1351516133
Published: 22nd January, 2014
Last edited: 17th February, 2014
Created: 15th January, 2014
I hope this qualifies as an inline ;) Each letter consists of one continuous line, zig-zagging back and forth to create the illusion of high contrast. The letters A, G, J, K, M, R, U, V, W, Y, Z have alternates in lower case. Other letters may need some more work.
1231929131
Published: 18th February, 2011
Last edited: 3rd May, 2011
Created: 28th January, 2011
This is a tall monospaced font, so I had to get a bit creative with some of the glyphs. But I think it's relatively legible.
83657214
Published: 16th November, 2010
Last edited: 8th March, 2012
Created: 9th November, 2010
I'm just playing around with some diagonals and monospace, and it ended up as this strong and legible typeface.
1161020332
Published: 12th March, 2010
Last edited: 12th March, 2010
Created: 12th March, 2010
No respect at all of any conventionnal font design: no ascender, no descender, monospace, monoheight, interior slab.
The main focus was to create a readable font and been totaly free of any standard design restriction.
This is a clone
1274146257
Published: 26th October, 2009
Last edited: 2nd October, 2009
Created: 1st October, 2009
The ‘Sans Serious’ Series is a group of tribute typefaces meant to honor Dutch designer and typographer Jurriaan Schrofer.
Along with Wim Crouwel and Josef Albers, Jurrian Schrofer (1926 - 1990) was among the Bauhaus pioneers of grid-based modular typography and design.
Schrofer's work experimented with type, light, and color and focused on mathematical shapes and pattern.
“Schrofer made several attempts to create complete typefaces - one of which was wittily calledSans serious- but this was never his goal. ‘Is it necessary’, he wrote, ‘to make complete alphabets with upper- and lowercase, figures, diacritics and seriously adorned with a name, when the aim is merely a formal investigation into basic recipes’ Schrofer's domain was never the design of typographic alphabets, to be used by other designers, but always the creation of letterforms ‘made to measure’ as part of his own designs of - mainly - book covers and postage stamps. He created a rectangular alphabet as the basic element of his ever-changing covers - each based of the same grid but colored differently - for a series of scientific books, ‘Les textes sociologiques’ from Mouton Publishers. He made sophisticated pixel-based letters, all drawn by hand, and experimented with photographic screens as a means of distinguishing simplified letterforms from the background. He created logotypes built from custom-made letterforms, based on rectangular grids.”
“In his booklet ‘Letters op maat’ (‘Type made to measure’, 1987), Schrofer presented many of his experimental alphabets from the 1960s and '70s. The booklet was part of a series of goodwill publications edited by Wim Crouwel for Lecturis Printers, Eindhoven.”
21482714
Published: 16th July, 2009
Last edited: 16th July, 2009
Created: 15th July, 2009
Please see the samples in the comments.
Using a new technique that combines 1.8 scaling and diagonals.
33785729
Published: 24th March, 2009
Last edited: 23rd June, 2009
Created: 24th March, 2009
Lowercase includes alternate capital J and LThis is a clone
300985
Published: 4th June, 2008
Last edited: 9th June, 2008
Created: 4th June, 2008
SpaceLab is a font, which originates from the Beatbox. I used to use this font a lot for a brand, I also needed to adjust the type for some reason. Fonstruct makes it so much easier for me, Thnx guys!
350982
Published: 19th May, 2008
Last edited: 22nd April, 2013
Created: 19th May, 2008
An interesting little font wrote for a fictional character in an online setting of mine. Interestingly enough, I found my name referenced for a 'type design in mexico' thing. Given I'm not in Mexico or anywhere near it, this strikes me as quite interesting.
150990
Published: 15th May, 2008
Last edited: 19th May, 2008
Created: 15th May, 2008
A complete set of basic latin characters. Looking a little weired, it is more useful for funny texts, not for letters and stuff ;-). I will update it and add more letters, if needed, and i will also fix errors.
520862
Published: 8th May, 2008
Last edited: 16th June, 2009
Created: 8th May, 2008
Simple Matters, originally designed for a logo. I wanted to use a 5 square grid and the effect of cut out metal plates.
16044954
Published: 7th April, 2008
Last edited: 16th June, 2009
Created: 7th April, 2008
Based on a font from a receipt for plutonium discovered in a De Lorean. Missing characters were added, as well as Greek, Cyrillic, and Hebrew characters.This is a clone of Nuclear Depot Plutonium
4904952
Published: 7th April, 2008
Last edited: 7th April, 2008
Created: 7th April, 2008
Based on a font from a receipt for plutonium discovered in a De Lorean. Missing characters were added, as well as Greek, Cyrillic, and Hebrew characters.This is a clone of Nuclear Depot Plutonium
4704953
Published: 7th April, 2008
Last edited: 7th April, 2008
Created: 7th April, 2008
Based on a font from a receipt for plutonium discovered in a De Lorean. Missing characters were added, as well as Greek, Cyrillic, and Hebrew characters.This is a clone of Nuclear Depot Plutonium
3704952
Published: 5th April, 2008
Last edited: 7th April, 2008
Created: 5th April, 2008
Based on a font from a receipt for plutonium discovered in a De Lorean. Missing characters were added, as well as Greek, Cyrillic, and Hebrew characters.