Supported languages:
English
French (Français)
German (Deutsch)
Spanish (Español)
Scandinavian alphabet
Latin (Lingua Latina)
Czech (Čeština)
Dutch (Nederlands)
Polish (Polski)
Turkish (Türkçe)
Latvian (Latviešu)
Africa alphabet
Pan-Nigerian alphabet
Americanist
Khoisan
Pinyin (汉语拼音)
Romanian (Română)
Russian (Русский)
Belorussian (Белоруская)
Bulgarian (Български)
Serbian Cyrillic alphabet (Српска ћирилица)
This typeface form is adapted from a typical Indonesian street food meatballs, a round shape on typeface describes the shape of meatballs, which are round and always served in a bowl of beef broth. The distinctive taste of the meatballs is so enjoyable that it has always been a favorite food of Indonesian society.
An original Art font that uses the tops, bottoms & sometimes middles of a font to communicate the character. This requires users to read texts as opposed to scanning them, but because visual cues are available it is still legible.
This font is Copyright 2018 & 2019 Doug Peters ( https://www.Doug-Peters.com/ or https://Dougs.Work/ ) and released as freeware under the SIL Open Font License. You are entitled to use this font however you want. Credit for my original work IS greatly appreciated.
Categories: Abstract, Art, Logotype, Poster/Display & Novelty
Type: Sans Serif Stencil
Weight: Heavy/Black
Web font: Yes
Commercial use: Any use, yes!
Derivatives: OK (please use a different reserved font name & update docs).
Redistribution: Encouraged
Fontstruct is this font's development home, though if development is occuring simultaneously, the available font may have a few errors as I work things out:
https://fontstruct.com/fonstructions/show/1509250
Short Link: https://w3n.us/blownoutdev
The official documented release font archive is on Font-Journal:
https://www.Font-Journal.com/fonts/13444/blown_out.php
Short Link: https://w3n.us/blownout
Submitted to Google Fonts April 10th, 2018:
https://github.com/google/fonts/issues/1528
Short Link: https://w3n.us/1528
P.S.:
Font-Journal:
https://www.Font-Journal.com
My best web hosting solution:
https://HDWebHosting.com
My branding & marketing Co.:
https://www.SymbioticDesign.com
PayPal donations (to encourage my continued freeware font design efforts):
https://paypal.me/sitedesigner
This typeface adopted from one of Indonesian food, called gado-gado. Gado-gado is a salad of raw and cooked vegetables in a spicy peanut sauce, often served with fried tofu and hard boiled eggs. I made this typeface inspired by the peanut sauce.
This typeface is inspired in terms of flavor seasonings and shape of coconut skewers. Coconut skewers which taste the taste sweet, savory and spicy for those who want to add cayenne pepper.
shape of the curve indicates sweetness, parts of letters that sharp shows spicy flavor, so the formations of letters is varied and put together in the formation of the font, its the same thing taste seasoning coconut skewers that have a variety of flavors in 1 seasoning, not all formations letters using arch. Then in terms of shape this coconut skewers there are not too big, i make this typeface slim
This typeface was made for my college task, typography 2. This typeface was meant to describe a stall named 'Cak Roni' that serves meatball or which is called as 'Bakso' in Indonesia. I made bold character as I know that bakso has big and round character.
Copyright 2013 to 2019 Doug Peters (https://www.Doug-Peters.com or https://Dougs.Work/), aka Symbiotic Design (https://SymbioticDesign.com/), all rights (including artistic & creative rights) are reserved worldwide.
Released as a freeware font under the condition that if you use the font the authoring font designer will be attributed at least once (on a website, blog or in social media) with an active hyperlink back to the font homepage, the designer's profile, or any one of his websites. No derivatives are allowed. See the included "license.txt" text documentation within the distribution archive for license specifics. If this font was not distributed with a "license.txt" that specifically describes a "FonStruct License", it is an incomplete and unauthorized version.
Get the original version (development version) of this font at:
https://fontstruct.com/fontstructions/show/853961/broadbill
If the development version here is being actively worked on, it may contain a few errors. You can get the last officially released version of Broadbill from:
https://www.font-journal.com/fonts/13107/broadbill.php
or use the short link:
https://w3n.us/broadbill
Designer's FontStruct profile:
https://fonstruct.com/fonstructors/595075/symbioticdesign
or use the short link:
https://w3n.us/sdfonts
Any hyperlink in this description is authorized as a back link. -DP
https://SymbioticDesign.com
https://www.Doug-Peters.com
https://Dougs.Work
PayPal donations (to encourage my continued freeware font design efforts):
https://paypal.me/sitedesigner
This is the Plane 10 font of the GS Unicode 2.0 font series. I've split this font up by plane since font files have a technical limit of 65,535 glyphs.
This font will be made up of U+0020 and U+100000~U+10FFFD, which add up to exactly 65,535 code points.
Things that are planned but not (fully) implemented yet are italicized.
