A blocky font loosely based on Eurostile/Microgramma. I made a bunch of striped versions (you can see examples on the tilde glyph), but I don't know if it's worth publishing all of them.

A blocky font loosely based on Eurostile/Microgramma. I made a bunch of striped versions (you can see examples on the tilde glyph), but I don't know if it's worth publishing all of them.

A narrow font combining (neo-)gothic inspirations with angular and simplistic influences. It features Latin and Cyrillic characters.

A blocky, somewhat futuristic, mostly sans-serif font. All latin characters are in square dimensions. Lower case letters are a third of the size of upper case letters. It was developed with my 2019 spelling reform proposal for European languages in mind, and therefore may posess and/or lack some features unexpectedly.

Faux perspective

This font is based on a freely-distributed "Stop" font with a few line joints.  This is a sci-fi Retro font that is normally used on sci-fi movies and video games.  It currently supports basic Latin, but I will add more characters on the future version.

A narrow font with pointed ends. I got the inspiration from the "Cool S". It features Basic Latin and More Latin.

Iteration 4: Basic Latin kerning finished.

*

DOODLE DOODLE DOODLE!

*

Design Rules:

1. Letters with spurs will have the spur begin at the baseline. This provides the distinctive "high heeled" look.

2. Any letter whose traditional design has a straight vertical line on its left side will keep the line, no matter how the lines of the actual letter travel.

Work in progress.

A continuation in the style of Genera and Genera Deux

Based off of a puzzle game Idea I have.

It's sort of like a cross between Gunpey and a 1-D Sudoku.

If you want to see the specific rules to the game, take a look at this document:

https://docs.google.com/document/d/1lXeDR1XjB7zTUVcm7y7BlOcOmg9rxpAkX7CK_rhQx_I/edit?usp=sharing

An amusing experiment. :D

This is still being perfected. The trick is in knowing which letters to offset and by how much, and also in adjusting the other letters to form the most cool shapes possible.

Made a font using some strict restrictions on stroke direction and width. Might add minuscule later, who knows.

Iteration 1.11

*

Tribal doodle thing. Still in its experimental phase. It's named for Abraxas, a Tromp from the PC game "Commander Blood". (As it turns out, the same name has many historical and mythological uses.)

This a typeface designed to echo the shapes and patterns found across manholes which cover our network of systems across the UK. Manhole covers have been beautifully decorated with patterns but also act as indicators and safety features. Both patterns and the shaping of letterforms are inspired by manhole covers I have found. Designed to be a display typeface at large scales!

Based on a character of mine.

Made by request: An experimental logotype design meant to be high-impact and high-energy, such as befits a speed metal band's album cover.

It contains my own inspirations as well as those of the band, who sketched a few prototypes.

This is clearly unfinished not only in terms of glyphs but also kerning. I was only requested to make the glyphs "AEIMNPRV" and the rest can be considered as doodles... at least, for now. It seems that there's a trend wherein people who make requests of me just want one-off designs like this as opposed to refined and finished ones. But, I'll continue this one on my own if inspiration strikes.

(WIP)

An attempt at an angular, futuristic Fraktur design. It's also inspired by ancient Greek stonecarvings, or at least, the way such carvings are depicted in comics and cartoons. It has a lot of intentional asymmetry to make it look quirky and slightly comical. (I tried making everything symmetrical with composites, but it looked boring!)

I welcome any suggestions for this one. I've never tried to make a "normal" Fraktur, only avantgarde ones, so I'm not very knowledgeable about the style.

Font made for the logo of a particular project/video game of mine.

Some kerning pairs are imperfect... I can only bring them 10 bricks closer together, so a bit of space remains...

*

Current Version: 1.9

See also:Dynablaze

What started as a revisit of an old Impulse Tracker font, EK-WINTR, turned into an exercise in clarity and distinct letterforms in a small (4×8) array for as much as I could manage. I'll gladly add accented Latin letters on request (or as I get the urge), and I might have a go at filling in the Greek and Cyrillic alphabets soon if there's demand.

Note: E-Keet Winterlate BC is bicameral (typical upper-and lowercase forms). This is the “Alphabet 26” version (no distinction in forms between upper- and lower case).

Extra note: The vertical metrics are present wonky compared to the BC version because they're primarily calculated off of a few lowercase letters... which are very different between the two! Once FontStruct gains more direct control of vertical metrics, the generated fonts will line up fine.

Revision 2019-11-14: In loose regex terms, revised [MWmwÑñĒ™⇑], moved [₀-₉] to their correct slots, added [£←↑→↓⇒] and Roman numerals.

Revision 2019-11-16: Added [★☆].