avenue is a font based off avant garde, basically

This is my first font on here in a long time. It is a sans serif typeface that represents modern unity.

F.F.M. (ANGEL DUST) — Futurist constructivism style lettering
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Digitization of a typeface for one of my all-time favorite record labels, the German (Frankfurt) based "Planet Core Productions". The typeface was seen on many of their vinyls and cds as well as various other stuff. It originated back in 1992 and was custom made by Paul Nicholson for Planet Core Productions.

This is the ANGEL DUST style variation for F.F.M. and this version features an entirely different font, but sourced from that same record label.

The main purpose for the digital recreation of the label's typefaces is to supplement in the creation of Planet Core Productions related literary scribings. The typefaces are the property of Planet Core Productions and were originally designed by P. Nicholson.

Cheers

F.F.M. (Round) — Constructivism style lettering
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Revision of a typeface for one of my all-time favorite record labels, the German (Frankfurt)"Planet Core Productions". The typeface was seen on many of their vinyls and cds as well as various other stuff. It originated back in 1992 and was custom made by Paul Nicholson for Planet Core Productions.

The original came as a minuscules (lowercase) only, plus it had fewer symbols & punctuation marks. So I took the liberty of filling in the blanks, and expand the character set.

Besides the inclusion of a uppercase set I also added some extra symbols and punctuations as well as a hand full of alternative forms that I gathered from various media such as CD, vinyl and posters.

This is the Rounded style variation for F.F.M. and this version features rounded/soft corners.

The main purpose for the digital recreation of the label's typefaces is to supplement in the creation of Planet Core Productions related literary scribings. The typefaces are the property of Planet Core Productions and were originally designed by P. Nicholson.

Cheers

F.F.M. (Sharp) — Constructivism style lettering
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Revision of a typeface for one of my all-time favorite record labels, the German (Frankfurt) based "Planet Core Productions". The typeface was seen on many of their vinyls and cds as well as various other stuff. It originated back in 1992 and was custom made by Paul Nicholson for the Planet Core Productions.

The original came as a minuscules (lowercase) only, plus it had fewer symbols & punctuation marks. So I took the liberty of filling in the blanks, and expand the character set.

Besides the inclusion of a uppercase set I also added some extra symbols and punctuations as well as a hand full of alternative forms that I gathered from various media such as CD, vinyl and posters.

This is the Sharp style variation for F.F.M. and this version features sharp/hard corners.

The main purpose for the digital recreation of the label's typefaces is to supplement in the creation of Planet Core Productions related literary scribings. The typefaces are the property of Planet Core Productions and were originally designed by P. Nicholson.

Cheers

AVANT-GARDE i10 (Tiles) - Tiled modular type system

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Another revival of the works originally designed by great dutch graphic designer Jurriaan Schrofer

The original source for this fontStruction was the cover of 1963 paperback: "i10 de internationale avant-garde tussen de twee wereldoorlogen"

by Lehning, Arthur & Jurriaan Schrofer

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I provided the (A-Z, Uc & Lc) basic latin character set, numerals, basic punctuations & symbols. Some of the symbols could still use slight improvements though. But the grid/brick system parameters did pose some tough limitations in regard to the allowed complexity.

The quality of the font preview shown above by FS's website is very poor and inacurate due to the combination of brick size filter (0.90-0.90), very small incisions and composite bricks. Best you'll check the sample image bellow in the comment section.

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-- Down here you'll find a link to the 'regular' style version for this family:

AVANT-GARDE i10 (Regular)

(The regular version doesn't come with a full uppercase set)

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I hope you like it nonetheless,

Cheers

A font 

An unofficial demake of ITC Avant Garde Gothic DemiBold at 14 point.
Get the original: https://www.myfonts.com/fonts/itc/avant-garde-gothic/
This font currently contains the FontStruct Basic Latin character set (ASCII + curly quotes). If it gets 100 downloads, I’ll add OpenType Std (Windows ANSI + Mac OS Roman) characters.

An unofficial demake of ITC Avant Garde Gothic Regular at 14 point.
Get the original: https://www.myfonts.com/fonts/itc/avant-garde-gothic/
This font currently contains the FontStruct Basic Latin character set (ASCII + curly quotes). If it gets 100 downloads, I’ll add OpenType Std (Windows ANSI + Mac OS Roman) characters.

TYPE-O-NEG4TIVE ― Avant-Garde reverse-contrast inspired sans
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Experimental endeavor into avant-garde, reversed-contrast inspired letterforms.

