snhussain, Favorites

73 6663419 Published: 2nd December, 2023
Last edited: 22nd April, 2024
Created: 5th August, 2022

BOOTSHAUS — Geometric "Bauhaus"-inspired modernist sans
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Bootshaus is another endeavour into the Bauhaus realm of typography.

Focus for this font lies mainly within it's broad choice of glyph alternate forms to select from for stylish texts or logos.

Much of the extra glyph alternative forms are loosely based on the lettering by Sascha Lobe for the Bauhaus-Archiv

Many more glyph alternative forms are planned to be included, stay tuned..

— WIP

Cheers!

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Creative Commons

16 31556 Published: 21st October, 2023
Last edited: 8th November, 2023
Created: 16th October, 2023

NGrider would appreciate

A text cut of those nautical art deco typefaces, cobbled together from @Sed4tives's faux bezier curve tools

WIP: Currently working on kerning for accents. I guess it's what those folks over at Future Fonts do

This is a clone of STF_FAUX BEZIER ROTUNDS

Open Font License

6 01283 Published: 1st June, 2023
Last edited: 6th June, 2023
Created: 28th May, 2023

ETC Denouement V1.0

ETC Denouement is a first attempt work-in-progress to make a large-scale serif typeface using just the default block brush as pixels.

V1.2+ (IN PROGRESS)

- Numerals

- Diacritics

- More punctuation

V1.1 (2nd of June 2023)

- Updated tittle on "i" and "j"

- Updated full stop, comma, and various quotation marks

- Added Diacritics found in "More Latin"

V1.0 (31st of May 2023)

- Basic A-Z in uppercase and lowercase

- Rudimentary punctuation (. , ! ? ' ")

FontStruct License

20 62057 Published: 3rd March, 2023
Last edited: 28th February, 2023
Created: 7th February, 2023

Logical evolution of zolid02, less experimental and more readable, complete and compact.

This is a clone of zolid02 eYe/FS

Creative Commons

214 2116131 Published: 13th June, 2022
Last edited: 4th July, 2022
Created: 26th January, 2018

Blackletter

Creative Commons

150 2520314 Published: 9th June, 2022
Last edited: 10th June, 2022
Created: 31st May, 2022

Thin sister of zenando, more legible for body text (even at pixel size), but with numerous differences on a lot of glyphs (it's a new font, basically). You can find an additional "$" in the "§" glyph. There are also new ligatures "ff" and "tt" which are in the places of "fi" and "fl". Enjoy it, please.

This is a clone

Regular (149)

Creative Commons

15 119913 Published: 18th February, 2022
Last edited: 18th February, 2022
Created: 17th January, 2022

Exercise

Open Font License

1 9789 Published: 24th May, 2020
Last edited: 24th May, 2020
Created: 17th April, 2020

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246 88238 Published: 22nd April, 2019
Last edited: 4th April, 2019
Created: 10th November, 2018

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FontStruct License

109 1416120 Published: 28th July, 2012
Last edited: 15th April, 2022
Created: 27th July, 2012
A bold font inspired by Korg's logo.

Sans Serif

Creative Commons

103 173834 Published: 18th July, 2012
Last edited: 18th July, 2012
Created: 17th July, 2012
Each letter is represented by a puzzle piece that looks similar. There are some alternates in lower case.

Creative Commons

186 1015344 Published: 15th July, 2012
Last edited: 4th April, 2013
Created: 16th September, 2011

Outline

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60 47421 Published: 19th June, 2012
Last edited: 19th June, 2012
Created: 31st May, 2012
Some glyphs might need changed, and I take suggestions as always.

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93 156622 Published: 18th June, 2012
Last edited: 7th December, 2012
Created: 15th June, 2012

Creative Commons

82 99125 Published: 3rd September, 2011
Last edited: 3rd September, 2011
Created: 15th March, 2011
This is a remix of an old Rian Hughes font called "Darkside". I boiled down the geometry, added slightly rounded outer corners--and a whole new set of upper case characters. (Hughes’ font had only lower case).

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Groovy

Creative Commons

467 2639125 Published: 30th August, 2011
Last edited: 17th August, 2011
Created: 16th August, 2011

An experimental 3-D/geometric font, inspired by Mynameiscapo's "Metal Hammer [beta]". My first attempt was "InTrude"; I tried to make it look like it's coming right out of the screen or off of the page, but it wasn't what I was looking for. After retooling it, here is the result: it works! See all fonts: "Backtrude", "OneQuarterTrude", "OneQuarterTrude Inverse", "MidTrude", "ThreeQuarterTrude", "ThreeQuarterTrude Inverse", "ExTrude", "InTrude", and "FrontTrude"

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Creative Commons

453 3675213 Published: 27th August, 2011
Last edited: 27th August, 2011
Created: 26th August, 2011
02012011. Large Scale, minimal brick usage. 90 grid spaces high, 26 brick shapes.This is a clone

Creative Commons

77 289116 Published: 19th August, 2011
Last edited: 23rd August, 2011
Created: 19th August, 2011
Clone of fs Arc Test 1:1, which was started on Fri, 27th August, 11:59 AM 2010.

As simple as this fs may appear to be, it was much more complex to pull off. The curves and angles just did not match. The original version was at filter 1:1. Today--after a long time--I had enough free time to play around. Cloned and upped the filter to 2:2 (well, 1.75:1.75 to be exact). The 0.25 offset was initially put into place for the creative process, just so I know which brick was where. The breaks became a design element somewhere along the way. That caused additional brick placement problems. A full 2:2 filter would have made things much easier. Regardless, I am reasonably satisfied with the outcome. Needless to say, each glyph went through a whole bunch of iterations before settling on what's currently visible. Not all turned out good. The 'V', for instance. Who knows, better solutions may exist.

