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See more:
https://www.behance.net/gallery/87226471/2018-Typeface-NF-Notch
https://www.fontstruct.com/fontstructions/show/438880/inotia_1
https://www.fontstruct.com/fontstructions/show/16702/7by5angles
https://www.fontstruct.com/fontstructions/show/293233/straks_2
https://www.fontstruct.com/fontstructions/show/220088/heartbreaker
Bramb (Letterhead ru)
https://fontstruct.com/fontstructions/show/220088/heartbreaker
https://fontstruct.com/fontstructions/show/865329/synditon
https://fontstruct.com/fontstructions/show/1399486/new-azbuka-easy-to-read
https://fontstruct.com/fontstructions/show/1640752/akasaka
https://fontstruct.com/fontstructions/show/1526889/kimbriltext
https://fontstruct.com/fontstructions/show/228230/skylight
https://fontstruct.com/fontstructions/show/362493/sn_boldface
https://fontstruct.com/fontstructions/show/233009/academician_freshman
https://fontstruct.com/fontstructions/show/1556765/vctekst-1
https://fontstruct.com/fontstructions/show/53335/elltee_semi_serif
https://fontstruct.com/fontstructions/show/1421311/kirre-1
https://vk.com/albums-50911295?z=photo-50911295_456322290%2Fphotos-50911295
This is a clone of amynSTF_Teknolog1k - Contemporary tech looking sans-serif typeface.
Once more a pretty thin design.
Brick filter @ 1x1
grid scale @ 0,85x0,85(to restore unwanted vertical spacing caused by nudging)
0.5 grid square unit weight.
Enjoy!
Logical evolution of zolid02, less experimental and more readable, complete and compact.
This is a clone of zolid02 eYe/FSBy popular demand, I'm very proud to present you this recreation/digitization of Maxim Zhukov's Meander (an experimental modular type design from 1972, which was used in cover artworks for Stereolab's Dots and Loops album and Miss Modular EP).
Now supports Cyrillic characters and includes other custom-made glyphs, like numerals and punctuation marks.
References: Type Journal: "Towards an open layout: A letter to Volodya Yefimov", "Искусство шрифта. Работы московских художников книги. 1959–1974" (The Lettering Art. Works by Moscow book designers 1959–1974), pg. 35
See more:
https://fontstruct.com/fontstructions/show/1450250/treetops
https://fontstruct.com/fontstructions/show/1294710/mx-hbs-alt
https://www.fontstruct.com/fontstructions/show/473688/shishoid
https://fontstruct.com/fontstructions/show/1593059/codework-1
https://www.myfonts.com/fonts/justanotherfoundry/mashine/
https://fontstruct.com/fontstructions/show/773915/drum_and_bass_ldr
https://fontstruct.com/fontstructions/show/87805/pyramid_1
https://fontstruct.com/fontstructions/show/203704/tagliana
https://fontstruct.com/fontstructions/show/178834/octastruct
https://fontstruct.com/fontstructions/show/1576255/f77-blockie
https://fontstruct.com/fontstructions/show/619723/the_45_alt_01
https://fontstruct.com/fontstructions/show/217312/track_filled
https://fontstruct.com/fontstructions/show/249112/ncd_phusion_bold
https://fontstruct.com/fontstructions/show/207773/comitto
https://www.fontstruct.com/fontstructions/show/1572485/f77-handwrite-1
https://fontstruct.com/fontstructions/show/229356/thm_thin
This is a clone of DigitalisLast weekend I was feeling a little nostalgic and decided to review my first ❤️ FontStruction (I made it in 2009, over 14 years ago). Time and fonts have passed since then, but I still like the overall look of it, so I decided to give it a facelift: I changed some important things about the diagonals and the building of quite a few glyphs, as well as restructuring the overall design, homogenizing it a little (taking into account my inexperience then), adding kerning... Now I present it to you again, hoping that you like its current appearance and that someone sees in it the value that I see. Thanks in advance.
This is a clone of zamzibar eYe/FSModern Arcade is a condensed sans-serif typeface designed to evoke a sense of technology and modernity. Its sleek and streamlined letterforms exhibit a futuristic aesthetic, with precise angles and clean lines.