1521301
Published: 18th November, 2012
Last edited: 23rd November, 2012
Created: 15th November, 2012
Tipografia desenvolvida como solução final de TCC para o curso de Design da Unoesc Xanxerê.This is a clone
200307
Published: 28th October, 2012
Last edited: 28th October, 2012
Created: 20th October, 2012
This Fontstruction was designed for my first module, 'Communicating With Words' at UWE. The brief we were given was to design a typeface using a key word, mine being 'ornate'. My ideas initially stemmed from architecture and then to the tilling within. I used elements I saw within the tile design and transferred them into my Fontstruction.This is a clone
170266
Published: 1st October, 2012
Last edited: 2nd October, 2012
Created: 27th September, 2012
A throwback to the 8bit games of my childhood, Super Gothica is a black letter pixel font.
Uppercase, numbers and basic symbols coming soon.
110990
Published: 18th September, 2012
Last edited: 2nd November, 2012
Created: 18th September, 2012
Based on a pixel font from a video game in development
233983
Published: 29th July, 2012
Last edited: 29th July, 2012
Created: 28th July, 2012
This is a more blocky version of my font, "fs Bold". This one happens to contain:
-Bolder Letters
-Thinner Moments
-More Excitement
This one was made since the other version was unnoticed )-:
1361562
Published: 26th July, 2012
Last edited: 27th July, 2012
Created: 26th July, 2012
This is the first random-positioned font I've made. At the end of each glyph (The right Side) displays a bold line.
151993
Published: 13th May, 2012
Last edited: 13th May, 2012
Created: 9th May, 2012
This is a Basic Latin font that has an archaic design pattern. Somewhere between tribal and fanciful, it's keyed towards Vampire and Mage-themed texts.
1901013
Published: 30th January, 2012
Last edited: 30th January, 2012
Created: 30th January, 2012
This is a clone of Elephant and castle with added punctuation and adjusted spacing. It should be fairly usable, though I'm not happy with some of the symbols ($, /, \, @). I hope it can be useful!This is a clone of Elephant and castle
92981
Published: 25th January, 2012
Last edited: 25th January, 2012
Created: 18th January, 2012
A modern interpretation of an old english rune style font crossed with gothic/calligraphy stokes.
25215140226
Published: 31st December, 2011
Last edited: 24th October, 2022
Created: 31st December, 2009
Here’s Noptical as it was meant to be. Two years in the making, still an ugly font!
But look: better spacing, 1333 glyphs, all latin variants you could wish for (including Vietnamese), Greek, Cyrillic, Braille, Yijing hexagrams, the not yet Unicode-encoded Rouble sign, interrobang (after a design by Adien Gunarta), even a tombstone!This is a clone of Noptical
163187638
Published: 24th December, 2011
Last edited: 4th January, 2012
Created: 22nd December, 2011
Typeface based on the work of Victorian Designer and Architect E. W. Godwin (1833-1886) born in Stokes Croft, Bristol. He was influential in the Aesthetic movement that created "the look" of Victorian Britain. He began his career working in the strongly polychromatic "Ruskinian Gothic" style of mid-Victorian Britain, inspired by The Stones of Venice, then moved on to provide designs in the "Anglo-Japanese taste" of the Aesthetic Movement and Whistler's circle in the 1870s. A friend of Oscar Wilde, James Whistler and William Burges he was also the father of revered actress Dame Ellen Terrys illegitimate child. Godwin's influence can be detected in the Arts and Crafts Movement. To judge from his sketchbooks at the Victoria and Albert Museum, one might have expected an eclectic historicist, but Godwin, by no means a tame reproducer of antiquarian Gothic designs, was among the first to extend the European design repertory to include the arts of Japan, which had been opened to the Western world in 1853. His work is undergoing a revival since he was jokingly adopted as the patron saint of Stokes Croft by community action group the Peoples Republic of Stokes Croft. The group aim to to put some of his finest architectural achievements in the city back to good use as many of them despite being buildings of some historical significance lie empty and unused. His design work is being reincorporated into the urban landscape through the community organisation's programme of public art and his style has recently been adopted by a number of Street Artists including Dones and Felix Braun so his work is undergoing some kind of a revival.The glyphs are all based on the patterns from his sketchbooks.
1351491
Published: 22nd December, 2011
Last edited: 25th December, 2011
Created: 9th December, 2011
Something quickly put together, based on a pretty simple module in between gothic and moorish. I thought there’s something festive about it, hence the name.
120700
Published: 22nd November, 2011
Last edited: 12th December, 2011
Created: 17th October, 2011
Typeface inspired by the idea of merging together common graffiti hand style accents with a modern typeface. Meet Gothic and Graffiti in the middle and you have my idea for Open Up.
5374266121
Published: 9th November, 2011
Last edited: 5th December, 2011
Created: 8th November, 2011
This Fonstruction was created in my first year studying graphic design at UWE. The design brief was to create a typeface using the key word; 'ornate'. I have taken heavy influence from gothic fonts and architecture, looking in particular at religion and religious texts. For more information please visit my website at http://wasteofpaper.co.uk/wordpress
I welcome all comments and constructive criticism, thank you :)This is a clone
14376949
Published: 31st October, 2011
Last edited: 1st December, 2011
Created: 31st October, 2011
I am a first year student at the University of the West of England. Our first project this year was to design a typeface based around a word of our choosing. I opted for ‘Pompous’, as it stood out to me from the list. During the project I visited Bristol Cathedral several times, and spent time in and around Bridgwater, looking at anything that I found to be pompous, such as cast-iron work and Baroque architecture. My final design is influenced by Gothic typefaces and raised lead tombstones/plaques. The name ‘Delectatio Morosa’ is Latin for peevish delight, which I discovered whilst looking at different Latin phrases.