Take a square, split it horizontally, vertically and diagonally. This gives just 16 line segments to work with. I have a book where the author lists every possible combination of those 16 line segments. That gives a staggering 65535 total possibilities. And that's just straight lines. I mention this because the uppercase grid here is 6×8=48 bricks (counting one 2:2 brick as 4 1:1 bricks). Then there is the possibility of using a whole slew of 4×4 brick shape. I am not even going to attempt to figure out how many total possible combinations that makes but I am sure it is a number much larger than 65535.

The point is, with so many possible brick combinations, better solutions most probably exist. I just may be too narrow-minded to visualize them.This is a clone

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Inline

V10 (66)

Creative Commons

57 104114 Published: 22nd April, 2011
Last edited: 28th August, 2011
Created: 30th January, 2011
Thanks to Aruba Ajmal for suggesting the name. :-)

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641 348296 Published: 9th April, 2011
Last edited: 9th August, 2011
Created: 4th March, 2011
Here, the innovative approach I took to stroke contrast in iSlab takes a radical leap forward. The result: a technical, friendly, modern slab serif design demonstrating further potential of the stackable composite function.

Please enjoy a private clone to see how I dealt with contrast, curves, bracketing, variable letter width and the difficult-to-achieve emboldening of the capitals’ vertical strokes within a minimal fontstruct matrix (and If you like what you see, please download for personal usage and vote kindly! :)

Intaglio’s amazing recent work makes similar strides (see the excellent rounds, for example), offering a solution before me to several of these long-standing impasses of the medium.

More characters to come... :)This is a clone

Slab Serif

Creative Commons

129 4714039 Published: 25th March, 2011
Last edited: 25th March, 2011
Created: 21st February, 2011
All of the curves are "real" curves using the curved bricks. Using 2x2 filters, - The x-height is 8 grid squares. - The cap height is is 11 grid sqaures. - The descender height is 3 grid squares. - The widths vary, but for reference, the lowercase o is 9 grid squares wide. I also included many ligatures. They are stored in the Extended Latin A character set.

Slab Serif

Creative Commons

103 710223 Published: 11th February, 2011
Last edited: 11th February, 2011
Created: 4th February, 2011
Based on letters I saw in some fashion magazine many years ago. I found an old note with my hand-drawn sketches of it the other day, and realized it would be perfect for FontStruct. Based on a simple 3x6 grid and very few brick-shapes. Kind of organic and playful letters anyway..

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Creative Commons

121 1010351 Published: 12th January, 2011
Last edited: 9th September, 2012
Created: 15th September, 2010
A basic design principle, namely to emulate newspaper headline type. A few details to be worked out, but it's pretty much there. Seems to work well at all sizes.

Sans Serif

Creative Commons

130 116670 Published: 10th January, 2011
Last edited: 1st February, 2011
Created: 10th January, 2011
Clone of FS Hommage à Frodo7. It’s the shaded version. If you check the sample text, you see that 's' and 'p' don’t work well together [sphinx]. For this case just use the uppercase s instead.This is a clone of FS Hommage à Frodo7

3D

Creative Commons

55 622113 Published: 6th January, 2011
Last edited: 5th January, 2011
Created: 25th August, 2010
An on-going project. More glyphs will be added periodically.

Dotted

Creative Commons

114 3410732 Published: 14th December, 2010
Last edited: 7th December, 2021
Created: 3rd November, 2010
2 x 2 filter with lots of compositing and stacking.

Sans Serif

Sans (1257)

Creative Commons

40 49812 Published: 23rd September, 2010
Last edited: 23rd September, 2010
Created: 23rd September, 2010
This one evolved as I was working on it. Originally intended to be a slab serif using the new bricks but no filters, stacks, or composite bricks. I found that the letters looked cooler when some of their shapes were implied. If I can get around to stencilling this, I'll enter it in the handmade competition.

Creative Commons

8 0983 Published: 28th August, 2010
Last edited: 28th August, 2010
Created: 28th August, 2010
Using curves, l bricks and half bricks.

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66 35618 Published: 27th August, 2010
Last edited: 27th August, 2010
Created: 25th August, 2010

Sans (1257)

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15 4287 Published: 26th August, 2010
Last edited: 26th August, 2010
Created: 26th August, 2010
Experiments with circles.

Creative Commons

56 138815 Published: 10th August, 2010
Last edited: 30th September, 2013
Created: 27th January, 2010
Sort of like decoded Morse Code.

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FontStruct License

19 27812 Published: 23rd July, 2010
Last edited: 24th July, 2010
Created: 10th July, 2010
More of an exercise than something I actually like. It's not quite finished either - a few creases need ironing out, although it does seem to work well at all sizes.

Creative Commons

snhussain, Favorites

STF_BOOTSHAUS

Ishmael

ETC Denouement V1.1

zement02 eYe/FS

Zwaar

zenantoo eYe/FS

Ristrutto

Flying Tiger

Apple Core

Avico

Puzzlish

FS Commander

Machete

Broken Promises

Ubangi

ExTrude

Paradoxx

fs Arc Test 2:2

fs Laurel

Ohm Run Slab

Likea

Arbour

Sam Sleeps

FS Hommage à Frodo7 Sh

fs Perpetual

Evity

Bits/Bites

ells split peas

Nontroppo

plexud

fs Dots and Dashes

Torch A Tortured Orchard