I will explain the font in more detail bellow in the comment section.

Cheers

STF_MIZOLLEN - Futuristic maze style typeface.

It was designed as part of the renewed visual identity for one of my music labels.

LARGE AND CLUMPSY (THEREFORE VERY USELESS) BUT COOL LOOKING ART DECO TYPEFACE.

Enjoy nonetheless

monospaced.

A typeface inspired by cyrillic calligraphy.

Sci-Fi inspired neon display typeface.

The diagonals dont look very good in Fontstruct's preview due to composite bricks, but are okay in the TTF.

Constructivism stencil typeface design

A remastered version of the classic lettering by "Theo Van Doesburg" for avant garde architectural magazine "De Stijl".

So, rather than a replica of the original, this is a 2018 view of the classic letters. It still follows the global contour of the original letters but instead of being stenciled it features solid glyphs.

Attempt to recap the classic lettering by "Theo Van Doesburg" for avant garde architectural magazine "De Stijl".

Apart from some small variations I made between a couple of upper and lower case characters the two are mostly copies!

MARTIAN AMBASSADOR - a quirky alien looking typeface.

What first started as a tryout to make entire glyphs within a single composite brick quickly got out of hand. lol

Each glyph was designed on a 2x2 grid by way of composite stacking. Lowercase and superscript characters are single brick composites.

Viewed in the fontstruct preview many glyphs do not show clean edges because I heavily made use of composite bricks and stacks on a small grid. However, these irregularities are not really present in the actual TrueType Font.

Style variation in the SEMIOTICA type family.

A type family based on the lettering seen on the book cover of "Semiotica - Journal of the International Association for Semiotic Studies" published by Mouton. The letters and book cover were originally designed by "Jurriaan Schrofer".

As usual I completed the alphabet plus numerics and added numerous punctuations.

Style variation in the SEMIOTICA type family.

A type family based on the lettering seen on the book cover of "Semiotica - Journal of the International Association for Semiotic Studies" published by Mouton. The letters and book cover were originally designed by "Jurriaan Schrofer".

As usual I completed the alphabet plus numerics and added numerous punctuations.

FABRICON-CAST is another style variation within the FABRICON family.

This style was inspired by metal casting and apart from some minor varriations I made to the punctuations it's very similar to the other styles in this family. Except that unlike the other styles this one will not combine seemlessly with the rest.

Modernism alphabet

Inspired by the lettering found on a vintage sheet music cover art for "La Java bousculée" released in 1924. Cover illustration and letters are designed by "Robert Laroche".

I attempted to complete the alphabet and numeral plus some punctuations!

STF_PRÆSENS - A geometric retro display sans

The source for this font was the lettering seen on the cover of 1930's second issue of "Præsens". A Polish avant-garde artistic magazine from the interwar period that was designed by the architect Szymon Syrkus. The letters on the magazine's title formed the baseline to extrapolate the complete font.

The magazine got published throughout the first part of the previous century and was similar to other magazines from that same era such as:
DeStijl, Wendingen & Het Overzicht.

A little constructivism stencil typeface.

Modernism alphabet

It's been a while since I last revisited the works of "Jurriaan Schrofer".

So here is another one by the late great Dutch graphical designer.

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Style variation in the SEMIOTICA type family.

A type family based on the lettering seen on the book cover of "Semiotica - Journal of the International Association for Semiotic Studies" published by Mouton. The letters and book cover were originally designed by "Jurriaan Schrofer".

As usual I completed the alphabet plus numerics and added numerous punctuations.

It's been a while since I last revisited the works of "Jurriaan Schrofer".

So here is another one by the late great Dutch graphical designer.

======================================

Style variation in the SEMIOTICA type family.

A type family based on the lettering seen on the book cover of "Semiotica - Journal of the International Association for Semiotic Studies" published by Mouton. The letters and book cover were originally designed by "Jurriaan Schrofer".

As usual I completed the alphabet plus numerics and added numerous punctuations.

It's been a while since I last revisited the works of "Jurriaan Schrofer".

So here is another one by the late great Dutch graphical designer.

======================================

Style variation in the SEMIOTICA type family.

A type family based on the lettering seen on the book cover of "Semiotica - Journal of the International Association for Semiotic Studies" published by Mouton. The letters and book cover were originally designed by "Jurriaan Schrofer".

As usual I completed the alphabet plus numerics and added numerous punctuations.

Inspired by the many different avant garde modernist expressionism movements of early nineteenth century Europe. Amsterdam-School in particular.