Fontstructions tagged with “Typenowhere”

9 0301 Published: 9th November, 2019
Last edited: 4th December, 2019
Created: 6th November, 2019

Jazeco is a modern take on Art Deco and 1920's Jazz age styled lettering. The styling was inspired by the theme of ‘Elegance’ and I have captured a new variant of the meaning with the specific style I have produced. With bold and rounded elements from the 1920’s Jazz period along with the thick spines and curvature from the Art Deco era, it’s capturing the specific beauty and ornaments that make these iconic styles so well known, into one font.

FontStruct License

14 0353 Published: 29th October, 2012
Last edited: 29th October, 2012
Created: 29th October, 2012
Clean version of Get Pasted : A simple well balanced typeface that includes the lowercase a to z along with basic punctuation. This font is based on toothpaste which was derived from the theme of squidgy. There is a half tone alternative to this typeface. This is a clone of Get Pasted

Creative Commons

19 0354 Published: 29th October, 2012
Last edited: 30th October, 2012
Created: 23rd October, 2012
A simple well balanced typeface that includes the lowercase a to z along with basic punctuation. This font is based on toothpaste which was derived from the theme of squidgy. I have used half tone to emulate shading, and will also make a clean version.

Creative Commons

160 215746 Published: 28th October, 2012
Last edited: 11th November, 2012
Created: 15th October, 2012
This typeface is based on the theme of "Vibration". From the beginning I wanted to create a unique design, looking at sound I decided to use my voice as the starting point. After recording myself pronouncing the alphabet and uploading it to a sound editor I looked at the different shapes and patterns it created. This was my voice that was unique to me and was the inspiration for the typeface. I then researched fonts and looked at bold, chunky designs which could hold the pattern without taking too much away from the letter form as it was important to me that my design was still legible. I decided to use the corresponding sound with the letter (i.e. the A has my pronunciation of the letter running through it)making it different from anything I have seen before. Please comment and share your opinions. Thank You

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Pattern Fill

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37 13611 Published: 24th November, 2011
Last edited: 28th November, 2011
Created: 19th November, 2011
Font created for a project at UWE, my key word was "LOUD" . I used the idea to create the illusion of the type, I recorded myself saying pronouncing each letter then used the shape of the soundwave generated to create the form, each letter is different and is like a cutout held in front of an image of that letters soundwave.

Creative Commons

17 5314 Published: 9th November, 2010
Last edited: 9th November, 2010
Created: 20th October, 2010
This font is the result of some research I did into the word sharp. I looked at deterrents like fences and specifically barbed wire ones. I didn't however want to create a font just using the barbed wire effect. I looked into the effects of barbed wire on pieces of clothing. This is where the tearing idea came from.

Creative Commons

2165 2031408 Published: 9th November, 2010
Last edited: 9th November, 2010
Created: 5th November, 2010
This typeface has been created based on the theme 'Vibration'. I tried out a wide range of experimentation when it came to producing hand rendered work, as I felt I needed to work out what would best capture the general sense of the word. I tried using inks on elastic bands, attaching pens to a playstation controller and drawing, photographing food colouring over a speaker; all sorts. Finally, I decided I needed something which really reflected the word clearly. I looked at the white noise and the trails that you get on the television, and applied this feel to a sans serif font I had made based on Georgia (minus the Serifs) One of the most time comsuming things I've ever done, hope its been worth it. Any comments welcome.This is a clone

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Grunge

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36 0423 Published: 9th November, 2010
Last edited: 8th December, 2010
Created: 7th October, 2010
Beat the Whites With the Red Wedge, a typeface inspired by the typographic work of the Russian constructivist artists. I wanted to communicate order my typeface, so I researched order within society and this led me to the Russian communist era, constructivism was an art movement within this period. The bold clear typorgraphy of this era influenced me to produce this slab serif version of a constructivist font. I chose to give this font serifs to give an added touch of order and formality. However I do intend to produce a sans serif version and also a bolder, headliner version of the font. It is a weighty typeface with a strong presence. Due to this nature I would say that the font is best used for subtitles and signange, possibly not main headline text. Also designs that hold an essence of this era.

Creative Commons

26 0310 Published: 8th November, 2010
Last edited: 3rd November, 2010
Created: 31st October, 2010
I was inspired to design this typeface by the architecture of Bristol city centre. I was most interested in all the different kinds of windows I saw around, and the many shapes there were from decorative and detailed to modern and simple. I collected lots of photos of the best windows to work with, and developed these into letter forms. I then edited them until they worked as a consistent typeface. I think Windowstruct would work well for logos or posters, as it looks best as single words or in a large size.

