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A logotype for retro-tech hardware inspired by Roc Mitchell's Corporate phototype series (aka Limited/Limited View and Logos/LogoStyle) from the 1970's. Free for personal use only. Alternate characters list: @ - P * - J # - L < - A > - t ^ - e { - F } - R ~ - K © - g ® - D § - S ¤ - E ‹ - A › - A ¹ - A ¼ - 4 ½ - m ¾ - w ² - V ³ - V ª - a « - p » - q † - f
Inspired by the RoboCop movie logos -- Outline Version. Now includes full character set. For Solid Version, see the "Alex Murphy Solid" font; for dingbats of OCP logos, see the "Alex Murphy Dings" font. Type "RoboCop" into the View-User Input option to try it out!
July 31, 2021 update: Font at version 2.0. Diagonals and lowercase crossbars were thickened, and diagonals now cross into the vertical strokes. Now more movie accurate than ever!
By popular demand, I'm very proud to present you this recreation/digitization of Maxim Zhukov's Meander (an experimental modular type design from 1972, which was used in cover artworks for Stereolab's Dots and Loops album and Miss Modular EP).
Now supports Cyrillic characters and includes other custom-made glyphs, like numerals and punctuation marks.
References: Type Journal: "Towards an open layout: A letter to Volodya Yefimov", "Искусство шрифта. Работы московских художников книги. 1959–1974" (The Lettering Art. Works by Moscow book designers 1959–1974), pg. 35
Prajna is a Sanskrit word meaning wisdom, understanding, insight. Simple on the outside, with some depth on the inside. Looks like it could be 1:1 bricks, but it actually uses a 1.5 sized brick width, giving it additional curvature that wouldn't be possible on a 1:1 scale.
I was supposed to release this a year ago, synchronous to the Peace 2.0 sculpture that was publicly unveiled which utilized Prajna to spell out "Peace" in 12 different languages. I like to think that since the sculpture was written with Prajna, it has a literal connection with wisdom, understanding and insight. I release it now with the hope that you may write with Prajna of your own.
A continuation in the style of Genera and Genera Deux