Links to planes (I'll most likely be posting updates related to this series as a whole in the Plane 0 font):
Plane 0: here
Plane 1: here
Plane 2
Plane 3
(No Unicode characters exist in Planes 4 through D as of U15.0)
Plane E: here
Plane F: here
Plane 10: [THIS FONT]
PUA assignments:
100000~10037F - Latin Extended-4
100380~1003FF - Greek Extended-4
100400~10057F - Cyrillic Extended-4
100580~1005BF - <reserved for BMP Script Extensions>
1005C0~1005FF - Hebrew Extended-1
100600~1006FF - Arabic Extended-3
100700~10109F - <reserved for BMP Script Extensions>
1010A0~1010FF - Georgian Extended-2
101100~1011FF - <reserved for BMP Script Extensions>
101200~10137F - Ethiopic Extended-1
101380~1013DF - <reserved for BMP Script Extensions>
1013E0~1013FF - Cherokee Extended-1
101400~101FFF - <reserved for BMP Script Extensions>
102000~10223F - Symbols and Punctuation Extended-2
102240~10224F - Geomantic Figures
102250~10227F - C64-OS Symbols
102280~1022BF - Commander X16 Symbols
1022C0~1022FF - Powerline Symbols
102300~1023FF - Hex Byte Pictures
102400~10243F - Control Pictures Extended-2
102440~10247F - Sixel Graphics
102480~10249F - Apple MouseText
1024A0~1024CF - Fill Patterns
1024D0~1024FF - Shade Quadrants
102500~10257F - Box Drawing Extended-1
102580~1025BF - Block Elements Extended-1
1025C0~1025FF - Block Sextants
102600~1026FF - Block Octants
102700~1027FF - Dingbats Extended-1
102800~1028FF - Seven-Segment Display Patterns
102900~102FFF - <unassigned>
103000~1030FF - Kana Extended-2
103100~10AFFF - <unassigned>
10B000~10B7FF - <reserved for Indic Conjuncts>
10B800~10CFFF - <unassigned>
10D000~10D19F - Domino Tiles Extended-1
10D1A0~10D2FF - <unassigned>
10D300~10D3FF - Flag Symbols
10D400~10DFFF - <unassigned>
10E000~10E07F - Tengwar Presentation Forms
10E080~10E0FF - <reserved for UCSUR extensions>
10E100~10E1FF - Engsvanyali Presentation Forms
10E200~10E3AF - <reserved for UCSUR extensions>
10E3B0~10E3FF - Olaetyan Extended-1
10E400~10E42F - Niskloz Presentation Forms [Nísklôz Presentation Forms]
10E430~10E44F - Kazat Akkorou Extended-1 [Kazat ?Akkorou Extended-1]
10E450~10E5DF - <reserved for UCSUR extensions>
10E5E0~10E5FF - Ophidian Presentation Forms
10E600~10E62F - Ferengi Extended-1
10E630~10E64F - <reserved for UCSUR extensions>
10E650~10E67F - Sylabica Extended-1
10E680~10E6CF - Ewellic Presentation Forms
10E6D0~10E7FF - <reserved for UCSUR extensions>
10E800~10E82F - Monofon Extended-1
10E830~10E88F - Dni Presentation Forms [D'ni Presentation Forms]
10E890~10EB9F - <reserved for UCSUR extensions>
10EBA0~10EBDF - Cistercian Numerals Extended-1
10EBE0~10EF9F - <reserved for UCSUR extensions>
10EFA0~10EFCF - Aiha Presentation Forms
10EFD0~10EFFF - <reserved for UCSUR extensions>
10F000~10F8FF - <unassigned>
10F900~10F91F - Thai Compatibility Forms
10F920~10FAFF - <reserved for compatibility and presentation forms>
10FB00~10FCFF - Latin Fractional Forms
10FD00~10FEFF - Mongolian Presentation Forms
10FF00~10FFBF - <reserved for compatibility and presentation forms>
10FFC0~10FFCF - Source Hints
10FFD0~10FFEF - Transcoding Hints
10FFF0~10FFFF - Plane 10 Specials
Additional PUA assignments can be found in the Plane 0 and F fonts.
Feel free to recommend PUA assignments!
Also, it's more than likely I won't know every script well enough that there won't be any mistakes. If/when I make a mistake, please tell me and I'll do my best to fix it!
A sans-serif typeface that made as black as your strongest coffee. This typeface is not completed yet because I just made this up for discussion first. Therefore I will be really appreciate it if you willing to give advice to my first coffestall typeface. Will complete it sooner rather than later!! :)
A typeface inspired by Indonesian Food, Sate Madura. Madura is a small island in East Java. They have a lot of traditional things which can not be found in another place. Their famous traditional culture are Sate (some people call it Satay), and their Madura pattern Batik. I decide to combine these contents into one typeface, and here it is!
Bumbu kacang is the actual name of Indonesian Salad’s (also known as gado-gado) peanut sauce. The round shape of the typeface inspired by the shape of lontong. The curvy part in the middle and the dots represent the peanut sauce.
A monospace font ideal for programming.
JUST A SIMPLE 3×5 PIXEL FONT. THE CAPITALS HAVE A WHITE STRIKETHROUGH.
CHANGELOG
• 2017:03:10 — FIRST RELEASE.
