I made this with the a retro, space, horror theme. I really wanted this to give off a space horror vibe, something that was meant to be used with space horror movies, games, or things like that. I hope you like this typeface, and comment with constructive criticism!
I hail from Kerala, Malayalam is the native language of my state.
Through this project I wanted to design,
something which is different from its complex rounded forms!
That’s how I came up with Videshi. It means foreigner in Malayalam,
the form of the font is more geometric and structured compared to
the existing Malayalam fonts which are more of round shape.
Hence it is a foreigner to the existing Malayalam fonts.
Based off of a brief feature from Tech Time Traveller's The Computer Thing From Hell.
Expanded for multilingual support. Original designer of the font is Motorola.
Make sure to download as a TTF if you want pixel perfection!
Version of Homebrew 7x12 with letters d, g, and q changed to have the same ball top half as a.
CS is short for "consolidate".
Make sure to download as TTF if you want pixel perfection!
This is a clone of Homebrew 7x12ORIENTFAHRTEN (Pro) — Semi-connected script-style font design
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Losely based on the lettering that was seen on a 1929 poster design by German painter Ottomar Carl Joseph Anton (1895-1976) for the “Hamburg-Amerika Line” * (click for image of the original poster)
Whereas the original (non-Pro)-version aimed at extracting that “stylistic essence” of the lettering, and made an attempt at extrapolating and restoring a full alphabet from the letters provided by the original poster. And this basically became sort-of a font revival with a little extra's.
ORIENTFAHRTEN (Pro) than took this to a whole other level, This refor-mation wasn't guided by Ottomar's original poster-lettering, but rather a remodeling and amelioration of my initial work.
Many glyphs were fully re-invented, others only just partially improved.
In addition to this, many new things were introduced as well. For example, the font was further ornated with various typographic elements and bits, reminiscent of calligraphic hand lettering. Turning this into a much more attractive looking little novelty.
Also some “technical” restructuring of the Unicode character mapping, to creating more user-friendly text formatting properties.
Since it is a semi-connected script, certain characters were deliboratly disconnect and some weren't. For example, the uppercase letters almost all disconnect, whereas the majority of lowercase letters will connect by default. A set of glyphs alternate forms was included that allow to break the 'connected' flow of a text.
These also function sort-of as “Contextual Substitutions”, but without OpenType's automated glyph-stream lookup classes. Yet these do allow the manual control over word-endings and word-space situations. So when a default-glyph is followed by a white-space, a glyph-alternate form could than be selected to replace the default-character encoding and improve overall aesthetics and natural flow of text. These substitutions are located in the “Halfwidth and Fullwidth Forms” and “Private Use Area's” Unicode blocks. In addition to the default alphabet letters the font also includes numerous symbols and punctuation marks, as well as ligatures.
As for the “numberscomp” that is currently in progress:
This font was specially fitted with 5different schemes for text figure arrangement.
• Didot-(old style) non-lining (font default)
• Traditional-(old style) non-lining
• Clean-(modern) lining
• Tradidotional-(old style) non-lining
• Ornate-(modern) lining
— This does temporarily create a new problem for me though... As this would be my fourth submission to the competition, where a maximum of only three font submissions is allowed. Now, which of these previous entries am I going to eliminate?!
I hope you like it,
Cheers
This is a clonePersonally the title is just as important as the typeface itself. My goal was to create something just as fun as the title. My inspiration was 70’s style typography and design. I wanted to create a groovy feel while still being legible to give it the strength of more than just a title font. Bazoova is funky font ready to be the reinvention of the 70’s.
Fancy Pantaloons is a typeface for when you are feeling a bit silly and pretentious without wanting to be too over-the-top. This typeface reminds me of old lettering on signs from the early 1900's. A combination of Victorian, Art Deco, Art Nouveau, and a bit of Techno.
This font was designed around the theme word Elegant. I was inspired to create a typeface that was ornate and palatial; it is a ode to Baroque design.
I have tried to emulate columns for the body of the font and created a crowned frieze for some of the letters with decorative toppers for the remaining characters.
'Sacred Textura', by Studio Sampersand, blends medieval Textura blackletter with contemporary design. Crafted with precision, it balances tradition and innovation. Its structured forms and intricate details convey strength and authority. The font follows a precise wide pen stroke-width that follows the hexagonal grid lines; creating a consistent neo-traditional textura font design.