Slightly modified boring pixel font

NOTE: There is a white layer used to mask various edges.

A font made with Super Mario World sprites, starting with the letter they represent!

Note: the shading might not look that good on mobile

(The only ones I couldn't make were X and Z, feel free to suggest something for them.)

they look so nice, don't they

A font that while looks like Pixel fonts, it has gradual brick transitons

Lowercase letters are the uppercase letters with inverse transnition.

~!@#$%^&*()_+{}|:"<>? are /1234567890-+[]\:',.? with the same transition as capital letters though - and _ display the same

` and ~ are both Solidus. ~ has the same transition as capital letters

Various alternates in the capitals.

@ : ligatable S.

# : ligatable T.

$ : baseline-aligned f.

` : zero-width apostrophe.

grayscale

My second 8x8 colour pixel experiment after reading Arcade Game Typography: The Art of Pixel Type by Toshi Omagari. This one has an inverted gradient inline.

withered

Special characters: < (My OC's head), > (A heart), § (FS, though it may not look like it), Capital A with ring under it (alternate glyph for a)

Feel free to use and/or clone.

Fun fact: this was originally named percentage, but I changed it so it fits the style more

The nudge tool was used for some glyphs, like the dollar sign and yen sign.

The "Make Composite" tool was used to make the gradient effect.

Currently working on Katakana

Moto Verse is a bold, thick lettered and futuristic display font. It works incredibly well on logos, branding or pretty much anything that requires a modern vibe.

This font is based of the theme 'gregarious'. For this I looked into coral reefs and sea anemone, then developed ideas through print making with acrylic paint and sponges. The type face is inspired by the flowing nature of the sea anemone and how some sea creatures/ plants grow upwards towards the sun. Eventually the type began to look more like flames/ smoke than a plant, which I decided to focus on instead. This shows how a project can completely change from the initial idea and just how it is important to always develop further taking into account others opinions and thoughts.

Am Just trying this...

This is the 2nd version (cloned) from "Matilda"

45NUM_WI71
         
         
MY MAPPING
         
1=14 fonts
         
<<       
1234567890
        >>
         
U0030-0075
 (48-117)
~~~~~~~~~~
0123456789
:;<=>?@ABC
DEFGHIJKLM
NOPQRSTUVW
XYZ[\]^_`a
bcdefghijk
lmnopqrstu
----------
°±²³´µ¶·¸¹
º»¼½¾¿ÀÁÂÃ
ÄÅÆÇÈÉÊËÌÍ
ÎÏÐÑÒÓÔÕÖ×
ØÙÚÛÜÝÞßàá
âãäåæçèéêë
ìíîïðñòóôõ
~~~~~~~~~~
U00B0-00F5
 (176-245)


                       7 WEIGHTS  +  1 ITALIC                       
                                                                    
                                                                    
                    << 1234567890 . 1234567890 >>                   
                     .............!.............                    
                 W7I0: 0123456789 ! °±²³´µ¶·¸¹ :W7I1                
                 W6I0: :;<=>?@ABC ! º»¼½¾¿ÀÁÂà :W6I1                
                 W5I0: DEFGHIJKLM ! ÄÅÆÇÈÉÊËÌÍ :W5I1                
                 W4I0: NOPQRSTUVW ! ÎÏÐÑÒÓÔÕÖ× :W4I1                
                 W3I0: XYZ[\]^_`a ! ØÙÚÛÜÝÞßàá :W3I1                
                 W2I0: bcdefghijk ! âãäåæçèéêë :W2I1                
                 W1I0: lmnopqrstu ! ìíîïðñòóôõ :W1I1                
                                                                    
                                                                    
  << 1  2  3  4  5  6  7  8  9  0 ,  1  2  3  4  5  6  7  8  9  0 >>
==+===============================+===============================+==
W7! 30 31 32 33 34 35 36 37 38 39 | B0 B1 B2 B3 B4 B5 B6 B7 B8 B9 !W7
I0!  0  1  2  3  4  5  6  7  8  9 |  °  ±  ²  ³  ´  µ  ¶  ·  ¸  ¹ !I1
--+-------------------------------+-------------------------------+--
W6! 3A 3B 3C 3D 3E 3F 40 41 42 43 | BA BB BC BD BE BF C0 C1 C2 C3 !W6
I0!  :  ;  <  =  >  ?  @  A  B  C |  º  »  ¼  ½  ¾  ¿  À  Á    à !I1
--+-------------------------------+-------------------------------+--
W5! 44 45 46 47 48 49 4A 4B 4C 4D | C4 C5 C6 C7 C8 C9 CA CB CC CD !W5
I0!  D  E  F  G  H  I  J  K  L  M |  Ä  Å  Æ  Ç  È  É  Ê  Ë  Ì  Í !I1
--+-------------------------------+-------------------------------+--
W4! 4E 4F 50 51 52 53 54 55 56 57 | CE CF D0 D1 D2 D3 D4 D5 D6 D7 !W4
I0!  N  O  P  Q  R  S  T  U  V  W |  Π Ï  Р Ñ  Ò  Ó  Ô  Õ  Ö  × !I1
--+-------------------------------+-------------------------------+--
W3! 58 59 5A 5B 5C 5D 5E 5F 60 61 | D8 D9 DA DB DC DD DE DF E0 E1 !W3
I0!  X  Y  Z  [  \  ]  ^  _  `  a |  Ø  Ù  Ú  Û  Ü  Ý  Þ  ß  à  á !I1
--+-------------------------------+-------------------------------+--
W2! 62 63 64 65 66 67 68 69 6A 6B | E2 E3 E4 E5 E6 E7 E8 E9 EA EB !W2
I0!  b  c  d  e  f  g  h  i  j  k |  â  ã  ä  å  æ  ç  è  é  ê  ë !I1
--+-------------------------------+-------------------------------+--
W1! 6C 6D 6E 6F 70 71 72 73 74 75 | EC ED EE EF F0 F1 F2 F3 F4 F5 !W1
I0!  l  m  n  o  p  q  r  s  t  u |  ì  í  î  ï  ð  ñ  ò  ó  ô  õ !I1
==+===============================+===============================+==
  << 1  2  3  4  5  6  7  8  9  0 '  1  2  3  4  5  6  7  8  9  0 >>



Metadata quote:                                              
"4x5 numerics with 7 weights and 1 italic a.k.a. WI71"       
Not inspired by any other design,                            
             e.g. Abneurone's minimalist pixel experiments   
             (my very dotted 4x5 version may look like the 7x7
             "Deep Low 2" font he made on 2014 and 2017      
             - which includes a lot of duplicates            
             but is not limited to the numerics).            


NOT for commercial use:                  
fontstruct.com/fontstructions/show/1505214




2018   
0212 PNG
0320 TXT
dpla   
 

This typeface was concevied two years ago and later shelved. Thought that it was still worth finishing so here it is. It's another take on the square dot matrix style that I did with the MinSha typeface back in 2010.

The theme for this typeface is the word 'Filthy'. The letterform's structures are based on dust and the way it separates when a finger is dragged through it. Dust collects on objects that have been untouched for periods of time, often through neglect. The use of negative space and lack of border draws attention to the dot-work dust that forms around the accents of the letters. As a finger cleans dust, larger piles form where there is a change in direction. This helps identify the individual characters whilst keeping a minimalistic approach. This font can be used for headings and posters, or shop designs and logos. I have always felt this font would go well on a burger shack to help give a rustic or edgy look.