Let not the death of our elders be the demise of our ways of life. Let not the passage of time be measured in the passing of languages beyond all living memory.
Based on the Lakota orthography © 1982 Leroy C. Curley.
Extended character and symbol set by William Leverette
This is a cloneBased on the Covid-19 situation I know of in north western Europe: CONFINED illustrates the limits this virus imposes on people.
Nightpegasus' creative activities have been curbed for some time; with addition of this virus scare comes lack of interactions with my small support group and my creative output is even more reduced. As far as my FontStructed fonts are concerned this has imprisoned my enthousiasm and attacked my confidence in my abilities ...
Note that this font still has more glyphs to come. One of these days, possibly in April but more likely during the summer break.
I have worked on aspects of this design for a while and transferred the best glyphs to make **Confined**, expressing my thoughts and feelings in this font. But I can't see yet how to get the many missing glyphs to match this style.
See more:
https://www.fontstruct.com/fontstructions/show/1677460/garry-3
https://www.fontstruct.com/fontstructions/show/1633313/detour-3
https://www.fontstruct.com/fontstructions/show/1742956/transom-hoog-1
https://fontstruct.com/fontstructions/show/853542/at_liena
WIP
See more:
https://www.fontstruct.com/fontstructions/show/1549017/warner-brazils
https://www.fontstruct.com/fontstructions/show/1326545/elion-italic
https://www.fontstruct.com/fontstructions/show/987287/fs_gfo_3
https://www.fontstruct.com/fontstructors/1104892/sychoff/favorites?tagId=9&tag=Pixel&tagType=fave
https://www.fontstruct.com/fontstructions/show/32758/leiria_bold
https://www.fontstruct.com/fontstructions/show/209183/raphigraphy
this font was created for the logo of my discord server, "DOLPHIN." it was actually my first fontstruction, but has undergone some revisions and is now being released publically. it is heavily inspired by the font "FUTU" by emil bertell.
CLICK ON THE “PIXEL” BUTTON TO MAKE IT LOOK, LIKE, A BAJILLION TIMES BETTER.
INTENDED LANGUAGE SUPPORT
• ENGLISH
• MĀORI
• SLOVENIAN
• RUSSIAN
THINGS THAT FONTSTRUCT NEEDS
• A DITHERING TOOL
• AN ELLIPSE TOOL
• RECTANGULAR- AND ELLIPTICAL-OUTLINE TOOLS.
• A BUCKET FILL TOOL
• RULERS
• A SKEWABLE GRID
• A MASS KERNING FEATURE (OR EVEN AUTOMATIC KERNING, THAT’D BE NICE)
• SUPPORT FOR MULTIPLE FAMILIES WITHIN ONE FILE
• A TERMINAL FOR PROGRAMMING ALGORITHMS TO AUTOMATE REPETITIVE, PREDICTABLE ASPECTS, AND A WAY TO REFERENCE THE GRID SQUARES AS AN ARRAY OF SOME KIND
DON’T THINK THAT I’M SHOUTING ABOUT THIS. I JUST DON’T LIKE LOWER-CASE LETTERS!
This is a clone of Some fonts you just can’t FontStructThis font was created around the theme of 'elegant'. I chose to focus on the elegance of flowing fabric and drapery, so designed these letters inspired by classical depictions of fabric in paintings and marble sculptures.
Please note this is an uppercase font so will only work when typing in capitals.
This is a cloneA font themed after geometric fonts like Handel Gothic.
Please check out the fontspace version: https://www.fontspace.com/feels-like-nostalgia-font-f41665
Update - Added Cyrillic since everyone loves this font
A continuation in the style of Genera and Genera Deux
Font made for the logo of a particular project/video game of mine.
Some kerning pairs are imperfect... I can only bring them 10 bricks closer together, so a bit of space remains...
*
Current Version: 1.9
See also:Dynablaze
STF_PRÆSENS - A geometric retro display sans
The source for this font was the lettering seen on the cover of 1930's second issue of "Præsens". A Polish avant-garde artistic magazine from the interwar period that was designed by the architect Szymon Syrkus. The letters on the magazine's title formed the baseline to extrapolate the complete font.
The magazine got published throughout the first part of the previous century and was similar to other magazines from that same era such as:
DeStijl, Wendingen & Het Overzicht.