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WebFont is SIL Open Font License freeware (version 1.0). If you like it for a website, you can use it as a web font. You can clone it, download it, whatever. Hopefully, if you use it as a web font, you will add a link to my site, Font-Journal (https://www.Font-Journal.com), in the credits of your website or blog (professional sites & blogs give credit for the resources used that aren't theirs), if you use it or distribute it, but that is not required.
You can edit, modify, append or do whatever you need to do with this font, including using it commercially or in creating your own art/graphic works, even a new version of the font as long as all further redistributed derivatives use a new reserved font name and remain under the same "SIL Open Font License".
This is a freeware font, it should never be sold, unless it is included as bonus freeware part of a paid collection. WebFont is FREE.
Supports a large latin character set (lots of latin), with extras like the Copyright, Trademark, Tel: symbols, currency signs and an assortment of little Dingbats. I try to use Dingbats for the UI when I design websites, so I included a few without weighing the font down too much, it still loads quickly. Loading a vector based font for UI stuff is a lot easier and quicker than loading graphic files.
Any questions, character requests? Go ahead and ask!
If you see anything that needs to be addressed, be sure to shout out at me, I'll see if I can fix stuff. - Doug Peters, Symbiotic Design
https://Dougs.Work - https://Doug-Peters.com - https://Salamander.US
https://SymbioticDesign.com - https://Worthful.com - https://Worthful.net
This font was made for street food vendor which we call PKL. My team got tahu campur which means mixed tofu. Inspired by the tofu, I made the font literally square like a tofu (lol). Tahu campur has bold taste which result in also a bold font. Shadow made by request. Hope you like the font! Please leave some comments for a better changes so we all can improve. Thanks~
This is a clone of Like a TofuA typeface inspired from Indonesian food called "gado-gado"(salad with peanut sauce). Its texture is soft because of peanut sauce. Rice cakes and potatoes add some blocks texture. So, i made this blocky and soft typeface.
A strong and bold sans serif typeface. This font is not completed yet, since it was published to be discussed in my class. Please leave your comment of what you think about this font :)
Ps. I'm still new on fontstruct, so please understand if this isn't perfect. Thank you!
At the end of October I decided to dive into the new Bricks 'Connect'. I started with the lowercase 's' & 'a'. Working out what the minimal size I could fontstruct it in, then expanded and condensed it from there to accomadate the rest of the glyths. You can still see these in the font above (Just before the Latin characters. As I progressed I came to love the thin white gaps, and then tried to have every glyth with some element of the curved white gap in it. Some were more successful than others. As you can see, I have included the less preferred options at the end. I've also designed some of the final glyphs in illustrator, as it was impossible to have all of them with one white line, without help from an external app.
The most difficult glyphs to create and ultimately the most satisfying once completed were the 'V' and '~'.
I liked the look of final font so much, that I decided to create a whole family. Cableguynium 0 (which has Zero cables), CableGuynium 2 (which has 1-2 cables per glyth), and CableGuynium 3 (Which has 3-4 cables).
Unusually I struggled naming this font, I have early versions saved called Flowonica, Rubber Tyre, Ice Skater and Fibropticon, ..... eventually settling on CableGuynium as it was the most memorable.
ANY CRITICISM, GOOD OR BAD IS WELCOMED.
Narrow and heavy, ultra bold Piano key designs once required fractional brick scaling to generate their distinctive slit-like counter forms while working with maximum curves. Composite stacks provide a more elegant and versatile solution to this old problem. In this way, they can be seen as an important milestone on the road toward individually scalable bricks...
Letterspacing is kept tight in this fontstruction, but still needs a great deal of manual kerning especially around all the character lacking serifs on one or both sides.
72+ initial downloads done during testing and troubleshooting. More characters to come. Enjoy, and please vote kindly. : )
This is a cloneThe ultra-low resolution of this grid may be difficult to grasp without cloning. Fontstruct’s logo has a nominal x-height of 3 bricks, by comparison.
The level of detail, control, and finesse possible in a given fonstruction depended mostly on resolution prior to the recent advent of stackable composites. Did you want it better? Make it bigger!
Brute force, now meet Elegance.
Instead of building individual glyphs hundreds of bricks tall, stackable composites allow us to design rich modular schemata hundreds of bricks deep. Using curved bricks at their largest scale, linear and curvilinear elements dynamically harmonize and oppose. As well, screen fonts can be effectively hinted (aside from notable lack of kerning controls) without sacrificing the integrity of joins and intersections. And the trapping possibilities, Oh the sweet sweet trapping possibilities...
Please, vote kindly and stay tuned for more :)
This is a cloneInspired from well-known pleasant-tasting food in Surabaya (the capital of province East Java), Indonesia, Tahu Tek. If you are a peanut or tofu-lover (or even both) you'll probably love tahu tek. The crunchy-taste of kerupuk be united with delectable half-cooked fried tofu, soft-texture of lontong, frech fries (yes, there is), a little bit of bean sprouts, garnish with pickles and tasty peanut sauce spread all over the half-cooked fried tofu.
I put several element of green soybean pod in my glyphs. Soybean is the main ingredient of tofu also known as bean curd. Let me know if you have some thoughts and critics by giving comments :) I would really appreciate it. ^^
Please enjoy a private clone to see how I dealt with contrast, curves, bracketing, variable letter width and the difficult-to-achieve emboldening of the capitals’ vertical strokes within a minimal fontstruct matrix (and If you like what you see, please download for personal usage and vote kindly! :)
Intaglio’s amazing recent work makes similar strides (see the excellent rounds, for example), offering a solution before me to several of these long-standing impasses of the medium.
More characters to come... :)
This is a cloneThis font was inspired by a local food from Lamongan, Indonesia. It's called 'tahu campur'. I made the uppercase much bigger than the lower case because the uppercase symbolize the tofu (tahu kuning. it's a big tofu, with a rectangle shape, and the color is yellow) that was used as the main ingridient of tahu campur.