I'm Baaaaaaaaaacccck!

Sorry it took so long to post another font.

Being that my last font was so low resolution and just felt to compact, I decided to make a new font with curves and a fun style. This steampunk like font is sure to add personality into any document or project.

Pls enjoy it!

(Any similarities to any fonts preexisting is a coincidence. If you fell that this or any of my fonts are copying another font, please alert me so that I can make some changes.)

OP Art style lettering, but oh my god this is painful to the eyes!!

For that reason I'm done with it. If anyone is in the mood for a brain cooking project, be my guest, I made it clonable!

Cheers

Morse code but when you type it looks like a Bar code.

Thin Bar= Dot

Thick Bar= Dash

Space between charecters= 1.5 bricks

Upper case= Only Barcode

Lower case= Barcode with letters underneath

A series from Electron Sans, inspired from GS Unicode 2.0 by Greenstar967

Under development, Beta 1.0.15

Glyphs: 732 Char

In about to make the font not so "monofied"

I don't know why do I add Hiragana letters :P

Sans Serif font, inspired by GS Unicode 2.0 by Greenstar967

Discontinued Font, Alpha 1.1

This font have a series, click here to check it out. For now and so on, i'll working at the font series of this font.

Decorative font with 3 open lines that give a pseudo-volume. Extended for most European and Scandinavian languages.

Cursive version of the Duos Font

Enjoy! :)

SQUIGGLE

A script designed for the conlang of 'Ȑiþȑa̷în'.

The language of Ȑiþȑa̷înwas created at Farnad by a joint effort of Harlastes and Rakiana specifically for the use of the new ‘nation’ taking form from surviving Hyntellar, Aignar and Oumda peoples, who were later collectively known as the Ȑa̷inðâl (Ȑiþȑa̷în: ‘the agency of the world’). As a language, it was designed principally for morphemic elegance and semantic density while using the aesthetic phonemic preferences of its creators and intended speakers, perhaps inspired by the logico-mathematical concept of ‘elegance’ taught at Cynkyallat (Khalaris), Tain and Icoras. As a result, the range of consonants and vowels is relatively small, while also being highly inflected; making extensive use of suprafixes – where the first vowel-sound of a word is modified to change its grammatical function – and limited use of more standard suffix-inflection. In particular, the semantic density of Ȑiþȑa̷în made it ideal for transcription onto valuable or rare writing media as well as possessing a high level of concision in spoken form. Its most celebrated features were used in philosophy, where widespread suprafixing meant that singular concepts tended to retain their essential form regardless of grammatical function and in debate where complex ideas could be put over remarkably quickly. However, its suprafixional grammar also required excellent diction and enunciation from its speakers, precipitating a rather unique oral culture.

‘Ȑiþȑa̷în’is a compound word from the phrase ȑīþ ȑa̷în, which literally means ‘the speech of agency’ or ‘agency’s speech’ – relating to the important concept of ‘civilisation’ or ‘the agency of a people’ in the culture of Farnad. Ithas five cases, five persons, five tense-aspects, and two numbers in its inflectional system, while gender and, when necessary, mood, are conveyed lexically and through word order.

The routine is the first jailer. Look forward, open your mind. Ask about everything. Our Future begins in... 3... 2... 1... NOW!

THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG.

This is a font inspired by the word 'systematic'. My main influence when creating this font was archiecture and the form of buildings. I focused strongly on lines and the grid system as I felt this really fit the theme of 'systematic' and archiecture as both remind me of acting according to a fixed plan or system; methodical.

Inspired by a video showing a hairdresser creating a wig for a play........

Many LC glyphs are an alternate to corresponding UC.

I haven't mastered creating good joints between  FS bricks and the compos I need to make ""to join"" the two types of brick. Trying to get them to flow into each other produces more or less untidy joining in many places which I find frustrating. Maybe I have to sketch out simpler designs for easy Fontstructing.

Looking at the caron I wonder if the center cross-over brick needs replacing with the one that dips downwards? See the two different bricks in the caron of E and e.

Aaaaaahhhh... Won't You Please?

This is YET ANOTHER font based off of a song from LUMINES.

Why do I make these so much?

Another cursive font, once again based off of the song Big Elpaso from the puzzle game Lumines.

Yes, that's how they're spelled.

The name Pos Ya is my original thought to when I finished the font meaning it's done, there, finally, it is in spanish. It is a long and skinny font that can be used in different ways. Experimented different versions and this was a top version that is stil legiable to use.

Something "fun". Inspired by the many journeys I've made and by train travels. And by my grandchildren's train toys. The angular design echoes small table tops we sometimes use to put the tracks on ...

UC is normal weight and is used in the sampler (font name). LC has some thicker lines for increased legibility although this font is only meant to illustrate concepts (travel, finding new ways, diversification etc) or for logos, shop signs, invitations and similar. Not simple enough for use in anything long or complex that has to be easily read.

Inspired by raster scanning & horizontal synchronization for image & video display.

It's Monday, so I really didn't want to work too hard on this one.