This typeface is inspired by a traditional chicken noodle street food store in Indonesia. I want to make this typeface as simple as possible but also appealing in people's eyes. The chicken noodle contain noodle, minced chicken, chicken dumpling and of course some fried crispy pangsit. In each every stroke of the typeface there something sharp at the middle and that's represent the fried pangsit and also the typeface that i made is rather slim and semi elastic that represent the thin and almost chewy noodle.
A typeface inspired by Indonesian Food, Sate Madura. Madura is a small island in East Java. They have a lot of traditional things which can not be found in another place. Their famous traditional culture are Sate (some people call it Satay), and their Madura pattern Batik. I decide to combine these contents into one typeface, and here it is!
Font inspired by the font of the visual identity of 'College Football' on ESPN.
Download Available Now:
https://www.fontspace.com/jk-typeface/college-football-sans
For more information send an email to jjkbrasfoot@gmail.com
As a first year graphic design student at UWE this is my first attempt at creating a typeface on Fontstruct based around the theme of ‘hope’. Looking at this theme I explored the words; dream, desires and wishing leading me to the classic phrase, ‘when you wish upon a star’ and have therefore, based my typeface on stars. Through research, I looked at the patterns and layouts of star constellations to find that they are only made up of straight lines and circles, which is why I have formed a simple lettering using only these two basic forms, incorporating the concept of star constellations.
Update of my other font with the rough edges cleaned up. Also has Lithuanian and Scandinavian alphabet characters (kind of). Recently brushed up a little more. Hope you enjoy using it as much as I enjoyed making it.
This is a clone of Fraktur mit Ligatur für LiteraturAs a first year Graphic Design student at UWE, I have made my first attempt at a fonstruction, creating a font based around the theme of 'rebirth'. I have researched and explored the Japanese art form: Kintsugi which involves the restoration of broken pottery through connecting the broken parts with liquid gold, creating something new and unique. This art form allows us to embrace the beauty of flaws and imperfection, and through each letter I have attempted to recreate the rough, jagged lines of the broken pottery, and the cracks of 'gold' which bind them together (shown through the white lines). Any comments/advice would be really appreciated.
I designed this font based on the word 'Thunderous'. My thinking in how the word relates is due to the Norse God Thor. I then started to look in to old Norse culture, this got me interested in runes. So with deeper research in to the Futharks spawned this type.
This typeface form is adapted from a typical Indonesian street food meatballs, a round shape on typeface describes the shape of meatballs, which are round and always served in a bowl of beef broth. The distinctive taste of the meatballs is so enjoyable that it has always been a favorite food of Indonesian society.
Albatros is the result of a research on the correlation between genius and mental instability in great artists, philosophers and poets. As in Baudelaire's poetry, it symbolises those who are misunderstood and thus isolated and derided. The albatross is a clumsy bird, but once in the sky and raised over the mass it shows everyone its great wingspan. We are all albatrosses until we are given the opportunity to discover the wings power.
The main language seen in the videogame Stray, used by the robots as communication. However it's more of a cipher than a proper language. Therefore it can be transformed into a font/typeface for people to use.
Glyphs:
98
Version History:
9/5/2022 - First Release, only basic latin.
Original typeface credit given to developers of the game Stray, I only take credit for the portions added onto the already existing typeface.
Based on the theme of rebirth, ‘Fill in the blanks’ draws inspiration from the Renaissance era. Looking at the original printing press, traditional blackletter and Renaissance calligraphy, ‘Fill in the blanks’ offers a modern twist on some of the oldest typefaces to date. By looking at the brush strokes of blackletter and the serifs used in the printing press typefaces, this font is a combination of these characteristics. By using just these features the human eye can still recognise the letter form, essentially allowing your mind to ‘Fill in the blanks.’
bowl and counter is a typeface created with variety of geometric shapes,
which has a squishy and playful side of personality.
It was inspired by the well-known design Sinaloa Rosemarie Tissi in the 1970s.
I was really captivated by the beauty of adding elements of geometric shapes into basis letters, and I really wanted to recreate in the letter's bowls and counters by presenting them a technical, modern, and a futuristic flair look.