This was a fun one to experiment with. A lot of fonts I've done here have been done with strict design rules. It's fun to break them once in a while.

This one feels like it's been a long time coming. Surprised it only took me two and a half months to get all done, and half of that was it being on the backburner. A good, solid font with a futuristic slant to it. All Latin languages present and correct, as ever.

The year is 2020. Oni is still making futuristic-y fonts. I was told there'd be flying cars. The future lied to me.

Contains support for:

All modern European Latin langauges (Full Latin-A character set), Cyrillic languages (Russian/Serbo-Croat/Bulgarian/Macedoian/Ukranian/Belarussian), Greek

An experiment in both composite blocks and kerning. I'm really, really proud of this one.

I've been playing a lot of late 90s games and had that sort of "SEGA Dreamcast" vibe in my head. That's what's happened here.

A surprisingly modern Western-themed type. Put pretty much every European language I could think of in here, therefore it's probably the most time-consuming one I've ever done.

Delightfully smooth and smoothly delightful.

It's futuristic! It's rounded!

I made the thickest font I could. Then slathered the damn thing in butter and deep-fried it.

I was given feedback that the capitals were too wide in the original Kimura. Rather than replacing them in the font, I've made a new version nice and quickly so you can decide for yourself. Or have both, even. I would like that.

The typeface of the future...now!

I was inspired by older wide futuristic faces like China and Korataki.

I really liked my last slab serif font, and so I decided to make another one. This time, we've put the file on it and rounded the corners.

An angular, army-esque font. A stencil font without the stencilling, if you will.

I've moved from Russia to Germany, here. We have a classic, 70s inspired design, which could still be a futuristic-looking one in the right lights.

Akasaka looks even better thicker, as it turns out.

Imagine a "font designed in 1999 to show what fonts would look like in 2019". It's half right, at least. Totally the sort of thing you would find in an early PS2 space shooter or something.

Experimented as I usually do with a half-thickness version of the font which looked good enough to do the entire thing over.

Naturally this is more of a body text font than the default Gemini.

I began doing a serif font, and found that I really liked it when I rounded the corners off a bit. It makes it look rather cyberwestern. Have you ever played Wild Guns on the SNES? It's got that vibe about it.

I didn't intend to make this all caps but I couldn't figure out how to do it properly without it looking a bit weird and unfitting.

It's very much like Metrolux, but futuristic and smooth. Contains a bunch of small changes too.

A modern looking font, really enjoyed the look of this one.

Contains many European languages, too.

It's like the original Defuser, but thicc.

It's like the bulky Defuser, but thin.

We're back to the futurism.

Dunno what I mean by 'back', I never left in the first place.

Inspired a little bit by my previous font Nordkurve. As a result, I've named it after another German Formula One track curve. Nürburgring, this time.

Actaeon has eaten its vitamins, said its prayers, and now it's all grown up and become a big strong sans-serif.

A clinical font, an attempt at trying to work curves in a non-curved setting. I believe this works stronger as a text font, and I've given it the usual Euro specials, as well as Google font support if you are such way inclined.

Also added some Russian support because why not? It looks like it'd fit. Also Greek, too.

I spent WAY too much time this weekend trying and failing to speedrun Sonic 3. Hence the name.

A functional, futuristic typeface.

A sans-serif version of Destino, as a thank-you for my first Top Pick. Thank you very much, here's to many more.

A serif font with a couple of nice little touches to it. My original idea was to attempt to make a Donburi Serif, but about three glyphs in turned into its own thing.

A futuristic block font. Ideally works well as both a display and text font.