237102621
Published: 9th September, 2008
Last edited: 12th June, 2009
Created: 9th September, 2008
I hate Times New. It deserves to be smudged, eroded, distressed, manipulated and otherwise abused.
*Note: I wasn't looking at anything as a reference when I did this; probably should have - the "W" and the "M" would have looked better, but frankly, Times New doesn't deserve the attention to detail. : )
662132892
Published: 12th September, 2008
Last edited: 23rd June, 2009
Created: 12th September, 2008
Just like Fluoralei, but with a lighter pattern that extends thru each horizontonal bar.This is a clone
8492228135
Published: 12th September, 2008
Last edited: 3rd June, 2009
Created: 12th September, 2008
Inspired by caseycastille's Chinese Chairs, this started out as an exploration of optional letters for that font. Then I just doodled some repeating patterns. Then I saw how I can fill the patterns inside the letters. They fit together pretty easily for vertical letters, but diagonals were really tricky. The end product resembled Hawaiian leis draped over each glyph. Very floral. So there you have it. Flowers. For Casey. :)This is a clone
12173215
Published: 3rd May, 2024
Last edited: 16th November, 2010
Created: 22nd October, 2010
Designed as part of a university project. I studied ornate Circus and Carnival style lettering which often incorporate intricate detailing within the letters. I have attempted to blend a particular lattice pattern with blackletter-style letter forms.
591173845
Published: 26th September, 2008
Last edited: 19th June, 2009
Created: 26th September, 2008
I imagine this is what MC Escher's checkerboard would look like...if it were a font.This is a clone
32034035
Published: 6th August, 2008
Last edited: 15th June, 2009
Created: 6th August, 2008
Flameon is extracted from the FLAME ON! battle cry created for the most excellent Bubble Lab Collaboration started by kix. Join in the fun already! I thought I might as well make the entire alphabet in the same style without the flames. The lines came from the style of old school renderings of the Human Torch from the Fantastic Four in Marvel Comics.
12574622
Published: 2nd June, 2015
Last edited: 3rd June, 2015
Created: 17th January, 2012
This fs was started in January 2012. I didn't remember that of course, I just checked the created date. Similarly, who-the-fun can remember what the inspiration was for it. All I know is that it has gone through many iterations to reach this state. It only uses the one square brick but oh so many of them. Even though all it contains are straight lines, still a pain to build brick by square brick. I am so glad it is over. I will not be doing much more than this on it. Bye bye, Build. Pester someone else.This is a clone
271374771
Published: 1st September, 2009
Last edited: 3rd September, 2009
Created: 30th August, 2009
Very loosely based on the work of Piet Mondrian.
The alternative S (igorrossi's) is on the l/c sThis is a clone
18572549338
Published: 3rd May, 2024
Last edited: 3rd February, 2012
Created: 26th October, 2011
A completely different design direction from my other fontstruction "Shadowman" & "Letterpress".
2091135356
Published: 8th April, 2008
Last edited: 23rd June, 2009
Created: 8th April, 2008
Use the Big Fat fonts with each other in different colours for awesome chromatic effects.
A big fat angular industrial strength chromatic font. The lowercase contains the fill for the uppercase.
UPDATED 25 February 2009: Made the space character 2 grid units wider.
UPDATED 27 February 2009: The 'J' has been off this entire time and nobody noticed. Now it's fixed. Also fixed width of 'Q' to match new members of the Big Fat family.
20655618
Published: 1st July, 2008
Last edited: 20th June, 2009
Created: 1st July, 2008
“The process is a little reminiscent of Tetris, but without the overwhelming feeling that sets in when the pieces start dropping at an impossibly rapid pace.”
Yes! Fun and addictive like Tetris.
Tetrisyde is entirely made up of Tetris blocks. (The preview may be a little off due to scaling, but trust me, they're there. You might get a better view by scrolling in increments.) This font is inspired by the above quote from ReadyMade magazine and Stephen Coles' comment on FontStructions inspired by Tetris. Enjoy!
191235759
Published: 28th October, 2012
Last edited: 11th November, 2012
Created: 15th October, 2012
This typeface is based on the theme of "Vibration". From the beginning I wanted to create a unique design, looking at sound I decided to use my voice as the starting point. After recording myself pronouncing the alphabet and uploading it to a sound editor I looked at the different shapes and patterns it created. This was my voice that was unique to me and was the inspiration for the typeface. I then researched fonts and looked at bold, chunky designs which could hold the pattern without taking too much away from the letter form as it was important to me that my design was still legible. I decided to use the corresponding sound with the letter (i.e. the A has my pronunciation of the letter running through it)making it different from anything I have seen before. Please comment and share your opinions. Thank You
225126332
Published: 6th February, 2014
Last edited: 7th February, 2014
Created: 8th April, 2013
This one is a little older. It became interesting again for the inline competition, even if its not a "real" inliner
2036436386
Published: 17th April, 2008
Last edited: 20th June, 2009
Created: 17th April, 2008
Caps Only Monospaced picture font.
Complete with Chrome gloss and "Sin City" style shadows.
<>()[]{} are openers and closers.
Maybe it should be renamed Rolld.
5941163139
Published: 28th March, 2011
Last edited: 12th June, 2011
Created: 27th March, 2011
Another 'cut-out pattern font' not completely happy with it yet though
255176442
Published: 4th February, 2014
Last edited: 3rd February, 2014
Created: 17th January, 2014
Only lowercase and minimal punctuation for now...not enough time for a complete set.
The lowercase characters can be layered on the uppercase to get different colored outlines and slashes.
The uppercase contains the characters as the outlines and the internal slashes. The lowercase contains the characters as just the outlines.
The punctuation has the outline only version on the it's key and the slashed version on the SHIFT + key. For example, 2 contains the outline version of @ and SHIFT + 2 contains the slashed version of the @.