This font has a bold, blocky, and futuristic appearance, characterized by sharp, pixelated edges and a digital, glitch-inspired aesthetic. The letters are thick and uniform in width, with jagged distortions giving them a cyberpunk or sci-fi feel. The design is reminiscent of old-school arcade games, early computer graphics, or hacking-themed typography, making it ideal for tech-related, dystopian, or experimental designs. The font conveys a strong, edgy, and modern vibe, perfect for high-impact visuals in digital media, gaming, or cyber-themed branding.

DOWNLOAD: http://cookietype.blogspot.com/2018/03/scanlines.html

This is an experiment; I used only one composite brick to come up with such a font.

~ - * are the filled chars.

 Mltng Pnt is a typeface that took form from the word destructive. It's aim is to be an illustrative typeface that focuses on the destruction of the natural letter form. This process creates a lot of visual noise, distorting the viewers vision and adding to this sense of destruction on a more palpable level. The figures were inspired by melting butter, hence the name 'Mltng Pnt' (melting point). This name also suggests a point of no return, capitalising on the theme of destruction.

Read as I read 2 is a typeface that I have developed from the previous design 'Read as I read'. With the same aim to capture the movement upon which the letters are distributed around the page caused by dyslexia. A feature common amongst dyslexics, that causes difficulty and uncertainty when trying to make out written words. In developing the typeface I aimed to increase legibility, to make it more universal. Whilst continuing to capture the context of why I initially created the typeface. Representing this by combining the same letter form twice, and overlayingthem in order to capture the aspect of movement. This time all in captials to help with legibility. 

This typeface design is a edited version of Pharoan Ultra Bold as it was heavy and bold which gave me more to do with it, the theme of the type is destruction.

I wanted to merge both Deconstructivism and Glitch Art into my typeface. By finalizing my idea I looked at how letters could be morphed by being pulled and pushed, what would it look like if the letter was to be dropped what shapes it could form - instead of taking parts away from it.

do-oh is a display typeface inspired by the word 'squishy'.

I looked at squishing and the movement of squishing something hard and soft and the different forms it would take; I became interested in how an object changes form when squished but how it retains sections of the previous form too but slightly distorted.

I was also interested in the different ways of squishing something and how that changed the outcome.

The typeface is focused on shapes made when I created letters from squashing dough together.