Creative Commons

23 2696 Published: 4th November, 2010
Last edited: 9th November, 2010
Created: 4th November, 2010
My first shot at using font struct, based on the theme of curves, inspiration came from the look of graffiti and old 60s posters. A first year project at UWE Bristol,

Creative Commons

103 103023 Published: 22nd October, 2010
Last edited: 7th November, 2010
Created: 21st October, 2010
"All children are artists. The problem is how to remain an artist once he grows up." - Pablo Picasso Inspired by the eagerness of children. I wanted to create a playful typeface which at the same time pushed Fontstruct to it's limits. This certainly succeeded in the second. I spent lots of time playing with wax crayons. Who says an artist has to grow up? Just heads up, this font is a bit of a system killer due to the size and complexity of the glyphs so be patient and gentle when using it. Specimen Posters : One Two My Blog: Designing on Tea

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26 Glyph Wonder

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8 0261 Published: 12th February, 2010
Last edited: 12th February, 2010
Created: 21st November, 2009
Font resembling the spills that can happen when writing letter forms with cartridge pens.

Creative Commons

11 0261 Published: 20th November, 2009
Last edited: 20th November, 2009
Created: 19th November, 2009
I've reversed the black and white colouring of my typeface 'alpha fonstruction' to create this nightime urban skyline.This is a clone of alpha fontstruction

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10 0262 Published: 18th November, 2009
Last edited: 20th November, 2009
Created: 16th November, 2009
I have intergrated letters into buildings to mimic an urban skyline.

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12 2680 Published: 16th November, 2009
Last edited: 18th November, 2010
Created: 10th November, 2009
This type face has been derived from order, initially by looking at different types of order in the natural and man-made world. I looked at sequences and patterns, which led me onto numbers and games. after playing with a few ideas i have decided to work on a typeface based around the well known game domino's using solid fonts such as Impact as inspiration for the letter forms. This font is under construction so let me know what you think and if anything needs changing. Cheers

Creative Commons

11 0262 Published: 15th November, 2009
Last edited: 18th November, 2009
Created: 14th November, 2009
This is an adaptation of my typeface 'look sharp'. Here I've used open blocks to give this glamorous reproduction of my previous design.This is a clone of LOOK SHARP

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8 0260 Published: 14th November, 2009
Last edited: 14th November, 2009
Created: 14th November, 2009
A weathered version of my original typeface design 'look sharp'.This is a clone of LOOK SHARP

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9 2261 Published: 14th November, 2009
Last edited: 14th November, 2009
Created: 13th November, 2009
Ive given my original design for my typeface 'scorio' a weathered look by adding and minusing small blocks to give this eroded look.This is a clone of scorio bold

Creative Commons

7 0262 Published: 13th November, 2009
Last edited: 13th November, 2009
Created: 13th November, 2009
Ive taken away the original highlighting lines from my typeface design 'scorio' to give this dominate bold dynamicThis is a clone of scorio highlighted

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7 0262 Published: 13th November, 2009
Last edited: 13th November, 2009
Created: 12th November, 2009
I've used thicker use of the eraser tool to make my original design for 'scorio' more 3D.

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7 0262 Published: 13th November, 2009
Last edited: 13th November, 2009
Created: 12th November, 2009
Ive used very geometric shapes to create this sharp, dynamic font that I hope to create a family of alternatives for.

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10 1530 Published: 9th November, 2009
Last edited: 18th November, 2009
Created: 27th October, 2009
Upper and lower case typeface based on the theme shadows, university project. The upper case represents the object/letter making the shadow and the lower case is the projected shadow image. the name is shadow backwards.

Creative Commons

18 0970 Published: 7th November, 2009
Last edited: 14th November, 2009
Created: 25th October, 2009
The idea of 'looking sharp' is what influenced me in this type design and the letters clean cut dynamics are designed to represent the idea of a neat appearance.

Creative Commons

104 46812 Published: 7th November, 2009
Last edited: 3rd December, 2009
Created: 20th October, 2009
A uni project on found type, inspired by the theme order.

Op-Art

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Neue Helvetica®

Some fonts you just can’t FontStruct.
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2419 7756668 Published: 6th November, 2009
Last edited: 4th January, 2010
Created: 29th October, 2009
I produced this for my "communicating with words" first year module on the BA(Hons) Graphic Design course at UWE Bristol, England. It pays homage to Ralph Steadman and is a true testament to what you can do on fontstruct, if you’re willing to spend a week in front of a computer in your underpants. Recently reviewed on P.C World Downloads www.laurieguy.co.uk

Grunge

Creative Commons

97 63213 Published: 25th October, 2020
Last edited: 16th November, 2010
Created: 22nd October, 2010
Designed as part of a university project. I studied ornate Circus and Carnival style lettering which often incorporate intricate detailing within the letters. I have attempted to blend a particular lattice pattern with blackletter-style letter forms.

Pattern Fill

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