• 2017:12:17 — ADDED QUITE A LOT MORE LATIN CHARACTERS, BRINGING THE TOTAL AMOUNT OF CHARACTERS TO SEVEN HUNDRED AND EIGHTY-SEVEN.
• 2017:12:18 — ADDED TWO HUNDRED AND FIFTY-FOUR CYRILLIC CHARACTERS, BRINGING THE TOTAL AMOUNT OF CHARACTERS TO A THOUSAND AND FORTY-ONE.
• 2017:12:20 — ADDED FIFTY ARABIC CHARACTERS, BRINGING THE TOTAL AMOUNT OF CHARACTERS TO A THOUSAND AND NINETY-ONE.
• 2018:01:05 — UPDATED THE CYRILLIC “И” AND “Й.”
• 2018:01:06 — ADDED TWO HUNDRED AND SIXTY-SIX GREEK AND COPTIC CHARACTERS, BRAILLE AND OTHER SYMBOLS, BRINGING THE TOTAL AMOUNT OF CHARACTERS TO 1357. ALSO UPDATED THE CYRILLIC “Й.”
This typeface is purposed for a street-food-spot and it's selling "Gado-Gado" which is a special Japanese food with tofu, "tempe", peanut butter, "krupuk" and spicy sauce. Its strong-bold but deliciously nice taste that lasts in mouth and tounge is the concept of this typeface.
The design of the KVN-Westgate typeface originated from the concrete lettering on the gates surrounding Ben Thanh Market in Ho Chi Minh City, Vietnam. These gates were constructed when the market underwent renovation in the mid-1900s. Having endured for decades, the lettering on the gates represents both the history of the market and the growth of the city, formerly known as Saigon.
Inspiration: https://republi.sh/#westgate
<COMPLETED - NEED SUGGESTIONS & IMPROVEMENTS>
Base height: 8 pixel
X-height: 5 pixel
Descender: 2 pixel
BUISJES — Geometric outlined sans-serif design
════════════════════════════════════
[ INTRODUCTION ]
While at first I was just updating one of my custom brick tool sets with some additional new pre-build custom composite bricks which seemlessly fit and allign with the dimensions of FontStruct's default connection brick set, the font more or less materialized as this happy accident while I was fooling around and constructed several basic letterforms and shapes for testing these composite brick solutions I was making.
Before realizing it I had about half-a-alphabet's worth of random letter doodles. From there on out I simply decided to copy the letters that came from this test run and drop them into a new FontStruct project and just resumed building the remainder of what would later become this rather modernist clean looking geometric outline sans.
Now, keep in mind that working with the constraints of these (largely 'Composite'-like) and somewhat oddball physically natured 'Connection'-bricks is very limited, and can be quite tricky. They simply doesn't allow the same level of design freedom FS's 'Core'-bricks do (E.g. the centre allignement, their thickness and that 30-bricks-only limited palette size for each of the three variations). To acquire some of that more distinctive and specific tailor made geometry usually requires clever brick arrangements that consist from a mixture of both multi-stacked-composites and brick overlaps to patch gaps and smoothen curve contours.
This process can sometimes become very 'trial / error' -based and unpredictable when complexity increases. Distracting at times, as it gets in the way of primary objectives. To constantly having to invent different new solutions that work simply doesn't help creative workflow. Therefor I decided to dive a little deeper into expanding my pre-fabricated'ready-to-use' composite brick palette.
[ ANALYTICS ]
So far I'm very pleased with the final result, especially with how easy this new set of custom brick composites turn out to create new letters. The bricks feel very intuitive to work with, and unlock quick access to greater sophistication and shaping of more complex geometry. Opening up several new possibilities that are impossible to construct solely from the default 'Connection' -brick palette. So having them at my disposal in a pre-fab fashion is certainly gonna help streamline the workflow.
[ THE FONT ]
As far as for the font's aesthetica, there isn't all that much spectacular going on really. The basic geometry provides a rigid solid looking lettering that produces this fairly legible text. The modern yet clean characteristics making it the perfect match for a broad range application.
• Multi-Lingual (105 languages supported)
• Some glyph alternate forms
• Kerning (1922 stored pairs)
The font name refers to its tubular characteristics and comes from the Dutch word Buizen, which literally translate to Tubes in English.
I hope you like it,
Cheers
This is a cloneDiscopatentiously Obstructivenating font Copyright 2016-2019 Doug Peters.
This is my own clone of the original version. It may look a little like my Kindegraf or Sketchy fonts, as it's my handwriting with a mouse, and I bet there isn't a lot of deviation there (with the handwriting) but it IS different. More characters would require more work. Happy to do it, but not for free.
Categories: Pixel font.
Types: Hand printed lettering.
Weight: Regular, Curly.
Web font: I don't think that would be a good idea, NO.
Commercial use: When Purchased.
Derivatives: NO.
Redistribution: NO.
https://www.Doug-Peters.com
https://Dougs.Work
https://SymbioticDesign.com
https://Worthful.com
https://Font-Journal.com
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PayPal donations (to encourage my continued design efforts):
https://paypal.me/sitedesigner