Fontstructions tagged with “Venetian”

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Venetian 

by Omegaville
0.00 Click on the stars to rate this FontStruction.
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230951 Published: 28th May, 2021
Last edited: 28th May, 2021
Created: 28th May, 2021

Yet another GEOS font!  This is a recreation of Venetian from FontPack PLUS, which was a 24-point font.  It had its own inherent imperfections, some of them I fixed, others I haven't... decide for yourself if it's good or not.  I haven't kerned anything either.  Spacing was 4 pixels between characters in the original.

And why the name?  Venetian blinds!  I decided not to rename it "Venice" here because there's other fonts with that name.

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    fs monital 

    by opipik
    8.49 Click on the stars to rate this FontStruction.
    Balanced Rating: 8.49
    Average Rating: 8.70
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    10598717 Published: 15th June, 2014
    Last edited: 16th June, 2014
    Created: 29th May, 2014
    monospaced, dotted font
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      fs jenson 1 

      by opipik
      8.26 Click on the stars to rate this FontStruction.
      Balanced Rating: 8.26
      Average Rating: 8.43
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      394594 Published: 2nd May, 2014
      Last edited: 5th June, 2014
      Created: 2nd May, 2014
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            fs inspira 2 

            by opipik
            8.36 Click on the stars to rate this FontStruction.
            Balanced Rating: 8.36
            Average Rating: 10.00
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            70551 Published: 2nd September, 2013
            Last edited: 2nd September, 2013
            Created: 28th August, 2013
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                  iChip 

                  by William Leverette (will.i.ૐ)
                  8.40 Click on the stars to rate this FontStruction.
                  Balanced Rating: 8.40
                  Average Rating: 8.54
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                  901452219 Published: 16th February, 2010
                  Last edited: 16th March, 2010
                  Created: 14th February, 2010
                  I began this fontstruction as a challenge to create a seriffed pixel font with grid characteristics similar to iSlab’s 8 pt setting (bearing an x-height of four pixels). This inspiration began with similar shapes and roots as its predecessor, but evolved from there once it quickly became clear that those shapes really could not be reproduced with strict pixels. Then I went on a bender creating the katakana and hiragana character set. Then I went crazy with filters and single brick substitution.
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