Name is a pun and a work-in-progress.
This is my first try at a serif-style font.
If you need any character set specifically, message me and I'll add them ASAP.
Contains:
-Basic Latin 100%!
-Latin Supplement 100%!
-Latin Extended A 100%!
-Latin Extended B ~65% (will most likely never be finished)
-Cyrillic (Basic Russian: 75%)
More coming soon!
Recreaction of the in-game font from Koei's strategy games Nobunaga's Ambition and Romance of the Three Kingdoms. This includes a basic (but slightly incomplete) set of hiragana and katakana glypns. Aside from my usual inclusion of smart quotes and inverted ! and ?, this is a straight glyph dump.
This may look nothing like Helvetica to the average viewer's eye, but still I tried to maintain the same proportions (e.g. x-height), spacing and other details.
Have a nice day.
Version 1.1 (04.04.19):
•Changes to most glyphs.
Version 1.2 (22.06.19):
•Fixed incorrect glyphs (Ů ů Ÿ).
Version 1.2.1:
•Fixed spacing
Version 1.3 (20.09.19):
•Changes to glyphs (A Ä etc.; C J L N R V; { and } ).
Font reference: fonts.com/en/font/linotype/helvetica/light
yeah this is a thing. this font has more glyphs than any other one i've made and i'm still probably gonna add more lol
Update Apr 4 2019 2:56 PM - Shifted the 1 a single brick to the right; now the digits are monospaced yay.
Update Apr 5 2019 8:50 AM - Added Latin Extended-A, Number Forms, and a couple other things
Inspired by a type identification request over at Typography.guru.
During developement, the tool has taken over, also helped by the scarcity of letters available in the original, making the design more sans than serif, and with strong MICR vibes in some places.
The name means "shoe shop" (also shoe repair or shoe making) in Italian.
At the moment the language coverage is limited to Western Europe.
A pixel font which combines four experimental techniques at once:
1. Structurally disconnecting the stems from the open parts of letters.
2. Allowing glyphs to extend beyond the reaches of width and starting position.
3. Designing glyphs specifically to connect and form new shapes, rather than simply allowing shapes to emerge from existing characteristics.
4. Designing glyphs so that the overall font is free of a need for kerning.
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Alternates are now on UPPER CASE. I'll continue to update this as I get more ideas!
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Original size: 6.75pt (use multiples of this value for pixel perfection)
Just doodling!
It breaks up clusters of words wherever punctuation appears. This might help with reading it out loud, by showing how long a sentence is at a glance and making it very obvious where to pause.
Taken from the story screens from Capcom's 1989 arcade brawler Final Fight. (Interestingly, this font can also be found in the tile set from the Street Fighter 2 arcade game). Accented letters are completely custom.
A fairly obscure video game font for you, this being the serifed font from thte 'Puyo Puyo' series of video games (if that name sounds unfamiliar, these games were reskinned in North American and released as 'Dr. Robotnik's Mean Bean Machine' and 'Kirby's Avalanche'.)
The base alphabet, numbers, and several punctuation are all authentic to the game (the inverted ? and ! are always easy to make, which is why I always include them, even if not a part of the game proper). However, there's plenty of custom glyph work here with the punctuation and the accented lettering.
Enjoy!
My attempt at making a Unown font where all the letters are consistent in size. This is original pixel art made using a high-res reference. It's made to be a nice-looking design, not to be 100% accurate to the games. Upper case is fully kerned.
"We Dunno" is an anagram for "Unowned".
Original size: 6.75pt (use multiples of this value for pixel perfection)
Recommended: Use with kerning turned ON!
The "TB" stands for "tuberculosis", which is probably what this font has. Still, it was fun to try to create authentic blackletter on such a small grid!
Original size: 9pt (use multiples of this value for pixel perfection)
A remastered version of the classic lettering by "Theo Van Doesburg" for avant garde architectural magazine "De Stijl".
So, rather than a replica of the original, this is a 2018 view of the classic letters. It still follows the global contour of the original letters but instead of being stenciled it features solid glyphs.