Fontstructions tagged with “Esperhand”

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Esperhand Modern 

by zephram
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1412071 Published: 16th May, 2019
Last edited: 18th September, 2019
Created: 14th May, 2019

A condensed, rounded, and modernized Esperhand in a higher resolution.

This is a clone of Esperhand
        Creative Commons

        Esperhand Overkill 

        by zephram
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        1521265 Published: 27th February, 2019
        Last edited: 27th February, 2019
        Created: 26th February, 2019

        Are you a <s>blind</s> bad enough dude to read the Esperhand?

        This is a clone of Esperhand
              Creative Commons

              Madina Script

               from MyFonts
              Madina Script
              Some fonts you just can’t FontStruct.
              Buy & download premium fonts on MyFonts.com

              Esperhand Black 

              by zephram
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              601003 Published: 25th February, 2019
              Last edited: 26th February, 2019
              Created: 25th February, 2019

              A dark/semibold Esperhand. Funky! A lot of glyphs had to be adjusted to make this work.

              This is a clone
                    Creative Commons

                    Esperhand Micro 

                    by zephram
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                    1011002 Published: 25th February, 2019
                    Last edited: 14th March, 2019
                    Created: 25th February, 2019

                    A smaller version of Esperhand.

                    *

                    Original size: 5.25pt (use multiples of this size for pixel perfection)

                          Creative Commons

                          Esperhand 

                          by zephram
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                          Average Rating: 8.00
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                          921320719 Published: 25th February, 2019
                          Last edited: 15th June, 2019
                          Created: 25th February, 2019

                          A pixel font which combines four experimental techniques at once:

                          1. Structurally disconnecting the stems from the open parts of letters.

                          2. Allowing glyphs to extend beyond the reaches of width and starting position.

                          3. Designing glyphs specifically to connect and form new shapes, rather than simply allowing shapes to emerge from existing characteristics.

                          4. Designing glyphs so that the overall font is free of a need for kerning.

                          *

                          Alternates are now on UPPER CASE. I'll continue to update this as I get more ideas!

                          *

                          Original size: 6.75pt (use multiples of this value for pixel perfection)

                              Creative Commons