For my weaving website I wanted a novel font. So here is FRIVOLITE, the shape is based on the beautifully shaped shuttle used for hand weaving. Indeed the O and 0 and @ show perfectly the shuttle shape. The other glyphs were made to fit (as far as reasonable) into this specific shape. I know that frivolité is knotting rather than weaving, but this shuttle shape can be found in weaving, too. An alternate N and Z is on 'extended Latin B'.
Actually .. there are no Italics
This is a clone of Ticcal Thin MonoSTF_LIQUID DISCO (Solid) - Sollid filled style variation on:
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The "Heavy Competition" was the perfect excuse to finaly blow some new life in this older project.
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This font family is a funky looking display sans. The original outline version was inspired by music advertisement and psychedelic arts.
This follows up on the first version with a rock solid filled glyph.
I hope you like it, cheers!
This is a clone of STF_LIQUID DISCO (Outline)BLAUHAUS (Plus) - 'Bauhaus'-inspired design
This is the 'Pro' version in the BLAUHAUS family, and instead to the first version this includes a full uppercase set as well. The glyph alternatives that previously occupied the (Uc) string has been relocated to the "Halfwidth and Fullwidth Forms" Unicode block.
In addition to that a whole bunch of extra glyph alernatives, numerous symbols, dingbats, arrows and other elements are included as well.
I do realize it is far from perfect, but since it was designed on a very tiny grid and without filters, a whole lot of available realestate to house bricks wasn't a luxury for this project.
Nonetheless I've tried to put in plenty of diversity, and I think the underlying constraining effect as result of the limitations from not utilizing 'brick size'-filters works out just fine in preserving a certain degree of minimalism.
5/8 weight, no filters and only 4/8 nudging within FS-editor posed another dificulty, but despite all these challenges it was a very fun project to puzzle with...
I hope y'all like it..
Cheers
This is a clone of STF_BLAUHAUSLORD KRUMBLE —A transitional sans that mixed Art-Deco with neo-classical humanist minuscules
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Inspired to celebrate the homecoming of him who strikes fear in all badly baked treats, the one which nightmares are made of, that kind of person that makes every cookie crumble and wanna skip school for a day or two. Of course I'm talking about the one and only "Cookielord".
— "What could'nt be better suiting than to have a freshly crasfted and new font that is celebrating his return."
Him recently dropping a new FontStruction somewhat came as a pretty unexpected but nice surprise. It just so happened to be that I was already looking for new ideas that could lead to the next project. In fact, until recently I was actually still struggling with this, and hadn't really been able to provide a catchy and motivating design theme to bring to the table that would once again help me on my way with starting a new FontStruct project. So I took this occasion to see if I was able to find a little inspiration in his Verminfont. Not particularly aimed at doing a derivative work, nor anything closely resembling his cool font. Instead rather trying to draw some inspiration from that peculiar and playful but friendly characteristic, that to me personally distinguishes his Vermin font the most anyway.
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And so I appoligize for the fact that this doens't truly relates or do justice stylistically in any way to the aesthetic present in Cookielord's original Vermin font. That being said, this is what became the end product of that.
But, it does have one striking resemblance that pays a homage to him, and that is the included cookie. Sorry I took a bite out of it my friend, hope you can still appreciate it.
— Just to let you know that regardless wether you decide to stay or not, your recent return isn't going to be for nothing!!
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No 'Brick Size' filters were used, which of course presented me with a lot of challenges that limited the amount of complexity I was able to put in, something that wouldn't been the case with (2:2) 'Brick Size' filter settings. The other noteworthy aspect to this particular fontstruct is its grid size, which is tiny. Never before have I made a Fontstruction that required kerning values to fluctuate only as little as 0,01. This also made it impossible to implement optical corrections on the vertical axis in the form of overshoots, but luckily this didn't became a very clear issue in the end.
I'm not sure if I can complete the additional Latin accents for all characters due to the limited grid space available surrounding some of glyphs. I might try doing those later.
Let me know what u think of it so far fella's, stay tuned!
Cheers
Inspired by Interfacer. See also Zagato and Zagato Black.
Looks like the Bauhaus style is trending on FS.
This is a clone