Unicase font with a handful of alternates on the lowercase zone.

Happy holidays! Sorry, I can't stop complicating some fonts, now with these large intermediate serifs (but they looks nice!). All seemed simpler when I started it, but... Just unicase with alternates (and a lot of kerning needed => WIP).

P U B L I S H E D   O N   N O V E M B E R   1 8 ,   2 0 2 5
╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾╾

PW-Blacker Grotesk — a heavy geometric sans-serif font with robust language support. Capital-only.

This font also contains full 3-square-root characters: √, ∛, ∜.

Fractions can also be typed in this font
Syntax fraction typing: [superscript][fraction slash][subscript]
Example: "¹²⁄₃₄₅", while "¹²" is a superscript, " ⁄ " is a fraction slash, and "₃₄₅" is a subscript.

Over 100 language support: Belarusian, Bosnian, Bulgarian, Chechen, Macedonian, Russian, Serbian, Greek, Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Icelandic, Inari Sami, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, Northern Sami, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Upper Sorbian, Uzbek (Latin), Vietnamese, Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu

Please share your thoughts on this font in the comments.

Another mondrian-esque, colourful and minimalist font. Unicase with alternates.

Playing with pattern capitals. Some alternates in the lowercase. Best viewed in large format.

This is my little contribution to the fantastic recovering universe
called LETTERS OP MAAT by the great @Sed4tives about the typographic world of the dutch artist and typographer Jurriaan Schrofer. Btw, I sincerely apologize to @Sed4tives for the undue delay and the time it took to publish this exciting addition to his magnificent series (I'm sure he thought I'd forgotten, didn't he, comp4ñero?). Hope you like and enjoy these two fonts in one.

- - - - -

GUIDE TO FIND GLYPHS:

- Curved left unicase: A to Z + Ç, Ñ, Æ, Œ.

- Curved right unicase: a to z + ç, ñ, æ, œ.

- Curved left numbers: 0 to 9.

- Curved right numbers: for 0 type %, 1=<, 2= =, 3=>, 4=[, 5=], 6={, 7=|, 8=}, 9=^.

- Other curved left glyphs like ., , , ”, ’, ', ?, !, @, $, &, (, ) and -: in their own glyphs, plus :=/.

- Other curved right glyphs: ”=“, ’=‘, '=", @=*, &=#, -=+, .=:, ,=;, $=`,:=\, ?=¿, !=¡, (=_, )=~...

... The work still in progress (diacritics in the oven)...

SbB Astrometric Narrow is another attempt at a lowercase inspired unicase design. Really short ascenders and descenders. Still a work in progress. (I'm happy with the basic structure, so this is probably a prototype that I'll refine in Glyphs.)

Unicase with alternates. I was trying a monospaced font, but...

Happy 17th BD, FontStruct!

See more:

https://fontstruct.com/fontstructions/show/2390774/zybercow-eye-fs-20

I can't superate chocomotion by four (❤️!), but I'm trying my own soft approach to the 3lines font design world. Hope you like this attempt to clarify from my to-do list. Btw: feedback about the design or aesthetics of some Cyrillic characters would be appreciated. Thanks in advance, people.

Soft and rounded NUMBERS like long fairground balloons... and shadowed. The first was the 8 and then all the others arrived.

A narrowed zrebmun version, trying another different point of view for the original font. Let me know what do U prefers, please.

The NUMBERS were the origin: This font has been created from the design of glyphs 0, 2 and 4, which was then extrapolated to the rest of the characters. Unicase with alternates. Thanks @AidenFont for the vertical stripes idea.

My little personal and humble tribute to our Astonishing FontStruct on its 16th birthday, full of admiration and respect for the Great Creator & Big Chief Rob Meek and all fontstructors, big and small, who used it during these amazing years! LONG LIVE FONTSTRUCT!!!

Simple scrape optical experiment with eroded characters. You can find a lowercase "c" in the "¢" glyph and "ff" and "tt" ligatures placed in the "fi", "ff" and "fl", if you need any of them. Suggestions to improve the font are welcome. Hope you like them.

Outline unicase font with a lot of alternates (including a lowercase "c" at the "¢" glyph).

It's silly (but I couldn't get it out of my head): This is the font inside zignbox. Absolute negative space use. Unicase with alternates, of course. But it works well!.

Twin brother of zeronda, with more spectacular and rare large serifs. This font is a pretty little thief to me: with its big serifs it stolen my heart. It was love at first sight, as soon as I started I couldn't stop adding them to the glyphs. Only caps/unicase, also includes an "a" and "e" alternates... and a little "c" in the "¢" glyph. Kern in progress. Enjoy.

WIP

See more:

https://fontstruct.com/fontstructions/show/1500535/contortion-c

https://fontstruct.com/fontstructions/show/1577341/zoftly70-eye-fs-3

https://fontstruct.com/fontstructions/show/2256589/sidetracked-6

Only caps/unicase font. Also includes an "a" and "e" alternates... and a little "c" in the "¢" glyph. More kerning work is in process, btw.

Unicase font with the best of the 80's flavour and the great Expressa typeface in mind. A new try melting frontiers between upper and lowercase, all in a row. Hope you've fun with it!

This is just a silly unicase font with alternates, made with simple squares and triangles (and some few other bricks)... But the colours captivated me. I hope you like the result. PS: You can also find an additional colour space (if you need it) in the "|" glyph.

Unicase font with a lot of alternates in the lowercase to improve the general playfullness. Also added more diacritics and accents, and remodeled and kerned the old glyphs. (Plus: other "1" at the "t", the 3rd "U" -and their accents- are at the "v", "ò", "ó", "ô" and "ö", respectively.)

Well, I was not happy with the final look of my zelestia, so I tried to change the center of gravity of the font, which I managed to lighten its weight and basically alter its general appearance. I like this new, more dynamic and special look better... and I wish you would like it too. Let me know your opinion. Thanks a thousand.

Unicase italic font with many alternates (in the lower case zone), so much that it's almost like two fonts in one. Hope you like it.

Lowercase font with some alternates (a, e, f, j, m, p, t, w) in the uppercase. The "tt" & "ff" ligatures are at the ""fi" & "ff" glyphs.

Years ago, a small font from 2008 caught my eye. Now I've dared to use its structure to modify and complete it, and thus create a new visual experiment. I'm sorry, diacritics are the weak point. Hope you like it. ¡Y Feliz Navidad a todos, amigos!

Another unicase with alternates and also an optical experiment (this time based in a certain way on some works by the great Philippe Apeloig). Optional filled space placed in the "^" glyph.

Solid squared unicase with a lot of alternates (placed in the lowercase zone), almost two fonts in one. "c" in the "¢" glyph. Enjoy.