Typeface based on the Love Live! School idol project logo subtitle. This typeface attempts to be more accurate than existing substitutes (OCR, Anvylon, White Rabbit etc.) (even though only like 14 of the characters are restorations).
EDIT 6th May: Added most of Latin-1 Supplement. Some punctuation characters now take as much space as the whitespace character.
Monospaced typeface based on Otonokizaka Std II (https://fontstruct.com/fontstructions/show/1399114/otonokizaka-std-ii), which in turn is based on the Love Live! logo subtitle, with slight changes making some characters more legible at small sizes. Can be used as a high-DPI code editor font.
EDIT 6th May: Added most of Latin-1 Supplement. A boldface version is now also available (https://fontstruct.com/fontstructions/show/1401380/otonokizaka-std-ii-1-3).
This is a clone of Otonokizaka Std IISee more:
https://fontstruct.com/fontstructions/show/333234/periculum
https://www.myfonts.com/fonts/blackletra/ofelia-std/
https://www.fontstruct.com/fontstructions/show/1646721/stf-lullo-stitch
https://fontstruct.com/fontstructions/show/685591/advancer_lite_1
https://www.behance.net/gallery/27010917/Pobeda
https://fontstruct.com/fontstructions/show/206416/pinball_blizzard
https://creativemarket.com/Etewut/1710681-Laser-Dots
https://etc-nyc.com/project/brooklyn-dot-font/
https://www.fontstruct.com/fontstructions/show/88351/fs_retro_electro
This font was based upon the theme of starvation, deriving from the topic of malnourishment. I looked at waste and used/ empty rubbish, in particular food packaging, that I felt represented the fragility of starved beings. Looking at stretched and warped plastic, such as that of empty crisp packets, gave eerie imagery that looked unnatural and like bare skin stretched across bone. I looked creased and stretched materials to extract each letter and manipulate it through fontstruct.
I have made this font based on the overall theme of dangerous. When exploring this theme further I started looking at venomous animals and specifically at Funnel Web spiders. The intricate funnel shaped webs that they made started off the initial designs for this font. I looked at the different patterns that the webs can make and made a web of my own to priduce the shapes that inspired this font.
Made as part of the “Found type” project for UWE Bristol. Inspired by the word “Squishy” I explored ‘doughy’ avenues and decided to base a font around first donuts and then finally settled on jam. This font is inconsistent, no one letter is uniformed. It portrays a wet and fluid feel that could be seen in any cookbooks or type for children. I would imagine this font to be useful for a very small audience as it is very specific. It could be used beyond the jam idea and be useful in terms of science fiction as it looks ambiguous out of context of the materials. This is not the finished product and it will be worked on over the next few months.
The main theme of this typeface is based on tension and the structure of muscle and muscle fibers. Originally I started off with the word energise and from there I looked at sugar and then the consumption of sugar which helps fuel your body and muscles. I then began to explore muscle forms and how it is structured around bones, ligaments and how it is intertwined. I then tried to translate this all into letterform.
This typeface was designed with the adjective 'Massive' in mind. I then chose to focus on trees, particulary the tree bark, to see how it is structured. I collected bits of bark from trees to see how bark can vary in its texture, such as, the 3D features and the visible cracks. This typeface could be used as a large title in posters, banners or headings for leaflets, possibly for environmental awareness campaigns.
This is a clone'Nailed It' is a unique and exclusive display typeface primarily designed to portray a message of something to be wary of and to represent the dangerous. The font is physically made of various size nails and splints of timber, positioned to replicate an original font based loosley on a brush script typeface in capitals. Uses for the font could range from circus signs to hardware shops (the most common, obviously).
A logotype for retro-tech hardware inspired by Roc Mitchell's Corporate phototype series (aka Limited/Limited View and Logos/LogoStyle) from the 1970's. Free for personal use only. Alternate characters list: @ - P * - J # - L < - A > - t ^ - e { - F } - R ~ - K © - g ® - D § - S ¤ - E ‹ - A › - A ¹ - A ¼ - 4 ½ - m ¾ - w ² - V ³ - V ª - a « - p » - q † - f