:Polish, Czech, Slovak, Croatian, Finnish, Estonian, Latvian, Lithuanian, Esperanto (potentially), Turkish, Vietnamese (Latin).
Possible future additions: Hebrew, Arabic, Persian (Farsi), Hindi.
Any Suggestions?
A semi connected script style font design. It is losely based in the lettering seen on a poster design by German designer/painter Ottomar Carl Joseph Anton. (image shown in comments)
I completed the full alphabet, I tried to incorporate the features from the provided letters the best I could while creating the remaining missing characters.
It is a semi connected script style lettering, so certain characters are deliboratly disconnect and some aren't. For example the Uppercase string is almost completelty disconnected, whereas most of the lowercase characters connect. This can also be seen in the original Ottomar poster.
For the lowercase characters that connect there has been made a alternative glyph that is disconnected and adjusted to make a more pleasing flow and better looking breaks. These are located in the Unicode Block “Halfwidth and Fullwidth Forms”.
It contains both proportional oldstyle (default) & lining numerals, which are located in the Unicode Block “Halfwidth and Fullwidth Forms” as well.
I hope you like it!
cheers
A cloned and semi connected variation to to SCHOLTEMEIJER (CONTIUOUS)
This is a clone of STF_SCHOLTEMEIJER (CONTINUOUS)Version 1.1: More Latin added.
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Haven't done anything like this in a long while. This is a form of pseudocursive script, and it's termed this because many forms deviate from the cursive standards. I had to find my own solutions to account for different types of loops and to add details.
One of the first fonts I attempted to make on this website was a cursive font, with accurate bridge letters.
I finally thought of a way to make it work; dots on both ends that would build a bridge if one mid-ending and one bottom was used, and gave an aesthetic if it was two of the same height endings.
I realized after making the entire font that there are no mid-starts, but I had an entire pixel cursive font, so I reworked it as shown.
I can make it the dotted way, too.
A project I've been working on for some time that combines a readable writing system with a means of creating decorative streams of symbols, allowing for practical or artistic use. It is designed to be writable in the same way as English, with a couple key differences:
end of sentence within a thought:
. = SPACEBARx2
? = ?SPACEBAR
! = !SPACEBAR
end of thought:
. =SPACEBAR-
? = ?-
! = !-
end of paragraph:
. = .
? = ?-
! = !-
numbers:
numbers at the beginning of a sentence = ###-SPACEBARtext
numbers at end of sentence = textSPACEBAR-###SPACEBAR-
Use as applicable to avoid numbers and letters bleeding into each other.
For purely artistic streams of writing, Start every sentence with a capital, skip spaces, and use '-' as a period. This allows for a smooth bar of symbols without any random bits jutting out that can be used for framing or backgrounds.
Pixel cursive, mostly on a 5x5 grid. Maybe this is the terminal font for some cybernetic old lady's computer? :D
It was possible to build every letter in 5x5, but it honestly looks far better when letters with descenders are allowed to descend a bit. This also works to increase the line spacing, which this font really needs for readability.
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Original size: 5.25pt (use multiples of this value for pixel perfection)
a cursive font
Upper case doesn't always connect to things
Lower case connect to left and right except for v and z
Latin , more latin(letters) completed
i'll make cyrillic(russian only)
If you don't see the letter you need in your language. Leave a comment to tell me :)
Cursive font by Berkeley Softworks (17 point). Appeared in GEOS FontPack PLUS. Failing to find a TrueType equivalent - couldn't find the right glyphs, especially the 'r' - I've created this version. Only characters are standard ASCII set. Some kerning needs work, but out of the box you'll get joined letters and running script.
First attempt at a cursive pixel font. The name derives from an old joke band, whose name is itself a parody of the name of a toy gun by BoomCo, the "Rapid Madness".
Original size: 12pt (use multiples of this value for pixel perfection)
VERSION HISTORY:
09 Mar 2018 - v1.0 released.
10 Mar 2018 - v1.1 released.
13 Mar 2018 - v1.2 released. More Latin support added. The capital letters were cleaned up to make them nicer-looking when appearing in isolation. Excess spaces/lengths of line were reduced to make for denser-looking, more naturally handwritten words.
02 Apr 2018 - "More Latin" and "Google Fonts Basic" ranges finished. More shortening/optimization done for the extended Latin letters.
An alphabet of my own creation for the writing of a fictional language, also of my own creation. Despite its origin, it can be used for writing English with no problems.
This typeface is inspired by the novel Herzog - in which a man with an unstable mind, who writes letters to ghosts, writes in the most delicate and held together handwriting. I want to show the idea of an unstable mind through this font, seemingly controlled and held together, but inside, something isn't stable.
This is a clone